The gamecock. (Columbia, S.C.) 1908-2006, November 04, 2002, Page 5, Image 5
THE GAMECOCK ♦ Monday, November 4, 2002 ^5
CONTACT US TTTr, IVrT X THEY SAID IT
Story ideas? Questions? Comments? I I I J II I / 1 .. OCDT ,
E-mailusatgamecockmixeditor@hotmail.com —I-m— m A -1- T I ...1.. ^ . m ALBERT EINSTEIN. The important
thing-is to not stop questioning.
More reviews,
search functions
on the way for
music Web site
BY CHARLES TOMLINSON
THE GAMECOCK
The Web site www.south
carolinabands.com makes a
plethora of resources available to
any musician in South Carolina
with an Internet connection, and
those resources are about to be
come even more plentiful.
Eric “Nilla” Maddox, webmas
ter and one-man driving force be
hind the site since its inception
two years ago, is planning a ma
jor update for the South Carolina
music Web site.
He is reworking the coding for
the entire site, using a lot of the
“geek stuff’ he said he’s learned
lately to improve the site and
make it easier to use. He said he
hopes the changes will be in place
within the next two months.
Part of Maddox’s plan is to en
hance the message boards on the
site, which are places for musi
cians and fans to exchange opin
ions about music and even find
people to form a band with.
“The message board’s definite
ly what everybody goes there for,”
he said. “There are definitely go
ing to be enhancements on the
message boards and things for
more interaction there.”
A chat room might be among
the enhancements for the
Southcarolinabands.com com
munity, Maddox said.
But he doesn’t want the site to
be a forum for musicians only.
“It sort of seems to lean toward
just musicians right now, and I’d
like to get people who are just in
terested in music to come there,”
Maddox said. “And to come there
more than just once; to keep com
ing back and keeping up with
stuff.”
He said he thinks album and
show reviews will lure music
fans, especially those who are
new to Columbia and want to see
what the local scene has to offer.
The site recently acquired a re
viewer, Michael Jones, and other
writers have also shown interest,
Maddox said. Bands that send
CDs to Jones will get their record
ings reviewed on the site. Jones
has already reviewed CDs by such
local bands as Hot Lava Monster,
Winged DNA and the Lesser
Light.
Maddox and other Columbia
band members also “bombarded”
USC students with fliers for local
r nU I U ILLUo I KA IIUI
concerts on move-in day in
August, Maddox said. He said that
Southcarolinabands.com wants to
get freshmen “involved in the
scene, instead of them going out
to booty clubs.”
He said he wants to introduce
a newsletter with the new Web
site, as well as a calendar that con
stantly runs on computer desk
tops and automatically updates
each time the computer restarts.
“We’re gonna pound some
show dates into people’s heads,”
he said.
The revamped Web site will
also include a search function that
allows visitors to look for South
Carolina bands, band members,
or musicians to play and form
bands with. The search will locate
Southcarolinabands.corn’s arti
cles, reviews and any other infor
mation about a particular local
band.
Also, Maddox said, the search
function will let users search for
bands by influence. He said that,
for example, if someone searches
for Queens of the Stone Age, the
search function will display bands
that are influenced by or sound
like that band.
But not only existing local
bands will be featured on
Southcarolinabands.com; defunct
bands will also be included. And
< UUUK I tbl T Uf bUUI ilUAnULIINABANUb.^UIVl
through list
ing these late
bands, the
Web site will
provide a
history of
South
Carolina mu
sic, Maddox
said.
Eric “Nilla” A photo
Maddox, the site directory
webmaster, is in might be an
the process of other new
adding features to feature, and
his site for S.C. would allow
musicians and bands to up
music fans. load their
press photos
and pictures from live shows.
Maddox said this feature could be
useful because, although people
might not like to admit it, many
people judge bands on the way
they look.
But even without the improve
ments, Maddox’s Web site has
been quite a helping hand to A
some Columbia bands. Jason
Kirincich, vocalist for Columbia g
band Tykes With Guns, credits ?
southcarolinabands.com with m,
getting his band its first show. *
He said the band Super Bike, for
which Maddox formerly played (
♦ WEB SITE, SEE PAGE 6
MOVIE REVIEW
Odd pair makes
‘I Spy’ amusing
PHOTOS SPECIAL TO THE GAMECOCK
Owen Wilson, left, and Eddie Murphy star in “I Spy.” The
chemistry between the two actors saves this film from its
formulaic plot and lackluster cast of bad guys.
“I SPY”
Starring Owen Wilson and
Eddie Murray
★★★ out of
BY BEN ANGSTADT
THE (iAMECOCK
“I Spy” seems like a high-risk
movie before it even begins.
When the headlining cast con
sists of one actor still trying to
establish himself as a star and
another whose best role in re
' cent memory was voicing an an
imated donkey, there’s no way
to predict what’s coming.
But somehow, despite its ap
parent cast shortcomings with
the odd couple of Owen Wilson
and Eddie Murphy, “I Spy” still
manages to be a lot of fun.
Wilson plays American spy
Alex Scott, a less-than-super
agent who’s trying to move up
on the spy
food chain.
After a
botched
mission
in Russia,
he gets as
signed to track down the
Switchblade, a stealth plane that
was stolen from the American
military and taken to Budapest,
Hungary, where the interna
tional bad guys plan to auction
it off tQ the highest bidder.
By some amazing coinci
dence, the auction is to take
place at a party the night before
World Middleweight Boxing
champion Kelly Robinson
(Murphy) defends his title in
Budapest. The only logical op
tion is for Scott to recruit
Robinson and use him as a cov
er so that Scott can sneak into
the party, get the information
about the stolen plane and fly it
back to America.
The brash, pompous
Robinson has no desire to work
with the nerdy spy Scott, but
once he sees all the great spy
gadgets, his interest is piqued
and he can’t turn the job down.
From then on, everything fol
lows the standard buddy-come
dy formula: a by-the-book pro
fessional gets teamed up with a
rookie who does things his own
way; sparks fly between them;
they begrudgingly work to
^ gether; they have a falling
out; and by the end of
the film, they’re the
. || ♦ I SPY,' SEE
Ik PAGE 6
DVD REVIEW
‘Spider-Man9DVD spins out
IC X m 1 UK on Tln + nv, U 3 A3 i 1 J *1__ J _
“SPIDER-MAN”
Starring Tobey Maguire and
Kirsten Dunst
★★★ out of *☆☆☆☆
BY ERIN CLINE
THE (IAMEC0CK
A summer blockbuster movie
should also have blockbuster DVD
features. But that’s not the case
with the just-released “Spider
Man” DVD. It just doesn’t hold up
to the responsibilities of a
megahit.
The movie, which was released
in theaters in the summer of2002,
Parker; Kirsten Dunst as his
crush, Mary Jane Watson; Willem
Dafoe as scientist Norman
Osborn; and James Franco as his
son, Harry Osborn.
The movie follows the obstacles
faced by Peter, who is on a field
trip with his high-school class
when he gets bitten by a geneti
cally modified spider. He soon de
velops acute senses, the capacity
to shoot webs and the ability to
climb walls.
Peter uses his spider charac
teristics for money at first, but
then uses his powers to fight evil
after his uncle gets killed.
Meanwhile, Norman, a scientist,
turns himself into Spider-Man’s
nemesis, the Green Goblin. The
movie is two hours of fight after
fight between Spider-Man and the
Green Goblin, while Peter com
petes with Harry for the affection
of Mary Jane. It’s the classic com
ic book turned big-screen movie,
with the hint of a sequel.
“Spider-Man” comes packaged
as a two-DVD set. The actual
movie has a grainy quality at
times, but overall, the images are
close to those from the theater.
The menus for the two disks can
be hard to navigate and control,
±a\j nc*ci, anu uiai uuuiu ucr
ter those not as interested in
learning everything possible
about Spider-Man.
The first disk contains the stan
dard behind-the-scenes commen
tary by director Sam Raimi and a
few members of the cast. Of course,
they have nothing but praise for
the movie, and it’s tedious to watch
that over and over. Also on the first
disk are the 11 commercials that
ran for the movie, even the one
that endorsed a phone company.
Wow, is that overkill necessary?
The music video for Chad
Kroeger’s “Hero” is also on this'
disk, as if it wasn’t overplayed
enough during the months after
the movie’s theater release.
The second disk is loaded with
all the Spider-Man stuff anyone
can stand. Viewers get, yet again,
more looks behind the scenes. The
HBO special, the E!
Entertainment special and a pro
file of Raimi add up to more than
an hour’s worth of overplayed
Spidermania.
With the gag reel, the DVD offers
one glimpse of hope, but fails. The
chosen outtakes are disappointing
and not funny at all. One thing of
♦ ‘SPIDER-MAN,’SEE PAGE 6
“0"
Sigur Ros
★★ out of
BY WILLIAM MILLS
THE GAMECOCK
Sigur Ros succeeds in daz
zling fans with the obscurity of
its latest album, “0 ” This is one
release, however, that fans can’t
sing along to; the album is as
mysterious as it is pretentious.
These Icelandic dream-rockers
don’t include a single word,
track title or clear picture in the
liner notes, but even if they did,
it probably wouldn’t be in
English, anyway.
Sigur Ros sings in a made-up
language, called Hopelandish,
somewhere between Icelandic
CD REVIEW
Album gets mired in mystery
and fantasy.
“()” is the band’s third album
since its.beginning in 1994. Sigur
Ros has since toured with such
popular artists as fellow
Icelander Bjork and Thom
Yorke, who specifically re
quested the band. If its goal is to
make beautiful sleep-inducing
music to play for toddlers just
before bedtime, then Sigur Ros
is ahead of its time. But it’ll take
a little more than the occasional
whale sound and light piano to
bring this album down from the
secluded mountaintop in
Iceland where it rests from the
first untitled song to the last.
Although the album contains
only eight songs, they all clock
in at between six and 13 minutes,
and the album clears 70 minutes.
“0” is bursting with beauti
fully raw keyboard crescendos
and resonant guitars, but by the
end of the album, the dreami
ness has departed and listeners
are left with something com
pletely confusing. Although the
cosmic super-whiney epic songs
seem incredibly emotional and
moving in the beginning, that
fades away by the final track.
But Sigur Ros — Jon Thor
Birgisson (vocals, guitar), Georg
Holm (bass), Kjortan Sveinsson
(keyboard, guitar) and Orri Pall
Dyrason (drums) — do provide
a valuable service. These cosmic
blizzard-rockers allow listeners
to derive their own meaning
from the songs. The songs act
like an inkblot test in which lis
teners can twist and reconstruct
the incoherent words to build
their own castles of melancholy.
Furthermore', “()” just seems
like one of those albums that all
of the indie kids scrambling for
something different and un
tainted latch on to.
Sigur Ros definitely tries to be
different and inventive. Birgisson
plays his guitar with a bow in
stead of the traditional pick, pro
ducing a symphonic whine. This
sound is augmented by his un
stable, high-pitched voice and lay
ered over the backdrop of slow
keyboards and slower drumbeats.
The end result of the album
is confusion. This is either the
music of the stars or pretentious
nonsense. If the future of ob
scure rock is drawn-out lyrics
about nothing, music fans
should invent a time machine.
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