The gamecock. (Columbia, S.C.) 1908-2006, July 30, 2003, Page 8, Image 8
Smile lor the world s most
candid camera
BY J.P. STEPHENS
THE GAMECOCK
Don’t think. Generally, this is
the sort of advice that might lead
one to bungee jump from a crane
in Cancun or finally get that tat
too of Taz just above the right but
tock, but in the case of lomogra
phy, the goal is art.
Lomography takes its name
from the LOMO Compact
Automat, a tiny point-and-shoot
camera initially manufactured by
the LOMO Russian Arms and
Optical factory in the early ‘80s.
According to the Web page of the
Lomographic Society
International, lomography was
first bom when several Viennese
students traveling in Prague
bought two of the LC-A’s in order
to document their trip. Because
of the camera’s small size they
found it conducive to sponta
neous, reflexive shooting. The
photographic results were in
SURFYOURSELF
Learn more about the aesthetics of tomography at
www.lomography.com
triguing, and so tomography was
bom.
Now, some years later, tomog
raphy has become a fad for the ul
tra-hip. Codified with “ten gold
en rules” including “don’t think,”
“tomography is not an interfer
ence in your life, but part of it”
and “don’t worry about any
rules.”
Lomography presents an inter
esting alternative to traditional
photography. It’s the attitude of
spontaneity and vivaciousness
that is clearly the underlying
theme of the LOMO Web site. The
site seems to promise that by
breaking traditional rules of com
position and lighting with your
LC-A, you will create truly indi
vidual art — art that is an exten
sion of your hip, active lifestyle.
While a camera might not be
able to make you an artist or hip
(much to my chagrin) the LC-A
does create interesting pictures;
hyper-saturated, with a slight vi
gnette effect. Best of all, the cam
era has an automatic exposure set
ting but no flash, allowing for cool
indoor and nighttime photos with
out fear of washing out subjects in
harsh white light. Ultimately,
though, the LC-A runs $180, which
is too much for this broke college
student to spend on a point-and
shoot camera. My advice: go to the
site, try out their rules, but do it
with a cheaper camera.
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Atwood
CONTINUED FROM PAGE 7
singing: a feature suggested to
Crake by the sexual semaphor
ing of crabs.”
Despite its science-fiction
gilding, Atwood’s world isn’t a
far cry from our own. As of2003,
science has yielded us goats that
produce spider silk, rats that
glow in the dark and tomatoes
spliced with fish genes that sus
tain freshness longer. And let’s
not forget the sensation earlier
this year spawned by a veritable
cult when it stepped into the me
dia spotlight claiming to have
the power of human cloning.
Jimmy’s plight as an under
grad should be of a particular in
terest to USC students, since
we’re now watching the admin
istration gradually tip the scale
of arts and sciences in the direc
* tion of sciences. Jimmy, the
progeny of scientifically gifted
parents who has more of a niche
in words than biochemistry,
winds up at the notoriously un
derfunded and seedy Martha
Graham University. Meanwhile,
his genius buddy Crake is blow
ing away his peers at the
Watson-Crick Institute.
On the downside of this nov
el, the constant witticisms make
the worldwide plague that sends
Jimmy back to the Stone Age al
most unbelievable. Maybe this
is the point, but it would have
been nice to read the serious sec
tions of the novel without Crake
cracking jokes or Jimmy being
such a pathetic putz — as he
tends to be throughout most of
the flashbacks. The scene where
Jimmy kills Crake for killing
Oryx in the midst of pandemic
comes off looking like a
Shakespearian spin on a bad
episode of Johnny Quest.
Despite their well-written his
tories, there just isn’t enough
depth to the characters, no mo
tive to drive Crake’s megaloma
nia, no actual scene to account
for Jimmy’s mom’s sudden birth
of conscience regarding her
biotech work.
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BIV
CONTINUED FROM PAGE 7
played to 10 people every night, I’d
still be psyched.”
Bivins said people come to the
show expecting “some
singer/songwriter sort of thing,
but instead they get my geek punk
up in their face.”
Bl V is Kind
of melodic
geeky,” Bivins
said. “Kind of
punk rock for
wussies.”
“It’s been de
scribed to me as
Weezer meets
the Foo
Fighters,” he
said.
Bivins, who lends vocals to and
plays guitar in BIV, started the in
strument about six years ago. He
said when he was learning to play
guitar he never learned any cov
ers. He just learned chords and
soon started writing his own
songs. “I’m not really a guitar
player,” he said.
“The key to BIV was having oth
er people who can pick up my sorry
slack,” said Bivins, who is joined
in BIV by fellow JLC members
Johnny Gray and Ward Williams,
along with Danny Cassady. Tinkers
Punishment’s Adam Blake is sit
ting in as the drummer for BIV un
til the band finds someone to fill the
spot. its
hard to find
drummers,”
Bivins said,
noting the
irony.
The show
Friday will
mostly con
sist of songs
that Bivins
wrote, but the guys have some “ex
citing” mystery covers that they
plan to spring on the unsuspecting
audience.
Bivins said that as a songwriter
he likes to have a healthy mix of
songs written from personal ex
perience and fictional songs. A
If you go
WHAT: BIV with Tinkers
Punishment and Thomas Reed
WHERE: New Brookland Tavern
WHEN: Friday at 10 p.m.
BOX OFFICE: 791-4413
TICKETS are $7 21 and up and
$10forunder21.
PHOTO COURTESY OF NICK WILSON
The BIV tour began July 23 at the Handlebar in Greenville.
creative writing teacher once told
Bivins that when you’re writing
you have to tell the truth, but you
also have to know when to lie.
“When I hear a song that has
n’t been written from personal ex
perience, I just don’t identify with
it,” Bivins said.
BIV isn’t Bivins’ only fun out
let. He said he likes to go bowling
and to watch horror movies.
Bivins said he would like BIV to
tour as often as possible. But BIV’s
touring ability ultimately hinges
on JLC’s schedule because so many
of BIV’s members belong to it.
JLC begins touring again on
August 14. Bivins said it will prob
ably be winter before BIV has a
chance to tour again.
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Steely Dan
CONTINUED FROM PAGE 7
On the title track to the al
bum, the Dan guys reflect on
the possible end of American
global supremacy, suggesting
that “It’s high time for a walk
on the real side/ Let’s admit
the bastards beat us/ I move
we dissolve the corporation/
In a pool of margaritas.”
Donald Fagen and co-con
. spirator Walter Becker also ru
minate on the end of a rela
tionship in “Things I Miss The
Most”: “I’m learning how to
meditate/ So far so good/ I’m
building the Andrea Doria out
of balsa wood/ The days don’t
last forever/ But it’s getting
pretty damn close.”
The lyrics demonstrate a re
fined dark comedy that one
rarely sees.
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