The gamecock. (Columbia, S.C.) 1908-2006, March 20, 2002, Page 6, Image 6
CONTACT US I—I M \/l I V THEY SAID IT
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E-mailusatgamecockmixeditor@hotmail.com -—■ ■ M M -JL- f U —m...,. loved that, loved not at first sight."
with a little
I
Organization
pairs USC
students with
developmentally
disabled adults
Members of
Best
Buddies
dance
during a
Christmas
party in the
Russell
House
Ballroom.
The USC
chapter’s
activities
Include
bowling,
Ice skating
and going
to sporting
events.
PHOTO SPECIAL
TO THE
GAMECOCK
BY KAMILLE BOSTICK
THE GAMECOCK
Normally, it’s the differences that di
vide us, but friendships are often able to
defy what is normal and define what is
special.
Best Buddies, organized to enhance the
lives of people with mental retardation,
pairs college students with developmen
tally disabled adults to build one-on-one
relationships.
The organization recognizes that many
with mental retardation have little inter
action, especially with their non-disabled
peers, outside of their families or com
munity groups. It seeks to facilitate friend
ships between individuals who, despite
their differences, can do so much for each
other.
_ USC’s
Ullcipiei
brings Best
Buddies to
the
Columbia
area.
According
to chapter
president
Katie Smith:
“Just be
cause people
are different
doesn’t
mean that
their needs
are differ
ent. They
need people
there for
them—just
like us —to
listen to
them, to
have social
outlets.”
Buddy pairs are matched based on sim
ilar interests, shared activities and com
mon characteristics. While this isn’t nec
essarily a recipe for a successful relation
ship, it’s a great starting point.
Lauren Vaughn, who has been in Best
Buddies since she was a freshman and has
had the same buddy for the past year and
a half, explained the benefit of the match
es: “You’re matched with a friend that en
joys the activities you enjoy, and the two
of you experience things together. It’s
through the experiences that you grow
and learn about each other.”
Spending time together is the major re
quirement for participating in Best
Buddies. Volunteers are expected to con
tact their buddies weekly and plan two to
three outings a month. The interactions
help form the bonds that so many buddies
have come to cherish.
Vaughn, a third-year public relations
student, understands the rewards of this
time spent togetner.
“All you have to give is your time, do
the things you like to do and have fun do
ing them. Participating is so simple, and
you get so much from it,” she said.
For Smith, having a buddy has rede
fined friendship.
“You can see the real virtues — the
things you overlook and take for grant
ed,” she said. “And, after a while, the re
lationship extends beyond the organiza
tional commitment to where you really
become friends with your buddy.”
Best Buddies does more than create a
space for friendships; it enriches the lives
of all involved. Just as much is gained as
is given, and just as much is learned as is
taught.
“When I first got involved, I expected
to be a mentor but got just the opposite,”
Smith said. “It was not just teaching or
me helping someone. I’ve learned so
much.”
Best Buddies was founded in 1989 and
has chapters on 298 campuses. Worldwide,
about 40,000 people active in the organi
zation have touched nearly 175,000 lives.
Of course, the true impact is felt not in
numbers but in the hearts of those who
share the relationships, and, as Vaughn
said, enjoy the rewards.
“This really is an organization that
keeps giving. There are no dues to pay.
All Inlrnc io enmn nf tTrtnr> limn mnlrn n
difference in the life of someone who may
not normally get that,” Vaughn said.
March is national Best Buddies Month,
and the USC chapter has planned several
events, from ice skating to bowling, to cel
ebrate the organization that has enriched
so many of their lives.
For more information about the Best
Buddies organization, visit the national
organization’s Web site at www.bestbud
dies.org.
To learn more about USC’s chapter, con
tact Smith at smithkj2@mailbox.sc.edu.
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CD REVIEW
Corrs offer little new
THE CORRS
VH1 Presents: Live in Dublin
BY WILLIAM MILLS
THE GAMECOCK
A live album from Irish pop
family The Corrs hit the shelves
this week. “Live in Dublin” is full of
hits, such as “Breathless” and
“Radio,” from their last release, “In
Blue,” which was the Irish siblings’
third and most successful album in
the United States. Old classics from
the quartet are also included on the
album, which features
performances of “Ruby Tuesday”
and “Break Your Heart.”
Produced by VH1, the album was
recorded at a concert in Dublin.
Ireland in January 2002.
This album is full of the sound
everyone expects from the Corrs.
They have male and female
vocalists, guitar, piano, violin,
trumpet, trombone, accordion and
Bono. That’s right; the U2
frontman and fellow Irishman
accompanies the group on “When
The Stars Go Blue” and “Summer
Wine.” Both of these tracks have
the pleasantly angelic Corrs
sound, and Bono’s voice only adds
to that on the predominantly pop
album.
If you’re looking for U2’s
powerful lyrics, however, you’re
out of luck. Everything about this
group is nice and pretty but not
powerful; so, don’t listen to be
moved. All four of the siblings sing
on the album; it is Andrea’s gentle
voice, however, that’s heard most
frequently. It’s hard not to feel
romantic with the three sisters’
gentle voices holding your hand
through every track.
With the exception of Bono’s
contribution, the album is just like
most of The Corrs’ other releases,
and there aren’t any new songs. So,
if you don’t like live CDs and you
have their other albums, you won’t
be missing much if you leave this
one at the record store.
The recording’s quality is good,
and the instruments and vocals
are performed so well that you feel
full and healthy after you’ve
finished listening to the CD. Many
songs on the album have an
unmistakable Irish feel. The Corrs
infuse their music with classical
Celtic tendencies that give it
bounce and spirit. Their lyrics,
however, are slightly trite and a
little insipid. Laying their music
next to a cover of Neil Young’s
“Only Love Can Break Your
Heart” only highlights that
failing.
This album showcases the
group’s musical talents, but it does
nothing to elevate them from pop
stars to musical innovators. This
would-be supermodel family has a
collective voice that overcomes
even its physical beauty, and the
inclusion of Bono makes this a
vocally superior album, if not a
groundbreaking one.
Carrie Phillips contributed to this
article.
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Ramones, Talking Heads enter Hall of Fame
BY NEKESA MUMBI
MOODY
THE ASSOCIATED PHESS
NEW YORK - They repre
sented the anti-establishment;
so, it was a bit odd to see the
Ramones so happy to become
part of the music establishment
as members of the Rock and
Roll Hall of Fame.
But for the remaining mem
bers of the punk rock origina
tors — whose lead singer, Joey
Ramone, died last year —
Monday night’s induction at
the Waldorf-Astoria Hotel rep
resented long-overdue respect
for the band that helped revo
lutionize rock with their rapid
fire, guitar-heavy songs.
“I’d like to congratulate my
self, and thank myself, and give
myself a big pat on the back,” Dee
Dee Ramone joked. “Thank you
Dee Dee, you’re very wonderful.”
The Ramones were inducted
_i_hi.___i_*_
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first generation, the Talking
Heads. Also inducted were Tom
Petty and the Heartbreakers,
former teen idol Brenda Lee,
soul maestro and “Shaft” score
creator Isaac Hayes, and hit
maker Gene Pitney.
Stax Records co-founder Jim
Stewart was inducted in the
non-performer category.
Inducted posthumously was
country guitar picker Chet
Atkins, as a sideman.
Petty, who wrote hits like
“Refugee” and “Free Fallin,’”
was inducted by the
Wallflowers lead singer Jakob
Dylan. Dylan recalled how he
used to watch from the wings
as his father Bob Dylan per
formed with Petty as part of the
Traveling Wilburys.
Petty and the Heartbreakers
performed “Mary Jane’s Last
Dance” and “American Girl”
as his daughters danced in the
audience.
Petty said
he was sincere
ly humbled to
be a part of the
evening —
somewhat of a
surprise, given
his sometimes
sarcastic take
on life.
“It’s very
easy to be cyn
ical about the
hall of fame,”
Petty said
backstage.
“But on the
other hand, it’s
really a beauti
ful thing for
someone like
me. I dedicated
my entire life
to this music.”
The
Ramones
and the
Talking
Heads were
recently
inducted into
the Rock
and Roll Hall
of Fame,
signifying a
“new
generation”
of inductees.
Tom Petty
and Isaac
Hayes
(“Shaft”)
also were
honored.
PHOTO SPECIAL
TO THE
GAMECOCK
UCC VV CIO J UO L
as honored by the induction.
“I feel like Cinderella at the
ball,” said Lee, who recorded
her two best-known songs —
the ballad “I’m Sorry” and the
holiday standard, “Rockin’
Around the Christmas Tree” —
before her 16th birthday.
“It is a long way from the
Georgia cotton field to the
Waldorf-Astoria.”
Joey Ramone, the Ramones’
lead singer, had anticipated the
day that the Ramones would be
inducted into the hall. But it
came about a year too late—he
died in April 2001 from cancer.
Still, his mother said he died
knowing that the Ramones —
whose groundbreaking songs in
cluded “Blitzkrieg Bop”—would
find their place in the hall some
day.
“He felt pretty sure they
were going to be inducted,”
Charlotte Lescher said. “It was
important for him to have
recognition for what they did.
He never felt they were really
recognized.”
Eddie Vedder, the lead
singer of Pearl Jam, echoed
those sentiments as he induct
ed the Ramones, which he de
scribed as the precursor for
bands like his own and
Nirvana.
“Something very unusual is
happening here tonight, and
that is this industry is paying
some respect to the Ramones,”
said a Mohawk-wearing
Vedder in a long, rambling
speech, which he interrupted
twice to swill on a bottle of
wine.
The Talking Heads, who dis
solved in bitterness in the early
1990s, played their first live gig
in 18 years. They performed
“Psycho Killer,” “Burning
Down the House” and “Life
During Wartime,” cuts that
tracked their progression from
arch, minimalist rockers to a
funk orchestra.
“I’d like to thank the Rock
and Roll Hall of Fame for giv
ing this band a happy ending,”
drummer Chris Frantz said.
Backstage, however, the
band said the media had over
played their differences, and
even caused them.
“If it wasn’t for the press, we
wouldn’t have had the acrimo
ny,” bassist Tina Weymouth
said.
Grammy winner Alicia
Keys, not even born during
Hayes’ early 1970s heyday, in
ducted the veteran soul
singer. Earlier, Hayes direct
ed an orchestra and added the
spoken-word passages of his
best-known hit, “Theme From
Shaft.”
To a music industry audi
ence, Hayes pleaded for musi
cians of his generation to get all
that’s owed to them for their
past work.
“I’m just asking you to prac
tice some business ethics and a
little humanity,” he said. “Do
the right thing by me and my
contemporaries.”
At the end of the evening,
♦ RAMONES, SEE PAGE 8
use Best
Buddies
President
Katie Smith,
center,
poses with
buddies at a
party.
PHOTO SPECIAL TO
THE GAMECOCK