The gamecock. (Columbia, S.C.) 1908-2006, January 26, 2000, Encore!, Page 7, Image 21
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Disney revisits 'Fantasia'
by Ruth Nettles
Gamecock Critic
Think back to the movies you saw as a kid Adorable deer,
dogs eating spaghetti, searching for Big Bird... And then there
was that one with no words, only classical music and animated
images that made you wonder what kind of connections Dis
ney had to Colombian drug
cartels.
As the opening to “Fan
tasia” explains, the original
corjcept for the movie was
that it would be an ever
changing piece. Segments
would be added and taken
away over the years so that
you would never see the same
“Fantasia” twice. In 1940,
Walt pisney created the orig
inal “fantasia” on that premise
and insisted it only be shown
in his new “Fantasound,” an
assembly of 64 speakers that
was America’s first experience of modem surround sound.
Unfortunately, most theaters were feeling the oncoming war
and weren’t interested in frills like Fantasound and refused to
have it installed.
Now, 30 years after Disney’s death, his nephew Roy has
resurrected his crushed dream as “Fantasia/2000”. If you
haven’t heard much about “Fantasia/2000” yet, you’re prob
ably wondering why you haven’t seen it in the local listings.
It’s because Roy Disney went beyond the idea of Fanta-*
sound and had “Fantasia/2000” produced in IMAX, the movie
format that uses a screen up to eight stories high and many
more than Walt’s 64 speakers.
The only segment remaining from the original “Fantasia”
is the popular “Sorcerer’s Apprentice” segment with Mick
ey, dancing brooms and a small flood. The section went through
a degraining process to be suitable for IMAX, but it still looks
old. Not that that’s bad - it’s
a reminder of the “Fantasia”
concept. The rest of the
segments range from enter
taining to a drug-free acid
trip. (Don’t be frightened 6y
the shower scene with Mick
ey and Donald.)
In the beginning seg
ment of “Fantasia/2000,”
pairs of triangles that some
what resemble butterflies
concerned me. I hadn’t seen
the original “Fantasia” in
many years, but I didn’t re
member it being quite as sil
ly as evil-looking triangles chasing pastel triangles to the tune
of Beethoven’s Fifth Symphony. Fortunately, it improves from
there.
The segments are introduced by a wide range of hosts.
Where else are you going to see Steve Martin, Bette Mi
dler, James Levine, Itzhak Perlman, James Earl Jones, An
gela Lansbury, Quincy Jones and Penn & Teller all in the same
movie? Some of the introductions are enjoyable. Others seem
a little forced. But they aren’t the important part of the “Fan
tasia” experience. Unless, of course, you’ve always dreamed
of seeing Steve Martin so laige you could fit inside one of his
vort almost everywhere but in
the ocean.
Gershwin’s much-overplayed
“Rhapsody in Blue” is paired
with animation inspired by car
icaturist A1 Hirschfield. Per
sonally, I still think of airline
commercials when I hear that
music. I did enjoy the story told
in this piece that began with one
small drawing, the outline of
New York (think “Frasier”
opening), and then followed
several New Yorkers through
their day to the relieving end
. Just after you ’ ve relived your first “Fantasia” experience
with the “Sorcerer’s Apprentice” piece, Donald and Daisy
take the screen to the tune of “Pomp and Circumstance” in
a combination love story/Noah’s Ark retelling. Try not to
think too much about graduation when you see it. And if you
watch the animals boarding the ark and say “But where are
the flamingos!?”, just wait until the next scene. It’s an en
tertaining combination of Saint-Saens’ “Canjival of the Ani
mals” and flamingoes w’ith yo-yos.
One other familiar story is offered in Disney’s concept of
Hans Christian Andersen’s “The Steadfast Tm Soldier” to the
tune of Shostakovich’s Piano Concerto No. 2.
Many people, however, have found a favorite segment in
the closing piece. Stravinsky’s beautiful “Firebird Suite” is
used to tell a story of nature’s birth, death and renewal process.
At 75 minutes, “Fantasia/2000” is only the second MAX
film to exceed 45 minutes. (The limit is because of the size
of the film reels. For inter
esting facts about the size of
IMAX films and theaters, vis
it www.imax.com.) And this
production of Disney with,
the help of the Chicago Sym
phony Orchestra (directed by
James Levine) is definitely
worth seeing in IMAX.
“Fantasia/2000” will
play only in IMAX until
April and will be released
in regular theaters during the
summer. Although there are
IMAX theaters in Myrtle
Beach and Charlotte, “Fantasia/2000” was released to only
75 theaters worldwide, and so the closest show for USC stu
dents is in Buford, Ga., at the Mall of Georgia near Atlanta.
I definitely recommend the drive to see it in IMAX.
Showtimes are 1:00,3:00,5:00 and 7:00 p.m., but I rec
ommend getting your $ 11 tickets (plus $ 1 handling fee) in
advance. The shows tend to sell out. The trip takes about 3
to 4 hours each way, but with a few friends, its no time at all
and hardly a sacrifice for such an experience.
Scenes from Fantasia/2000
nostrils. To complete the animators-on-drugs feeling, imag
ine the music “Pines of Rome.” Even if you’ve never heard
it. What comes to mind? Trees? Italy? Whales? If you guessed
No. 3, submit your application to Disney Animators, Orlan
do, FL. During this piece by Ottorino Respighi (unless you’re
a music major, feel free to say,
__ “Who?”), whales frolic and ca
Courtesy of Walt Disney Pictures
Courtesy of Walt Disney Pictures
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