The gamecock. (Columbia, S.C.) 1908-2006, November 15, 2000, Page 10, Image 10
Quote, Unquote
‘It's the type of game that haunts you. ... We were
like deer in headlights.’
Lou Holtz, football head coach, on loss to Florida
'i
■___________ ■■■■■■■■_■
Wht (Bmccock
Editorial Board
Brock Vergakis • Editor in Chief
Kevin Langston • Viewpoints Editor
Nathan White • Asst. Viewpoints Editor
Patrick Rathbun • Editorial Contributor
Brad Walters • Editorial Contributor
Martha Wright • Editorial Contributor
Rivalry a great chance
for USC to give blood
Curing the USC’s Spirit Week, students can do more than sup
port their school by wearing garnet and black or attending
spirit events like the Tigerbum. They can also support their
sonooi and the local Red Cross.
During Carolina-Clemson vveek, students are given themnique
opportunity to donate blood in the Carolina-Clemson Blood Battle.
While students are making all-important donations to the local Blood
Bank of the Red Cross, they are also competing with Clemson to see
which school can raise the most pints.
USC has won the last two Blood Battles in what has more or less
become a tradition during the week prior to the Carolina-Clemson
game. The name might sound gruesome, but the Blood Battle is not
_ * ~ c_i _c
ouiut/uuug iu ivui ouy away iium.
In fact, all students should consider making a contribution to the
Blood Battle. Whether you’re in it to ensure a USC victory or to
make help out the local Red Cross, donating a pint of blood is a mod
est request for two great causes.
While the Blood Battle has a lot of competitive overtones, the
bottom line is that these two universities have decided to come to
gether in this charitable event. There might be an intense rivalry be
tween Carolina and Clemson, but at least the two schools know to
keep it on the playing field.
Students should donate
meal equivalency to poor
Today, students have a chance to make a contribution to the un
derprivileged community by giving their meal equivalency to
Oxfam.
The community organization will set up tables outside various
dining locations today, asking students to donate the cost of their
meals to the poor.
Oxfam should be applauded for their effort to get students in
volved in projects like this. Many students are not likely to seek
out ways to exercise their kindness, and Oxfam has done well in seek
ing students out.
The organization provides an opportunity for students to donate
to those less fortunate, and it is an opportunity students should take
advantage of.
For their donation, students are not only giving a gift to the im
poverished, but they are also seizing the chance to feel better about
themselves. Such a gift can give the benefactor a sense of pride.
When organizations present worthwhile causes, students should
go out of their way or sacrifice in order to participate. It is easy to
neglect or disregard these kinds of efforts, but we must exercise un
selfishness for the common good.
About Us
The Gamecock is the student newspaper of The University of South Carolina and is published Monday, Wednesday and Friday
during the fall and spring semesters and nine times during the summer with the exception of university holidays and exam periods.
Opinions expressed in The Gamecock are those of the editors or author and not those of The University of South Carolina. The
Board of Student Publications and Communications is the publisher of The Gamecock. The Department of Student Media is the
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ZD
Election 2000
Mass marketing our culture
American so
ciety is in a
crisis of
sorts at this very
moment.
I’m not talking
about the election,
because God
knows there is al
ready enough talk
of that.
The problem
lies in the cultural
identity of Ameri
ca.
I have asked
myself exactly
what it is many a
lime.
and prosperity. While using 9-year-olds as
a test market for R-rated movies should
be a concern, it should not be of the high
est priority. Our culture used to be hard
to define: a melting pot of this culture and
that one, two parts English, one part French,
one part German and Dutch and dashes of
Spanish, African, Asian and other Euro
pean influences.
But now when one looks at the cul
tural landscape and who is in control, one
■ can easily be confused and turned off.
We are quickly becoming a culture
following in the tradition of Wal-Mart. It
is a culture founded on the principles of
efficiency and mass marketing.
If one looks at the music industry, one
finds many acts straight off of the conveyor
belt. Britney Spears, the Backstreet Boys,
N’Sync and other acts would all fit into
this categorization. These bubble-gum acts
sadly define, represent and identify our
culture — or lack thereof. Jazz and
blues are considered uniquely American,
and rap, today’s American original, can
not be put on the same pedestal as either
of those.
Television is the same way. Aside from
the specialty channels, it’s hard to fmd any
originality. Reality-based programming
doesn’t cut it, and sitcoms are tired. Shows
like “The Simpsons” and “Seinfeld” would
not have been so successful and unique
were it not for self-parody and self-dep
recation. The writers of these shows have
been smart enough to realize the value
of these qualities.
What is uniquely American?
The World Wrestling Federation is
uniquely American. With its scantily clad
women, violence and absolutism, it is no
wonder the league is successful. It is also
no wonder that soon we will have the XFL,
the brain child of WWF founder Vince
McMahon. Soon, we will have all the joys
of the WWF and the NFL rolled into
one revolting ball. I’m expecting more
meigers to come as a result of the XFL’s
future success. I look forward to extreme
baseball or golf.
Even Hollywood, for the most part, is
a manufacturer. For every five movies like
“I Know What You Did Last Summer,”
there are only one or two movies like
“American Beauty.” Still, American cin
ema is still among the best in the world.
The Internet also contributes to the
disappearance or reduction of American
culture. The culture is now more isolated
because of the Web, and culture is gener
ally defined by unification.
Culture has its phases. Now it is going
through a kind of transitory, transitional
phase, and I’m not sure it can get any worse.
I hope it gets better soon, but greed is al
ways at the heart of popular culture. I hope
this trend toward mass production and
away from quality ends soon, but who
knows if the Backstreet Boys will out
last disco? We’ll just have to wait and see.
It used to be the bastion of culture,
borrowing from the cultures that made the
country what it is or was.
In spite of what politicians might
say, the questions do not lie in the violent,
sexual or otherwise perverse aspects of
the culture.
The generational pendulum swings,
and conservatism and liberalism play tug
of war with the pendulum’s shaft.
Politicians’ disdainful speeches about Hol
lywood fill conservatives’ eardrums and
help them to rest easy at night. Meanwhile,
these rhetoricians have no intentions for
action. It is only customary for people to
believe in the coarsening of society peri
odically, and especially in times of peace
Patrick Ratttbun
is a junior journal
ism major. He
writes every
Wednesday He can
be reached at
gamecockview
points
©hotmail.com.
Hollywood Violence
American cinema lacks quality
In this age of ap- -
athy and cyni
cism, the temp
tation to brand a
scapegoat proves
all too enticing for
politicians, televi
sion personalities,
and even teachers; •
so why not do it
Consider, for example, “The Patriot.”
First of all, this movie constitutes a gross
historical mutation. What’s worse though,
is that its assault on the history of Francis
Marion gives rise to the same tortured,
stagnant characterizations that float to the
tepid surface of any unremarkable ‘action
movie’script.
An accurate depiction of the ‘Swamp
Fox,’ a pioneer in guerrilla warfare and a
true South Carolina hero, should suffice
to captivate audiences. Yet “The Patriot”
cheapens our heritage with shameless em
bellishment. Captain Benjamin Martin is
good, British Colonel Tavington is bad.
But rest assured, everyone will go home
feeling satisfied when the mean of Col.
Tavington meets his gory end after inflicting
unfathomable suffering on his adversary.
And hey, there’s something for every
one here! While historical evidence does
indicate that Francis Marion employed
free slaves on his plantations, “The Patri
ot” gives us a warm, fuzzy feeling all over
by anachronistically empowering Martin
with a keen sense of political correctness.
Everyone—blacks, women, even the
French — profit from the experience of
knowing such a superior human being as
Captain Martin. Well, everyone but the
English that is, but who cares, they’re evil.
They bum women and children in church
es, right?
Tijithfully, we might never know if
any event like the one depicted in the
church burning of “The Patriot” ever took
place. Yet the haunting absence in this and
any other movie of its genre glares out
nonetheless; namely, the absence of real
ity. In our world today, few issues pit the
‘good’ against the ‘bad’ as so many ac
tion flicks would have us believe.
Human progress depends upon the re
alization that very often conflict repre
sents noble, high-minded agendas that can
not be reconciled trivially.
Of course, it’s silly to assume that
Americans are walking out of the theatre
brainwashed; cursing the Palestinians (or
the Israelis) and generally viewing the
world in black and white, good and bad,
Terminator and the old Terminator. But
anyone who paid attention to the past elec
tions would have seen the candidates pan
dering to just this sort of mentality.
When a movie like “The Patriot” re
ceives criticism as “nothing more than con
ventional fodder, conventionally written
and conventionally directed for a con
ventional audience,” what does that say
about the conventions of the richest, most
privileged country in the world? Forget
the sex and violence — maybe we should
be asking for higher quality.
“c1**1* •
The rhetoric decrying the effect of
Hollywood violence, sex, coarse language
and general immorality on the children of
America has yet to find its limit. Perhaps
the point of attack wavers a bit, depend
ing on whether you’re listening to George
W. Bush or Joseph Lieberman, but throw
ing blame on Hollywood continues to rep
resent a trusty whipping boy whenever a
school shooting or some other catastro
phe bruises the national ego.
However, while the amount of vio
lence in mainstream American movies
does disturb me (a little bit; I actually like
fight scenes as much as the next guy, just
not a whole movie of them), the polar
ization depicted in American cinema over
and over again is downright frightening.
More often than not, we can reduce
the storyline of a box office hit to ‘hero
beats villain’ with the accompanying sub-,
plot ‘hero gets girl.’
Fhomas
G remillion
is an interdiscipli
nary studies senior.
He can be reached
at gamecockview
ooints
8hotmail.com
Have your voice heard!
Submit letters to the editor to:
gamecockviewpoints@hotmail.com
_O___ -_
Election 2000
Valuable
lessons to
be learned
in Florida
In this amazing
presidential elec
tion, the results—
still undetermined—
were closer than even
what the political
pundits predicted be
fore Election Day.
With a possible
outcome only com
pleted through a legal
quagmire, Vice Pres
ident A1 Gore and
Texas Gov. George W.
Bush still battle over
the results in the con
tested state of Flori
A~
Given the tight effects of this election,
the adage, “Every vote counts,” certainly
stands validated.
We have all heard the different groups
around the nation who annually call for high
er turnout — especially from younger vot
ers — since the franchise represents the one
guarantee of citizenship. And those groups
are right on taiget with these claims.
By not voting, those who hold a spe
cial interest in government — usually the
very wealthiest of the nation’s business com
munity — dominate not only access to our
political leaders but also many times domi
nate their decision-making ability.
Election Day, then, is the one day where
the common, working people of the elec
torate can drown out the voices of the spe
cial interests.
But we all know the sad story. Turnout
among the nation’s voters has significantly
decreased over the years, especially, once
again, thanks to the younger voters.
Turnout has been down the past decade,
with the exception of the recession-plagued
year of 1992. In the 2000 general election,
a little more than 50 percent of the voters
participated, while in 19% the number was
below this mark.
Isn’t it amazing that only half those reg
istered to vote in the richest and the strongest
democratic republic actually do so?
Many disheartened would-be voters claim
that their vote simply does not count. How
ever, in this election, the results proved this
theory wrong.
The television networks mistakenly called
Gov. Bush the winner in the early morning,
only to take that call back. Many of those
watching this unbelievable event stayed up
until the morning to see whether the next
president would be determined.
The popular vote count has been the
closest since the Kennedy-Nixon race of
1960. As of the time this column was writ
ten, A1 Gore led the popular vote by near
ly 200,000 votes. This election, however,
has to be seen as a closer one because of the
fact that many more people are voting now.
No state has been challenged and con
tested more than the Sunshine State. With
the results in Florida still hanging in the bal
ance, Bush leads Gore by only 388 votes ui
a state with a huge population.
Prematurely awarded to Gore, then giv
tu dusii, me siaic was IIUUNCU lv/vj viusc
to call” once again after more precincts start
ed filtering into the network studios.
This problem points out how important
the right to vote is in the United States
No longer can the excuse of a vole be
ing irrelevant be a cause to one not turning
out.
I’ll leave you with this comparison A
candidate for a student body executive po
sition here at Carolina can seemingly win by
more votes than a candidate for President of
the United States can win the most crucial 1
state.
So, does your < ote count now?
Corey Ford
is a junior politi
cal science
major. He writes
every
Wednesday. He
can be reached
at gamecock
viewpoints
©hotmail.com