The gamecock. (Columbia, S.C.) 1908-2006, August 15, 2003, Page B3, Image 17
THE HEIGHT OF DRAMA
BY BRANDON COOPER
THE GAMECOCK
Columbia’s downtown region
is graced with three hard-working
dramatic theatres. These integral
parts of the area’s artistic com
munity all have great shows to of
fer area students and provide good
starting points for someone look
ing to get involved in art.
Trustus Theatre - 520
Lady St. in the Vista
^ This is the place to go to see cut
ting-edge dramatic and comedic
plays in a comfortable social set
ting that explore the full spectrum
of race and sexuality. Known for
bravely portraying the risque,
Trustus’ late night theatre selec
tions include this summer’s pro
duction of Charles Bash’s
“Lesbian Vampires of Sodom.”
“Students will not be bored by
our offerings, “ said Paul
Kaufman, the director of market
ing and development for Trustus.
Kaufmann said Trustus sets itself
apart by offering a stocked bar and
comfortable seating to ensure a
pleasurable and entertaining ex
perience and further evolve its in
clusive, communal atmosphere.
The theatre offers student dis
I
counts, but in general one should
expect to pay between $12 and $18.
On the first Sunday of each month
the theatre holds an I Pay What I
Can special in which patrons lit
erally pay what they can for tick
ets.
The theatre also holds an an
nual playwriting contest and will
begin accepting applications,
which you can download from
I " *
their Web site on Dec. 1. The best
playwright wins full production of
the winning script. Last year’s win
ner, “Kudzu,” by USC Honors
College graduate Sarah Hammond,
will be showing Aug. 8 through 16.
Actors are encouraged to pre
pare a two minute contemporary
monologue and try out at the the
atre’s general auditions, held Sept.
7 and 8 at 7 p.m. For further infor
mation check Trustus out on the
Web at www.trustus.org or call
254-9732.
High Voltage Theatre -
914 Pulaski St.
High Voltage is not a mis
nomer. The theatre prides itself
on featuring thrilling, action
packed stage performances by a
I
PHOTO SPECIAL TO THE GAMECOCK
Sundance Cast: Patrick Kelly, Charles Whetzel, Christopher Cook, Tuck Lunan.
tight ensemble of players.
Director and screenwriter
Chris Cook promises the theatre’s
shows will be “something
Columbia has not seen before,”
featuring actors that could easily
be dubbed “stage combatants.”
Don’t expect anything here to
make you yawn.
The theatre holds, shows
Thursday through Saturday
nights as well as Sunday matinees.
On Aug. 7 High Voltage will fea
ture the play “Sundance,” a rootin’
tootin’ gun slingin’ Western com
plete with high-flying stunts. Also,
look out for Stanley Kubrick’s “A
Clockwork Orange,” coming in
2004, an intriguing stage adapta
tion of the popular film and book,
coming in the fall. Tickets are $10
each and the theatre will soon of
fer student discounts. For more in
formation call 754-5244.
Workshop Theatre -
1136 Bull St.
The Workshop Theatre features
quality comedies, dramas and mu
sicals put on by local actors.
Tickets are generally $12 to $14
each and the theatre also offers
students a discount package,
which, includes tickets to five
shows for $35. Executive Director
«
Nancy Brooks assures students
that they will get “exciting enter
tainment for less than a movie and
a coke.”
The_Workshop Theatre is of
special interest to those who want
tb get involved as well. Offering
various volunteering opportuni
ties, the theatre welcomes those
who would like to lend a hand or
learn areas of production.
Available positions include set
construction, costume construc
tion, light operator usher and
stage manager among others. If in
terested, people could do as little
or as much work as they desire.
The theatre also has an acting
school, which offers a wide range
of classes available for all who
want to learn.
Their upcoming shows include
“Ragtime” by Terrance McNally,
running from Sept. 19 through
Oct 1 as well as Broadway favorite
“The Man Who Came To Dinner”
by Moss Hart and George S.
Kaufman, running Nov. 7 to 19.
For more information, call 799
6551 for the box office and 799-0227
for the acting school or go online
at www.workshoptheatre.com.
Comments on this story?E-mail
gamecockudesk@hotmail.com
Bill’s
CONTINUED FROM PAGE B1
as well as teaching lessons on
Tuesdays and Thursdays.
Bill’s Music Shop and Pickin’
Parlor is “about the only place in
the Carolinas where you can have
a good jam,” said Woody “Rabbit”
Myers, who plays (or “murders”)
the rhythm guitar.
“This is true American music,”
said Harold Lucas, who came
with his five string and his son,
Randy, the 1997 national banjo
champion. Also on hand were
Harold’s brother Claude, Randy’s
twife Diana and Claude’s son
Jimmy. All performed together in
the back room with listeners clap
ping to the beat, or playing along
in their own chairs, working to
improve their technique.
Essentially this is the only
place to play with other musicians
without it being a performance or
a show, said Roger Brock, a recent
USC graduate. “It’s the place to
be,” he said, busting out some
country-fied Hootie and the
Blowfish. “You’ve got to be in a
band to be able to play like this.”
So what’s so great about blue
grass, anyway?
“It gives you a good feeling,”
said Harold, who delighted ev
eryone with Johnson’s Old Gray
Mule on his 100-year-old fiddle,
the oldest “and best” of his six.
The brothers, who perform
throughout the state and were
scheduled to play a wedding the
next day, said the jam session is
a good place to make contacts for
future shows.
A big part of the attraction is
the practice and experience that
comes from being regularly sur
rounded by the music. “You learn
new songs, and get to meet peo
ple,” said Brock.
The Pickin’ Parlor isn’t just for
jam sessions. Weekly shows from
both local performers and na
tional stars are showcased. Ticket
prices for shows range from $6 to
up to $20 for big names such as
Ralph Stanley and the Clinch
Mountain Boys, who is scheduled
to perform January 4.
Comments on this story?E-mail
gamecockudesk@hotmail.com
PHOTO BY TRISHA SHADWELL/THE GAMECOCK
Roger Brock plays the guitar as high school sophomore Andrew Irvin plays the mandolin.
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