The gamecock. (Columbia, S.C.) 1908-2006, April 07, 2003, Page 5, Image 5
THE GAMECOCK ♦ Monday, April 7, 2003 5
CONTACT US ™EY SA1D IT
UU1' 1 ARISTOTLE: “While both friends and
Story ideas? Questions? Comments? truth are dear, piety requires us to
E-mail us at gamecockmixeditor@hotmail.com honor truth above our friends.”
r
Rivers
Music Festival
SHOW REVIEW
Left: Ludacris performs on the Coors Light Stage on Friday night at the 3 Rivers Music Festival. Above: Acoustic Syndicate jams
out during its set on Saturday.
Festival brings flood of music fans to Columbia for three days of concerts
BY MARIANNE PARRISH AND
CHRISTOPHER COYLE
THE (iAMECOCK
Despite the weather, the 3
Rivers Music Festival brought a
mix of national talent to Columbia
this past weekend, providing en
tertainment for a variety of tastes.
The festival kicked off in the'
Vista on Friday with acts includ
ing the Ohio Players, B.B. King and
Ludacris. And besides playing host
to various musical acts, the festi
val featured the South Carolina
Artisan’s Marketplace and a Kid’s
Musical EdVenture.
At the State Farm Stage, the S.C.
Jazz Allstars, featuring Ron
Westray, were less than impressive
— their treatment of straight-up
jazz bordered on clumsy.
Meanwhile, Lakeside, a high
volume R&B group circa the 1970s,
was playing on the
WOLO/BellSouth Stage. The best
number was the band’s only stu
dio-album success, “Fantastic
Voyage,” which really got the
crowd of 40-somethings movin’ and
shakin’. Onstage, the band mixed
fancy footwork with a unique
blend of soul and funk sprinkled
with melodramatic vocals, so the
crowd knew when to cheer in
those instances when the audi
ence-flashing lights weren’t
enough.
Following Lakeside was anoth
er Dayton, Ohio, group, the Ohio
Players. As the show started, it be
came increasingly difficult to nav
igate between the vendors and the
thousands of people carrying fold
mg cnairs.
While the par
ents set up an
impromptu
chair city, their
children walked
across the festi
val to see the
more controversial acts Bubba
Sparxxx and Ludacris, the night’s
headliners at the Coors Light
Stage.
While Sparxxx, a white country
boy from Georgia-turned rap star,
put on an energetic and en
thralling show, Ludacris’ act was
less than stellar. While he per
formed his more popular songs, in
cluding “You’s a Ho,” he disap
pointed avid fans with a ho-hum
delivery devoid of his usual origi
nality and style.
Not disappointed were the pa
trons of the Art Bar, who were
treated to a free show, though from
the bar’s parking lot, they were un
able to enjoy the aroma of ganja
floating through the air. Police
broke up at least one documented
fight, and undercover officers bust
ed a number of individuals for pos
session.
Saturday’s festival events start
ea in tne rain.
Vendors strug
gled to pull
down tarps dur
ing the brief
showers that
spurted across
Columbia. The
streets were nearly empty, and
event staff and police huddled in
small groups under umbrellas
while devoted fans wandered, wait
ing for the music to start. During
the periodic showers, festivalgoers
clustered in tents sponsored by var
ious groups including theWational
Organization for the Reform of
Marijuana Laws, the Free Times
and the Girl Scouts.
The Artisan’s Marketplace,
however, was in full swing, with
vendors selling work from local
Despite the bad weather,
the 3 Rivers Music
Festival entertained
thousands with its
various musical genres.
artists such as Ernest Lee,
Columbia’s semi-famous chicken
artist, who showcased new works
on the Columbia shuttle explosion
and the war in Iraq.
The Blue Cross/Blue Shield
Gospel Fest also provided visitors
with a covered seating area that in
cluded about 750 seats, while the
South Carolina Education Lottery
Stage was inside the Big Apple spe
cial event building, behind the pub
lic library.
At the Gospel Fest, traditional
gospel singer Debra Bailey enter
tained a small crowd during the
bad weather, including a number
of festival employees who had noth
ing to do because of the small
turnout. Salty Roots, a funk-rock
band, also played, and were fol
lowed by Master’s Table, an old
school rap group with a heavily
evangelical message: “Yo, who you
represent?” answered with shouts
of “Jesus!”
The South Carolina Lottery
Stage provided an intimate setting,
seating around 100, for quieter
artists, such as the Laura Blackley
Trio and John Fohl. The Trio’s
♦ 3 RIVERS, SEE PAGE 6
International Festival
entertains and unifies
\ BY GABRIELLE SINCLAIR
TIIEUAMECOCK
Although the world rides on in
conflict and misunderstanding,
a sense of unity pervaded the
State Fairgrounds this weekend.
The Columbia International
Festival, in its eighth season,
brought together the culture,
food, history and language that
create the quiet mosaic that is
Columbia.
The air was thick with the
scents of spices — and with the
smells of beef borek from Turkey;
Squirrel Candy from Russia; ap
ple crumb cake from Germany;
Almojabano, a mouth-watering
combread from Panama; and cof
fee from Ethiopia.
Designed for families and cer
tainly kid-friendly, the festival has
expanded since its inception. The
first year, 30 countries participat
ed; this year, more than 60 were
represented, and this year’s event
cost more than $100,000.
The festival is held during the
first weekend of April, and is a
prime opportunity for South
Carolinians to partake in the as
sortment of
faiths, cultures,
foods and music
that make up
this often-stereo
typed state. Raj
Aluri, an Indian
American, said
the annual cele
bration was
started because
“we have such a
diverse commu
nity in Columbia
and we don’t re
alize it.”
“This is to ed
ucate, to make
known the for
eign businesses
in the area and
to appreciate and
celebrate cul
tures and back
grounds,” he said.
Irina Ponomarev, who ran both
the Russian and the Ukraine
booths with her husband and
daughter, said there is a signifi
cant Russian population in the
city. She estimates there are about
500 people of Russian descent, plus
“perhaps 200 that we don’t know
of.” Ponomarev returns home two
to three times a year. She pulled
out an inflatable globe to point out
her hometown of Vinnitsa,
Ukraine. This is her seventh fes
tival.
The entertainment began at 10
a.m. and lasted through 8 p.m..
the day ending with a tae kwon
do exhibition. Dancers repre
senting the Philippines also took
the stage. They had been practic
ing since February for their per
formance, the highlight of which
was the Tinikling, more com
monly referred to as the Bamboo
Dance.
a :i.i_a i_ __s_
j. nun, a oowiiu gcuu a
tion Filipino, has been participat
ing in the dance for almost eight
straight years. “I’ve been dancing
it since the second grade,” she
said. “It’s really fun and get to
share my culture.”
Dancers imitate the tikling
bird’s legendary grace and speed
as they skillfully play, chase each
other, run over tree branches, or
dodge bamboo traps set by rice
farmers. This version of the dance
is done between a massive pair of
bamboo poles. The dancers risk
being caught by the bamboo in
their ankles. “I hope the parents
of these children know they’re
coming up here,” called out the
emcee, only half-kidding. “Anyone
can learn. But just so you know,
we aren’t responsible if you get
hurt.”
Attendees were able to not only
observe the sights and sounds of
various cultures, but they could
actively engage the exotic through
language classes and other ex
hibits.
The most poignant of the
events was the parade of nations,
during which the flag of each rep
resented country was marched
through the congregation of on
lookers.
“Seeing all of those countries
parading together brings tears to
my eyes,” said Shel Ogbum, a vol
unteer at the festival for the past
five years.
rm_ : __:_a_ai__1_
x iixj wimug lugcuiti ui pv.wpiu
is essential for the improvement
of relations between countries,
Aluri said. “When people don’t
know each other, this creates
more problems than there are to
begin with. When people come to
gether like this, they can move
past the stereotypes and resolve
problems amongst themselves.”
Comments on this story ?E-mail
gamecockmixeditor@hotmail.com
PHOTO BY TRISHA SHADWELL /THE GAMECOCK
Above: Angela Kim,10, giets ready before performing a Chinese
cultural dance. Left: Nuzhat Hamed, from Indonesia, passes oht
pretend passports to visitors and explains how they work.