The gamecock. (Columbia, S.C.) 1908-2006, October 27, 2000, Page 7, Image 7
j This Week in USC History
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center, the John E. Swearingen Engineering Center.
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Costumes could
be hard to find
, near Halloween
by Heather Hardison
The Gamecock
Last minute shopping is not just
for Christmas anymore.
Many people are waiting
until the last minute to
find the perfect Hal
loween costume.
“There’s always a
mad rush at the very
end,’’said Randy
Zalkin, employee at the
Army Navy store.
It seems like each year
people wait later and lat
er tc pick out their
Jf. costumes.
“Halloween is
less than a week
away and I still
have no clue
what I want to
be,” said Jim
my Maier,
resident of
Lexington.
It is not ex
actly clear
why \ eople
wait until day
of Halloween to start deciding
what they want to be. Some peo
ple take weeks to figure out ideas,
while some are just too lazy to go
( look.
Waiting until Halloween is not
always the best option.
Putting off searching for a cos
tume can result in no costume at
all.
“When customers wait un
til the very end
they are not al
ways left with
the best choices.
They basically
have to get just
whatever is left,”
Miranda Senn of
Cromers said.
Most of the cus
tomers who do put off
the costume search are
left with remnants of
costumes or things that
are just not worth their
money. They have to
search through piles and
piles of stuff to find what
they are looking for. Wigs
and makeup are two of the
items that you can pretty
much find at any time.
“We sell a lot of
wigs to customers who
wait until the end,”Za
lkin said.
Wigs and makeup seem to be the
easiest things to work with. With
just those two essentials, you can
be whatever you want to be.
Costumes seepages
!
Frankenstein’s Lab
in the State Museum
by James Battle
The Gamecock
If you go to the State Museum, trav
el to the third floor, pass the giant
sltark that used to be the highlight of your
elementary school field trips, and look
between the tractor show and the tex
tile exhibit, you’ll find Frankenstein’s
Laboratory.
Most likely you’ve already heard the
groaning of someone trying to pass
Thanksgiving dinner and the heartbeats
of a 10-year-old on Ritalin.
Peeking around the corner, you’ll
find Frankenstein’s experiment chained
to a bed surrounded by old electrical
equipment.
Wearing his usual charcoal suit and
dusty combat boots, Frankenstein’s Mon
ster doesn’t look so good. Curly yellow
wires are bolted to is chest, and stainless
steel hoses protrude from his neck.
Plastic rats scurry over test tubes,
and what looks like the Monster’s brain
sits on a shelf next to agerbil swimming
in formaldehyde.
Around his bed, glass orbs conduct
electrical confusion, and from the ceil
ing lightening strikes, foretelling that
soon the Monster will rise and choke
everyone in the museum.
Strangely enough, these antique ma
chines, now used to bring life to dead
people’s body parts, are real scientific
devices on loan from the Department of
Physics and Astronomy at the Universi
ty of South Carolina.
What you would call the copper
swirly thing that makes fumiy noises is
actually a Waits and Bartlett medical
electrostatic generator.
This equipment would have been
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used during the mid-1800s and probably
handled by students that had never dealt
with electricity. It’s hard to imagine how
many hung-over freshmen got electro
cuted.
Yet, during this time, electricity was
the focus of scientific study hnd was be
lieved by some to be the spark of life.
Early in 1752, Benjamin Franklin,
using his kite experiment, proved light
ening and electrical sparks were the same.
Then Friedrich Anton Mesmer, an
Austrian physician, “mesmerized” pa
tients with “electrical hypnosis”, as pleas
ant as that sounds, and believed elec
tricity was the bridge between the body
and soul.
But the discovery that must have
caused the most uproar is Luigi Galvani’s
in 1791 that found dead frog legs could
be made to twitch by zapping them with
an electrostatic machine.
As crude as these experiments seem,
Mary Shelley’s words, “What if man
played God and used his technology to
create life?” seem strangely pertinent in
a world where scientists can toy with ge
netic material to create pigs and sheep.
Even now, Dr. Frankenstein might
be in the basement of the Physical Sci
ence Building sewing together kneecaps
and looking at DNA strands of old
football players.
Flowever, until then, you can give
Frankie a high five and check out his lab
oratory at the State Museum until Nov.
12.
The spotlight desk can be reached at
gamecockspotlight@hotmail.com.
Special to The Gamecock
Above is a scene from Cayce West Columbia’s “Hall of Horrors.” There are several haunted hous
es where the community can go to get a good scare.
Haunted houses
give ‘good scare’
by Marguerite
Higgins
The Gamecock
Bone-chilling screams, chain saw
massacres and fake blood can help
any cynic get into the Halloween
spirit. And Columbia’s no slouch in
the haunted and scary attractions for
thrill-seekers.
Just a sample of some popular
20 minute attractions in the Co
lumbia area are the Cayce West Co
lumbia Hall of Horrors and the Dark
Knight’s Terror Trail.
Hall of Horrors:
Located on 12 Street across from
tfie Cayce City Hall, the Hall of Hor
rors is the redone version of the
Haunted House originally put on at
Broad River Road. Coordinator Paul
Hunter says the move has been a
catalyst in changing the format of
the event.
“We used to be at this creepy
house on Broad River, but when it
got too dangerous for us to operate
there, we moved to Cayce,” Hunter
said.
Hunter said the group in charge
of the attraction includes three USC
fraternities, Kal Kappa Epsilon, Sig
ma Nu and Delta Epsilon, who send
12 members for each night and in
terested members of the communi
ty
Rather than barricade the crowds
from the horror shows, Hunter said
the guides bring audiences right
into the middle of the action. “It
becomes more intense for people
because they realize they aren’t safe
from what’s going on,” Hunter said.
The scenes for the stories inside the
many halls are all original, Hunter
said. “We try to veer away from do
ing a Freddy or Jason plot because
we want to build up the suspense
and give people a good scare.”
Thp approach has been success
ful so far, with an estimated 300 to
400 people each night. To accom
modate for the long lines, which
Hunter said get increasingly larger
as Halloween draws nearer, the event
has a movie for people.to watch.
“Each year, we do a short produc
tion about what people can expect
Haunted seepages
City ballet presents Shelley’s
Frankenstein this weekend
by Kamille Bostick
The Gamecock
The Columbia City Ballet will
bring Frankenstein to the Koger Cen
ter today and tomorrow, in what
promises to be an entertaining adap
tation.
Under the artistic direction of
William Starrett, who designed the bal
let and has also created nine other orig
inal ballets for the company, the pro
duction will use special effects and
lighting to tell the tale originally penned
by Mary Shelley in her Gothic novel
by the same name.
It is in Dr. Victor Frankenstein’s
obsession with recreating life, an in
terest that stems from his mother’s
death from complications of childbirth
after having his brother, William, on
which the plot centers. The doctor
devotes his time and energies to bring
life back to lifeless forms of matter.
Blinded by the scientific merit it will
Frankenstein see page a
Special to The Gamecock ■
The Columbia City Ballet is presenting “Frankenstein” at the Koger
Center on Friday and Saturday.
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The bat is associated with vampires, the
walking dead, because of a variety of bat
that drinks the blood of animals. Also,
bats are nocturnal, making them mys
terious. Bats were also seen to fly around
Halloween bonfires, eating the insects
drawn by the light. Both witches and
vampires were said to be able to
shape-shift into bats.
IWMAT
Cats have always had mystical as
sociations. The Egyptian deity Bast ap
peared in the form of a cat. Cats were
associated with many benevolent god
desses. Then, during the Inquisition, the
cat was branded as evil and said to be
demonic. Later, during the Burning
Times, cats were branded as “familiars,”
or spirits, of witches and were burned
along with their masters. What then, my
friends, could be worse than a cat the
color of midnight, the coldr of evil?
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The broom, is, of course, associat
ed with witches. But how did this start?
In ancient pagan communities, many
women were “wise ones,” or witches.
They practiced folk magic, knew herbal
medicine and understood the cycles of
the earth. They were simple women,
and the tools of their craft were house
hold ones: a broom, a cooking vessel
(cauldron), herbs and plants. When the
witches were persecuted, the symbols
associated with them (cats, cauldrons,
brooms, etc.) became symbolic of “evil.”
Our modern “Trick or Treat”
evolved from the tradition of leaving of
ferings of food for the spirits of the dead
on All Hallows’ Eve. The practice of go
ing house to house, performing for food
or money, dates back to early Celtic
times, though it followed to early Amer
ica as well. Our modem ‘Trick or Treat”
night was instituted to counteract Mis
chief Night vandalism. In the late '60's
and early '70's, reports of poisoned can
dy and razor blades in apples scared many
parents and kept children away from the
festivities. However, none of the claims
were ever proven, and not one death or
serious injury in the last 30 years can be
attributed to doctored treats.
The Jack-O-Lantern, or carved
pumpkin, is an American twist on an an
cient Celtic tradition of carrying hol
lowed vegetables as candle holders
and lanterns. There is no solid evidence
that the Celts used them to ward off evil.
wrrum
Costumes and masks have played
two roles during the Halloween season.
It is supposed that ancient people
wore costumes to better commune with
the spirits that roamed the night. An
other theory is that masks were worn to
frighten away evil spirits. Whatever the
ancient truth, the wearing of disguises
and costumes has been firmly rooted in
our modem American traditions.
<mn
The modem image of the ghost repre
sents the ancient spirits, the ancestors
who are thought to be able to walk
among us, perhaps even contact us per
sonally, on All Hallows’ Eve. Some cul
tures leave offerings of food and drink
for the spirits of their dead relatives.
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Graves, graveyards and coffins are
associated with death and our dead an
cestors. Ancient and modem traditions
claim the veil between the worlds of the
living and the deceased is the thinnest
on Halloween, allowing passage either
way.