The gamecock. (Columbia, S.C.) 1908-2006, August 16, 2002, Page B1, Image 15
OOTOCTUS ^ IV/TTV THEY SAID IT
M / I ■ M MARK TWAIN: "I have never
Story ideas? Questions? Comments? j I 1/ I ■ /m let schooling interfere with
E-mailusatgamecockmixeditor@hotmail.com A I W 11/ m ’ my education”
^ If I lit
Suddenly, Springsteen was
everywhere. “Time,”
“Newsweek,” and various music
publications were all covering
Springsteen and his new cult of
listeners, who viewed his
concerts with an almost
religious fervor.
However, a lot of the potential
fans were turned offby the media
1 nachine. Did Springsteen live up
to the hype? He most certainly
did, but the hype did manage to
overshadow his true greatness.
Now, in 2002 it seems that we
find the Boss in the same shoes
«Ue was almost thirty years ago.
The release of his new album,
“The Rising,” had garnered an
almost ludicrous amount of
media attention. If you’ve
watched television at some point
this week, its very likely that
you’ve seen Bruce Springsteen,
whether it was
his Today
Show” free
concert from
Asbury Park or
his interview
with Ted Koppel
on both
“Nightline” and
“Up Close.”
The real
question then is
whether or not
the album stands
up to the hype.
Thankfully, it not only stands up
to the hype, which once again
has been more about the
phenomenon than the music; it
surpasses it.
One of the biggest marketing
—- tools Columbia has
; used to push “The
Rising” is the fact that
j it’s the first studio
j album Springsteen
has recorded with the
E Street Band since
1984’s “Born in the
USA.” The reunion is
a welcome return of
the band’s epic sound.
Each of the familiar
players is back, and
each does what they do
best. The sheer size of
the sound seems to be a bit toned
down, which is probably due to
producer Brendan O’Brien.
“THE RISING"
Bruce Springsteen
out of
O’Brien is mostly used to
guitar-based bands, and that
predisposition can be seen
clearly on “The Rising.” This
doesn’t really hurt the album as
long as listeners aren’t expecting
“Born to Run” all over again.
While the music is always 40
percent of any Springsteen
album, the songs and the lyrics
are the other 60 percent. Bruce
Springsteen has always been
seen as “one of us,” a man whose
music comes from the true
working-class heart of America.
So far, most of the hype has
jumped on this chance to call
“The Rising” an album about the
effects of Sept. 11 on the common
♦ RISING, SEE PAGE B3
Springsteen hasn’t played
Columbia since 1996, when he hit
the Township Auditorium with an
acoustic act on the “Ghost of Tom
Joad” tour. Hopes are high that
opening the arena with such a big
act will help to boost the some
what light concert scene in the
capital city. The last major tour to
come through Columbia was the
Rolling Stones concert at
Williams-Bryce Stadium in 1994.
Tom Paquette, the general man
ager of the Carolina Center, said,
“If Bruce is willing to play this
market, others should certainly be
willing to play here." He said that
he believes it is a “growing and
hungry market.”
Local musician Ronnie Cleland
is less optimistic. “It definitely
can’t hurt. Bringing in a big name
like that might as well make room
for other people, but who really
knows?” Cleland said.
Ticket sales and prices had not
been announced at press time, but
prices for the other tour stops are
ranging from $72.50 to $75.
The Carolina Center is an
18,000-seat arena located at the
bottom of campus on Lincoln
Street that will open in October.
USC has hired Global Spectrum
to manage the arena. Global
Spectrum manages 30 arenas, sta
diums and convention centers
around the country, including
Williams-Brice Stadium.
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MOVIE REVIEW
Signs’of simplicityfor Gibson
“SIGNS”
Starring Mel Gibson and
Joaquin Phoenix
★★★ out of
BY TUG BAKER
tiikuaMbcock
Writer and director M. Night
Shyamalan doesn’t really want
^ moviegoers to know what his
movies are about until they
watch the final credits roll up the
screen. In all three of his films,
the trailers have been vague at
best and, upon seeing the movie,
have almost nothing to do with
the movie itself. There’s nothing
wrong with this. In fact, it’s nice
to see a movie for once where
you haven’t seen all the good
parts 50 times before you saw the
movie.
Jj^^ing at the trailer for
“Signs,” one would assume that
it was a movie about a small
farming family who discover a
crop circle in their field and
become the targets of aliens.
This is really only partly right.
Mel Gibson stars as Graham
Hess, a former Episcopalian
minister who has lost his faith
after a family tragedy. Hess lives
with his two children Morgan
and Bo (Rory Culkin and Abigail
Breslin) and his brother Merrill
(Joaquin Phoenix). When the
family discovers a crop circle,
their lives take a strange turn.
The real appeal of this film is
that it is an alien invasion story
told from the eyes of regular
people. This isn't "Independence
Day” where we follow the
president as he gets in a fighter
jet to lead the attack against the
aliens (when would that ever
w
happen). Instead, this is a movie
about what would happen to you
. and your family should you have
a close encounter of the third
kind.
On some levels, “Signs” is a
brilliant piece of cinema. The
acting is incredible; Gibson and
Phoenix deliver a wholly
believable connection with
Culkin and Breslin. These two
child stars also manage to hold
their weight in the movie,
portraying perfectly the young
but wise souls that have become
a bit of a motif in Shyamalan’s
films.
Shyamalan’s directorial skills
have actually managed to
improve with this film. The old
school directing style he uses
works well for a suspense film.
There aren’t that many special
♦ SIGNS, SEE PAGE B7
*<&•
PHOTO COURTESY KRT CAMPUS
Joaquin Phoenix, Mel Gibson, Rory Culkin and Cherry Jones star in “Signs.”
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