The gamecock. (Columbia, S.C.) 1908-2006, January 29, 2003, Page 9, Image 9
Street Socks—an
inexpensive trend
— has wide appeal
BY CAITLIN COKER
THE GAMECOCK
Wal-Mart is a favorite mer
chant for the random 2 p.m. or 2
a.m. trip to pick up, well, just
about anything. All too many have
walked in intending to carry the
few items in their hands, but leave
j with a full cart.
You wouldn’t expect to find
something outright fashionable at
a discount clothing retailer, but
there are diamonds in these sock
aisles.
Buy Gap socks no longer; Street
Socks are here.
They are the raddest socks to
blanket feet in a delicious cotton
blend. These fantastical socks
come in a myriad of colors and
types—from a chic single-colored
lining to a racing stripe that
screams, “I’m speedy!”
Beat others to the chase with the
new Charcoal-Black Meshtop Hi
quarters, made with “2 percent oth
er fibers.” Perfect for athletes, the
mesh fop gives your feet ventila
tion while the triple grey stripes
& do wonders for your fengshui.
If minimalism is more your
style, perhaps the Navy-Orange
Collegiate Stripe Low Cut will do
your feet right. A simple navy
sock, one orange line adorns your
foot, running down the sides and
circling the ankle.
For some who are concerned
with clothing and fashion, a cur
rent fad is in the image of the punk
lifestyle. Armbands, ties and safe
ty pins assist in feigning the atti
tude, but where would they be
without socks?
Seann McGuckin, a self-de
scribed “old punk-rock dude,”
seemed to know all the kids as he
scuttled around New Brookland
Tavern socializing. He has 25
pairs of shoes — Puma, Chuck
Taylor, Vans, Doc Marten — you
name it.
McGuckin is well aware of the
cultural phenomenon known as
Street Socks.
“I had some! They’re comfort
able as hell,” he said.
Street Socks are also a hit
among the conventionally fash
ion-oriented.
Russell Saul, a first-year
Spanish student who said he’s a
“classic blond boy,” seemed to
have an extensive wardrobe. Now
all he needs are Street Socks.
“I think everyone should have a
pair,” he said. “I want some in
blue.”
Honor-roll student Carrie
Frondorf even wants a pair. “The
effect of the mesh covering is a
unique specimen, which adds
greatly to the popularia syn
drome,” said Frondorf, a first-year
journalism student.
Perhaps you can’t afford to buy
50 band buttons to put on your bag
or a Banana Republic sweater —
so on your next trip for some ran
dom groceries, pick up some
Street Socks.
Street Socks are distributed by
the Kayser-Roth Corporation, lo
cated in Greensboro, N.C. They
are made in Ashboro and Graham,
N.C.
Comments on this story?E-mail
gamecockmixeditor@hotmail.com
*
PHOTO BY JOHNNY HAYNES/THE GAMECOCK
The socks are available for $2.38 a pair from most Wal-Marts.
‘Oyster’
CONTINUED FROM PAGE 8
story of revelation, a highbrow
form of the mystery novel. The
reader is tantalized with knowl
edge and methodically led
around and about the true reve
lation while the plot slowly re
veals the mystery.
Unfortunately, by the end of
“Oyster,” there is nothing truly
new known that could not have
f Teen guessed within the first 50
pages of the novel. Whether the
anticlimax, the cult’s mysteri
ous end, is intentional is not
clear.
But the novel’s cohesiveness
and characters are certainly ca
sualties of its postmodern con
struction, as Hospital attempts to
expose the irrational nature of
human constructs such as uni
versal truth and chronological
time. “Oyster” reflects these cen
tral conceits of postmodernism
well, but they detract from the
story and the characters, reduc
ing them to artificial constructs
created to illustrate a point and
not emotionally compelling im
ages of life.
Although Hospital has the ca
pacity to be a compelling and
captivating author, as she is in
^various parts of the novel, she ul
- fimately sabotages her own effort
by overdoing the impenetrability
of the story.
The book’s main appeal
should be its captivating cult fig
ure and his seemingly apocalyp
tic end, but they, just like the sto
ry itself, prove to be intentional
obscuring of reality, not com
pelling and exciting truths.
Comments on this story?E-mail
gamecockmixeditor@hotrhail.com
Boutique, Inc.
Boozer Shopping Center
1581 Broad River Road
Columbia. SC 29210
(803) 354-9750
pr-—rj_
^^DjrectionssJu»taCTW^^2J^^r^e^^t«Seron^^t^^ I
PHOTO BY ADAM PATTERSON/THE GAMECOCK
From Autumn to Ashes performed to a packed house Sunday
night at the New Brookland Tavern.
Emo show suffers
from faceless acts
FROM AUTUMN TO ASHES
New Brookland Tavern
★★ out of ☆☆☆☆☆
BY QUINN STEINBRECHER
THE GAMECOCK
While the Get Up Kids might
not have been at New Brookland
Tavern on Sunday, its influence
lived on in the form of North
Star, the opening band. North
Star went from playing strong
ly influenced the Get Up Kids
emo-punk to being a cover band
of the Get Up Kids — enough
said. Emo-punk is a genre of mu
sic exemplified by notable group
Jimmy Eat World. Any descrip
tion of North Star’s music might
wrongfully imply that they have
any musical identity or a unique
sound.
The next band to perform was
A Beautiful Mistake. While the
group was a breath of fresh air
compared to North Star, A
Beautiful Mistake, with its pop
py brand of emo-punk, shared
too much in common with
Militia Group label mates Noise
Ratchet. And unfortunately for
A Beautiful Mistake, Noise
Ratchet does it much better.
After North Star and A
Beautiful Mistake, local fa
vorite. Bums Out Bright, who
is on tour to support their new
ly released album “Light A
Match, For I Deserve To
Burn,” rightfully played.
Burns Out Bright’s recent
songs have slower tempos, but
the anthemic, sing-a-long cho
ruses are still very much a part
Specializing in
Prom
Mother - of - the - Bride
Social Occasions and
Accessories
Recitals/Pageants
Qax/IX
its formula. Maybe the first two
bands were watching and tak
ing notes because Burns Out
Bright was schooling everyone
on how to infuse energy into a
crowd.
' Lead vocalist and bass player
Isaac Stone told the crowd that
the band had been in the studio
working on Some new material
that would be out later in the
year.
Next, Glasseater performed
and it was obvious that its mem
bers had not brought their pens
and pads because, most of the
time, they looked about as dis
interested in their music as I
was. When the band finally de
cided to show some emotion, the
lead singer would repeatedly hit
his heart with the microphone
as though he really meant it. I
mean this with all the sarcasm
that can be mustered for a bland
and uninspiring band.
♦ SHOW, SEEPAGE 10
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campus in beautifully
renovated...
Preston College
Interested?
Join us for an
informational tea
Friday, January 31, 2003
Principal’s Lodge
West Wing, Preston College
(Tea and light refreshments will be served)
PRESTON APPLICATION DEADLINE:
FEBRUARY 20,2003
« r *
‘Idol 2’ surpasses
original's success
BY MEG MOORE
THE GAMECOCK •
Last year, “American Idol”
was the reality series that had
all of America voting. In ‘Star
Search’-esque form, the series
showcased the talents — and in
some cases, the astonishing lack.
thereof— of a slew of wannabe
pop-stars.
Not surprisingly, the hit re
ality show is back for a second
season, and tfie first two
episodes, which aired last week
on the Fox network, drew record
ratings. The show was a sur
prise hit for Fox last season, re- >
ceiving millions of call-in votes
per week and commanding a
large share of the viewing audi
ence.
After each hour-long show
case of singers, television view
ers would vote for their favorite
contestants by phone. The per
former earning the least num
ber of votes each week was, in
true reality-show fashion, voted
off of the “American Idol” is
lanH
This time around, the general
format has remained the same
— and. so has the quality of the
contestant pool. Last week’s
episodes highlighted the pre
liminary round of auditions, fea
turing selected contestants from
audition locations nationwide.
While last year’s “Idol” try
outs certainly included an array
of awful vocalists, the
“American Idol 2” auditions
were full of the off-key as well as
the off-kilter. Contestants tried
their best to stand out, and those
that could not make an impres
sion on the basis of skill, strove
to engage the judges through
odd dances, crazy outfits and
contrived sympathy stories.
While some certainly showed
promise — standout performers
were invited to Hollywood for
the next round of competition—
others undoubtedly suffered
from delusions of grandeur.
Although considered a guilty
pleasure by many viewers, the
“American Idol” series is not fu
eled by the sleaze factor that
dominates most of reality tele
vision. It maximizes the ‘Simon
factor’ instead. Record produc
er Simon Cowell — the judge
that America loves to hate —
has returned this season with
the comparatively passive Paula
Adbul and Randy Jackson to
evaluate the competition.
Cowell is certainly the show’s
most valuable and most outspo
ken asset. Never one to gloss
over his opinions, he has start
ed out the season as scornful as
ever: “If you lived 2,000 years
ago and sang like that, I think
they would have stoned you,” he
brashly told one contestant dur
ing the first episode.
Cowell’s unapologetic wit,
however, keeps the show from
simply being a sugarcoated
showcase of standard-issue pop
singers.
While the first two episodes
of “American Idol 2” lack the ad
dictive familiarity of returning
contestants and established fa
vorites, their success has sig
naled that viewers remain en
thused by the show’s concept.
Perhaps the show’s mass appeal
stems from its idyllic premise:
it affords ordinary people the
chance to achieve the extraordi
nary.
“Idol” brings comparatively
normal people — despite their
■ generally MTV-worthy appear
ances and charisma — into the
limelight, as a result of their tal
ents rather than personal scan
dal.
“American Idol 2” might not
offer its audience any surprises,
but it remains good-hearted
television that both young and
old can enjoy, a rarity in today’s
television landscape.
Amidst the unsavory slew of
degradation-driven reality
shows, a series that sports
Simon Cowell as its most offen
sive aspect remains a refreshing
series, indeed.
Comments on this story?E-mail
gamecockmixeditor@
hotmail.com