The gamecock. (Columbia, S.C.) 1908-2006, July 19, 2000, Page 7, Image 7
Ice is back... with a new look and sound
by Jonathan Dunagin
Gamecock Critic
Few people have jumped to the top of the music scene like
Vanilla Ice did in 1990. However, many musicians have failed to
meet the public’s expectations with their follow-up albums, and have
fallen into obscurity. Despite criticism and the doubts of the music
mainstream, Vanilla Ice proved he still had what it takes July 12 at The
Elbow Room; and Columbia got a little bit cooler.
No one at the show could deny that Rob Van Winkle, better known
as Vanilla Ice, could still energize a crowd and give a performance wor
thy of attending. For nearly an hour and a half, he had the capacity
crowd at The Elbow Room pumping their hands in the air, singing along
and even getting involved in the performance. And although his
name alone drew much of the crowd who just wanted to say that
they had seen Vanilla Ice, many left the show impressed with his mu
sic.
Since his 1990 release, “To the Extreme ”, not much has been heard
from the Iceman. Although he released subsequent albums, they
were unable to hook the public’s attention. He was regarded as a fad
and died out very quickly. But unwilling to become a joke in music’s
history, Vanilla Ice kept experimenting with and changing his sound.
He shed the persona and background developed for him by the
record industry and started writing about his life experiences. Finally,
in 1998, he hooked up with Korn and Limp Bizkit producer Ross Robin
son and produced a rapcore (metal and rap) album full of emotion. With
the release, “Hard to Swallow”, a new style of Ice was bom.
It was this new style, fueled by emotion that Vanilla Ice brought
to The Elbow Room this past Wednesday. To open the night, the Co
lumbia-based band Hot Lava Monster performed. Originally, the slot
was secured for another Columbia band, Mass Connection, but after
a booking misunderstanding, it was given to Hot Lava Monster.
This is a shame, since Mass Connection would have better filled
this space because their musical style and on-stage eneigy is more along
the same line as Vanilla Ice’s, but Hot Lava Monster was able to pull
in enough fans to make the show memorable for them.
Their driving rock music got the crowd involved, but after an hour
and fifteen minutes, fans had heard enough and were ready for the Ice
man. And they weren’t disappointed. Amid fog machines and turntable
beats, Vanilla Ice exploded onto the stage, and the crowd erupted.
Foiget all the criticism he’s endured over the years. Forget that
some in attendance had just come to make fun of him. Foiget the fact
that this is the guy who had “Word to your mother” on his jacket dur
ing his heyday. This show was electric.
When Vanilla Ice came out on stage, it immediately hushed all that
doubted his ability to put on a powerful show. There was an anger in
his lyrics that took hold of the crowd, permeated their consciousness
and lifted them to another place. And among all this, there stood Vanil
la Ice... and he was extraordinary.
The only disappointment was that he was unable to perform the
rapcore versions of his songs because his drummer was in drug rehab.
But Vanilla Ice wasn’t about to disappoint his fans. So with the
turntables spinning, he treated the audience to a display of rap ag
gression.
From the very beginning, a tone was set for the evening and the
crowd loved it. At one point, an invitation was given to
anyone who wanted to come on stage and do some free
format rapping. With that, it was as if every white boy
who was ever inspired to rap came up to show what he
had. And although some were decent, a majority found
out that it wasn’t as easy as it seemed.
Never was Vanilla Ice’s hold over the crowd more
evident than when he performed “Ice Ice Baby.” How
ever corny it may seem to you, everyone knows the words,
and everyone wanted to scream it the loudest. Immedi
Jonathan Dunagin The Gamecock
ately, the crowd was transported back to the early 90s, to a time
when baggy pants were in and white rappers were a fast-growing com
modity. By far, this was the best song of the night, as if there were ever
any question.
When the night finally ended, Vanilla Ice, always appreciative of
his fans, signed autographs for everyone. He even allowed fans to sign
the guest list for his upcoming show at the House of Blues in Myrtle
Beach. If you’re a fan of heavy music, this show won’t disappoint you
because his entire band is supposed to be present. And if you missed
this past’s Wednesday’s show, you should certainly mark your calen
dar for August 5; it’s a show not to miss.
In addition, Vanilla Ice announced he has an album coming out lat
er this year. Tentatively titled “Bomb the System”, the album is full
of guest performances, including ones by Insane Clown Posse, Slip
knot, Wu Tang Clan, Master P, and even his friend Lenny Rravitz.
With the assortment of musicians featured on this album, it is clear that
Vanilla Ice is back.
JONATHAN UUNAGIN I HE UAMECOCK
Above: Vanilla Ice grabs the microphone and entertains the capacity
crowd at The Elbow Room music hall Wednesday July 12. The Iceman
is currently on tour promoting his latest album Hard to Swallow.
Top Left: Don’t confuse Rob Van Winkle with the Vanilla Ice of old. He’s
got a new look and attitude to go along with an entirely new sound.
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