The gamecock. (Columbia, S.C.) 1908-2006, February 22, 2002, Page 5, Image 5

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-- THE GAMECOCK ♦ Friday, February 22, 2002 CONTACT US THEY SAID IT" A iiHj I U kj - JOHN BARLETT: “I have gathered a ^ Story ideas? Questions? Comments? P°sie of other men’s flowers, and E-mail us at gamecockmixeditor@hotmail.com nothing but the thread that binds . them is mine own.” ft Charlie Hunter brings innovation to jazz with his unique eight-string guitar. As a child, Hunter studied under the famous guitarist Joe Satriani. The Charlie Hunter Quartet, which includes tenor saxophone and percussion instruments, will play New Brookland Tavern with the Jacob Fred Jazz Odyssey on Sunday. PHOTO BY GERRARD NEEDHAM Charlie Hunter plays the Columbia blues BY JUSTIN BAJAN THE GAMECOCK Casting convention aside, Charlie Hunter upholds a key to understanding jazz: innovation. This comes in the form of an eight string guitar, an instrument he created. The guitar combines the lower register of an electric bass with the higher range of an elec tric guitar. The Charlie Hunter Quartet in cludes John Ellis on tenor saxo phone, Chris Lovejoy on percus sion and Stephen Chopek on drums. Combined with Hunter’s versatility, the band emits a laid back, free-flowing sound that re laxes the muscles and eases the heart. Hunter plays double duty, supplying the rhythmic backbone while enriching each composition with his improvised guitar licks. Well-versed, or “played,” gui tarists will appreciate that Hunter was schooled as a 12-year-old un der Joe Satriani, a world-famous but highly underappreciated gui tar player. Getting his start in the now-defunct Disposable Heroes of Hiphoprisy, led by Michael Franti of Spearhead fame, Hunter got to mold his mammoth eight-string guitar model. After a stint as bandleader for \ Prawn Song Records, a label Les % Claypool started, Hunter made it to jazz label Blue Note Records. The label is the operating hall of fame for such legendary artists as Thelonius Monk, Miles Davis and Benny Goodman. Since his initial signing, Hunter has released six al bums, including his latest, “Songs from the Analog Playground.” The album is a turning point in Hunter’s career; it’s the first to in clude vocalists. The vocals supply an added dimension, something Hunter recognizes as important. “That’s the kind of music I was brought up on,” he said. “As a street musician, that’s all you played because, if you played in strumental music, you really went broke.” But instead of filling up his album with easily recogniz able-but mediocre artistry. Hunter lets lesser-known, talented musi cians shine, including Kurt Elling, Theryl DeClouet, Norah Jones and Mos Def. All the featured guests make multiple appearances and allow the listener to become better ac quainted with their talent. DeClouet, from funky jazz group Galactic, jazzes up the Earth Wind and Fire original “Mighty Mighty.” The quartet comple ments DeClouet’s soothing vocals and follows his every change of emotion. But as it proves on this album, the band can convey music with out vocals. The sonic quality in duces a methodical and rhythmic head-nodding as Hunter flexes the range of his super-guitar, which If you’re going... WHO: Charlie Hunter with Jacob Fred Jazz Odyssey WHERE: New Brookland Tavern WHEN: 8 p.m. Sunday TICKETS: $10 cover charge at times sounds more like a Hammond organ. This soulful syn ergy can be heard on the curiously titled “Mitch Better Have My Bunny.” As the track progresses, layers of instrumentation are in tricately added to the already catchy melody Ellis supplies. With an enlarged guitar in hand, Hunter chops down the lim its of artistic capability and proves that one man really can do two things at one time. He’s a symbol of instrumental efficiency. The quartet’s sound might range in style, but never oversteps its mis sion: to make enjoyable music that entreats the ears and invites the body to move. Hunter will perform at New Brookland Tavern with the Jacob Fred Jazz Odyssey on Sunday. The show starts at 8 p.m. and will cost $10. Comments on this story?E-mail gamecockmixeditor@hotma il.com Cosmic Fame most at home in atmosphere PHOTO SPECIAL TO THE GAMECOCK ^ Columbia-based Cosmic Fame sounds best when It sticks to a mellower, more atmospheric sound. It will play with Beam and Dropping Dimes at New Brookland Tavern on Saturday. BY MIKE LUKE ™E (iAMRCOCK In the record industry today, there’s little chance for a band to survive by sounding like what’s popular. Bands must be unique, and Cosmic Fame definitely has that aspect of music down to a science. The four members of Columbia’s Cosmic Fame—Marty Fort on guitar and vocals, Mike Reid on keyboards. Rich Shirah on hass and Jason Summers on drums — have a new seven-song ) CD circulating. The CD, “Goddess,” was recorded in Columbia’s Jam Room. The band has two styles: a the better style; and a heavier sound, which Cosmic Fame’s pre decessors have watered down. Pop-rock radio is not this band’s career path. The CD’s opening track, “Dark Star,” brings a vocal melody that strikes a contrast with heavy, yet atmospheric music. The title song sounds somewhat New-Age; the keyboard strikes listeners as the backbone of the song. “The Day Before” is the beau tiful, piano-driven introduction to “Seven Days.” Those two pieces work together to form a progressive song with three or four theme changes. “Power” leans more toward rock’s commercial side. It lives up to its own name, though, and is definitely the most aggressive song on the album. The last song is a deep and dark rendition of the classic Christmas song “Greensleeves.” Cosmic Fame has been togeth er for only a year. It still must grow as a band, but it’s well-ac complished considering its short timp tnppthpr The hand has heen hard at work, touring Columbia and playing with bands such as Big Wreck and Skid Row. Fort, who wrote all the album’s songs except “Greensleeves,” said he was anticipating getting back in the studio after reaping the re wards of touring. “The band has a real chem istry in the studio, and we love to record. ...Cosmic Fame is magic in the studio,” he said. If you’re going... WHO: “Cosmic Fame with Beam and Dropping Dimes WHERE: New Brookland Tavern WHEN: Feb. 23,10 p.m. TICKETS: $5 cover charge One might wish that bands such as Cosmic Fame, which haven’t yet broken through, were already established in the music industry. A full-length album would really do the band justice. Most of its songs are anticlimac tic. With the band’s atmospheric sound, a mellower guitar would better complement the lyrics. With support from WUSC and other local stations, and more ex _•___ i_i n__ pul ItlU/C UO U UUUU) v>WO»lllV/ jl uuiv should be on the rise. The band will be interviewed live on WUSC at 5 p.m. today. It will perform with Beam and Dropping Dimes at New Brookland Tavern on Saturday night. Comments on this story?E-mail gamecockmixeditor@hotmail.com 3 Rivers talent ‘stellar’ Acts planned for 3 Rivers Music Festival include Outkast, Zodiacs BY LOGAN BARLOW THE GAMECOCK The Three Rivers Music and Heritage Foundation held a news conference yesterday to discuss this year’s 3 Rivers Music Festival, to be held April 5-7. BellSouth, one of the event’s largest sponsors, played host to the conference. Other sponsors are Manifest Discs and Tapes, Budweiser of Columbia, Blue Cross Blue Shield and Wachovia. Fred Monk, foundation chair man, said the original inspiration for starting the festival was that “we wanted to do something spe cial for Columbia that brought people together through diversity of music. In its third year, I think we’re going to expand that even further.” Monk called the talent lineup for this year’s festival “stellar.” He said, “We wanted to get those that were heading on top and very current.” George Clinton and the Parliament Funkadelic will start the festival Friday, April 5, on the BellSouth/Cingular stage. Cameo, a ’70s funk band best known for its hit “Word Up,” will also appear. Hip-hop band 2 Skinnee J’s will kick off the festival on the Budweiser stage. A1 Green, Maurice Williams and the Zodiacs, Loretta Holloway, Catalinas, Billy Scott and the Prophets, Charles Pope and the Tams, and John Mayall and the Bluesbreakers are also scheduled to appear on the BellSouth/Cingular stage. Outkast, perhaps the festival’s most anticipated act, will perform that Saturday night on the Budweiser stage. Medeski Martin Wood, Nappy Roots and The Del McCoury Band will also appear on the Budweiser stage. On the State Farm stage, Joan Jett and the Blackhearts, Buckwheat Zydeco, Little Feat and Jackyl are scheduled to per ♦R1VERS, SEE PAGE 6 CALENDAR Friday February 22 40 OZ. WITH INFINITE AND SIMPLE AS THAT: New Brookland Tavern, 122 State St. NERCROCIDE WITH MIRAGE, MEAT ROCKET AND WRETCH: Uncle Doctor’s, 1034 Mobile Ave.,9p.m. THE SINATORS CD SIGNING PARTY: Local band will perform and sign copies of its CD, “Coloured.” Manifest Discs and Tapes, 1563 Bush River Road, 7 p.m. Free. Saturday February 23 COSMIC FAME WITH BEAM AND DROPPING DIMES: New Brookland Tavern, 122 State St., 10 p.m. $5 EXIT 101 WITH FLYING TIGERS: Uncle Doctor’s, 1034 Mobile Ave. FRIENDS OF THE SCHOOL OF MUSIC MOVABLE MUSICAL FEAST: USC School of Music. 7 p.m. $50 Mm mtflin i iivui aiMia « i iww|# SATURDAY, FEB. 23: Friends of Bluegrass presents bluegrass band Mountain Heart. Tickets are available at Sounds Familiar and at Bill’s Music Shop. Gambrell Hall, room 153. 7 p.m.$15. ouriuay February 24 CHARLIE HUNTER WITH JACOB FRED JAZZ ODYSSEY: New Brookland Tavern, 122 State St. 8 p.m. $10 ^ FACULTY/GUEST ARTIST SERIES: Helen Tintes Schaurmann, mezzo-soprano. School of Music Recital Hall. 5 p.m. Free.