The gamecock. (Columbia, S.C.) 1908-2006, October 21, 2002, Page 6, Image 6
6 THE GAMECOCK ♦ Monday, October 21, 2002
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HENRY DAVID THOREAU:
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PHOTOS SPECIAL TO THE GAMECOCK
Clipse and Ms. Jade are scheduled to perform Monday on Davis Field as part of MTV’s Homecoming Tailgate Party 2002.
BY KAMILLE BOSTICK
THE GAMECOCK
Just because there’s no college
football on Mondays doesn’t
mean there’s no reason for a tail
gate. Football and music fans
alike have reason to celebrate
Monday as MTV brings hip-hop
acts Clipse and Ms. Jade to USC
as a part of its Homecoming
Tailgate Party.
The daylong party at Davis
Field, sponsored by Carolina
Productions, is one of the ma- &
jor concerts to come to cam- nl
pus this semester.
Along with MTV DJ will
• give away prizes, the event ^
will also feature live perfor
mances by the Virginia-based rap
duo Clipse. Best known for the hit
“Grindin’,” Clipse is set to take the
stage at the end of the day and
bring its distinctive brand of rap
with it. The two brother’s first al
bum, “Lord Willin’,” debuted at
No. 4 on the Soundscan charts in
early September.
Philadelphia-born Ms. Jade will
also perform. The femcee has
made her mark on the world of
hip-hop with hits such as “Ching,
Ching, Ching,” which features
Nelly Furtado, and her collabora
tions with producer Timbaland.
And her lyrical quality has helped
make her debut album, “Girl
Interrupted,” much anticipated.
The free rap performances are
something different for
campus, said Latrice
Greene, a second
yearelectronic
broadcast jour
nalism student,
and she said she’s
going to try to
make it to the
shows.
Greene
said she’s
a fol
lower of the ■
hip-hop acts.
“Yeah, I’m a
fan,” she said.
“I like their
music.”
Greene also I
likes that the
university and I
MTV teamed up
to bring them to
campus. "
“I think it’s a
good idea. We
don’t
get too
many African-American groups
on campus.” She said there seems
to be an effort to get more diverse
acts to perform at USC.
“We haven’t had a hip-hop
show in nearly five years,
and us landing two top
groups is great,” said Josh
Terry, CP’s concert com
missioner. He also said
the event will also be
shown on televsion.
To keep the fun go
ing until the final
act, MTV will set
up booths where
students can au
dition for a spot
in Ozzy
Osbourne’s
band, and
through interac
tive technology,
he’ll be able to
see what they
have to offer.
Students
will get to
keep a
copy of
their audi
tion tapes
and can
even listen to
songs that
have yet to be released.
MTV will also show a
free screening of “Jackass the
Movie,” which is what Ben Kopp,
a second-year English student, is
looking forward to.
“I’m probably going to go check
that out,” he said about the movie,
which takes the outrageous antics
of Johnny Knoxville to places ca
ble television wouldn’t allow.
Kopp said he is also impressed
that the event is being brought to
campus.
MTV’s 2002 Homecoming Party
is scheduled to be at five campuses
along the East Coast. Last
Thursday the event brought
Trustcompany and Authority
Zero to the University of
Tennessee at Chattanooga. On
Friday, Virginia Commonwealth
University was the site of rhythm
and blues group Isyss and musi
cian Robin Thicke.
After leaving USC, the party
will continue at the University of
Miami, where rapper Styles and
the group Floetry will perform on
Wednesday. The tour ends
Friday at Auburn University,
where Exies and the Ying Yang
Twins will be featured.
MTV’s 2002 Homecoming Party
begins at noon Monday and will
last until 5 p.m.
Comments on this story?E-mail
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CD REVIEW
Porcupine Tree's
new album creates
catchy prog rock
porcupine tree
in absentia
“IN ABSENTIA”
Porcupine Tree
irk irk out of ☆☆☆☆☆
BY MIKE LUKE
THE GAMECOCK
English exports seem to
have a waxing and waning pop
ularity in America. In a time
after a new Coldplay album,
and in between Radiohead al
bums, Porcupine Tree’s eighth
effort should only expand its
underground grasp.”In
Absentia” should prove to be
the band’s most enduring re
lease in America’s short atten
tion span for popular music.
What makes a progressive
band like Porcupine Tree
successful is its pop-sensibil
ity in a genre that has a rep
utation for killing bands.
What makes Porcupine Tree
progressive rock, if it spare
listeners from 23 minute
tracks of pure pretentious in
strumentation? Drawing
from electronic, hip-hop and
classic-rock influences,
Porcupine Treeproduces a
sonic experiment that
changes textures before the
listener has a chance to get
bored.
What saves this band, how
ever, is the way it crafts its
songs. The members, Richard
Barbieri, Colin Edwin, Chris
Maitland, Theo Travis and
leader Steven Wilson, have the
luxury of having been together
since 1987, thus having experi
enced every change in music
since the emergence of grunge
in the early ’90s.
Some of the more atmospher
ic, more accessible songs, such
as “Lips of Ashes,” “Gravity
Eyelids,” “Prodigal” and
“Heartattack in a Layby,” could
introduce new fans to music
similar to the more coherent
Radiohead songs, or help con
vince die-hard Pink Floyd fans
that there is hope for new mu
sic.
“Blackest Eyes,” the album’s
opener, is perhaps the most pro
gressive song.lt weaves in and
out of light-hearted, melodic
verses and ripping instrumen
tal choruses. The dynamic, time
shifting composition sets the
pace for the more adventurous
efforts on the album.
“The Sound of Muzak,” with
the help of a solid drumbeat
with an odd time signature and
an acoustic guitar, is perhaps
the darkest song on the album.
The instrumental “Wedding
Nails” shows a classic-rock in
fluence fused with progressions
that let the listener get lost in
unpredictable shifts from the
heaviest of metal to near-si
lence.
“.3” meanders for three min
utes before the first hint of
lyrics come, and continues to
put the emphasis on the airy
bass line and ambient guitar
rather than words. Such can be
expected from any progressive
rock band.
While Porcupine Tree rep
resents the genre more accu
rately than bands such as
Marillion and King’s X, it of
fers songs with beautiful
melodies and heavy guitar suit
able for all audiences of mod
ern pop/rock. “Collapse the
Light Into Earth” is the fitting
album closer, with its soft pi
ano, introspective lyrics and
building distortion on guitar
until the subdued climax.
Geddy Lee of Rush described
his own band as, “Pop music
that’s not afraid to rock,” but
Porcupine Tree is even more
worthy and fitting of that de
scription. After touring England
constantly on its own bill,
Porcupine Tree has come over
for a small tour of the states in
support “In Absentia” as open
ers for classic progressive rock
ers.
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Bands kick off Greed Week
Far left: Ryan Headley,
right, and Buzz of
Blackboard’s Truck
perform at Creed Week’s
kickoff celebration.
Left: Palmetto Pans,
USC’s steel drum band,
play on Davis Field as
part of the festivities.
Above: The Blue Dogs
headlined the
celebration. Bobby
Houck, left, and David
Stewart rocked the
crowd.
PHOTOS BY CANDI HAUGLUM/THE>
GAMECOCK