The gamecock. (Columbia, S.C.) 1908-2006, January 19, 2000, Encore!, Page 7, Image 21
The swamp fills with Phish
by Michael Kerr
Gamecock Critic
. This New Year’s 80,000 people descended upon
the Big Cypress Seminole Indian Reservation in Flori
da to see a concert by the rock group Phish.
People flocked to the site from every comer of
the country for three days of camping and two days of
music.
Despite never attaining commercial success, Phish
has been one of the top grossing live bands for the past
10 years.
They have gained a cult following similar to that
once associated with The Grateful Dead. “Phans,”
as followers of the band are known, are some of the
most loyal in the music world. They are known to
travel from venue to venue during the band’s tours.
The massive influx of people attending the show
backed up traffic along 1-75 for 25 miles. The 12-hour
wait did little to upset the concert-goers, however.
All along the road, known locally as “Alligator Al
ley,” people skateboarded, listened to music and threw
Frisbees, oblivious to the inconvenience.
Inside the gates, a makeshift city of RVs and
tents shot up in a matter of hours. More than half of
those attending had their campsites set up Dec. 29, a
full day before the concert began.
People cooked hot dogs and hamburgers on portable
grills and set fireworks off as the sun went down.
This was a concert like no other. Upon passing
through the gates, the fans were met with warnings
about the canals, fire ants, alligators, spiders, snakes
and wild boars.
Each carload received a map of the venue, which
was laiger than many small towns. A theme of the con
cert was “Keep the Scene Clean.” Bags for trash and
recycling were given out at the entrance.
The staff urged fans to dispose of their trash prop
erly and rewarded them for doing so. By dropping
garbage bags off at designated areas fans, were entered
into a raffle. Five first-prize winners received an au
tographed copy of the Phish box set “Hampton Comes
Alive,” as well as two tickets to the Phish show of then
choice in 2000.
One grand-prize winner received a personal
ized, autographed photo of the band and four tickets
to the Phish show of his choice in 2000.
Excitement and an overwhelming feeling of anx
iousness filled the crowd the first night. People
wandered around the festival, absorbing everything
they possibly could.
jno one Knew wnat to expect in tne coming days,
but it was clear that this was something special.
The entertainment started long before the band
hit the stage. The “Enchanted Forest” provided live
music and interpretive dance. People played guitars
and sang from their campsites.
Music blared from the vendors. Two Fenis wheels
were in operation, and people struggled to climb to
the top of a large ice sculpture.
Around 5 p.m. Dec. 30, Phish took the stage for
the first of five sets to be played over two days. Semi
nole Chief Jim Billy joined the band on guitar and lead
vocals to play two songs. He greeted the thousands in
attendance with a “Native Greeting Song.” He then
followed with a warning about the animals living on
the reservation with “The Big Alligator Song.”
• Phish played two more sets that evening. The high
light of Day One was a cover of Led Zeppelin’s “Good
Times Bad Times.”
The concert field emptied around midnight. Some
returned to their tents to get some sleep, while others
spent tne enure mgni want
ing around the festival, tak
ing in as much of the scene
as possible. The first day
of music proved incredi
ble, and it was only the be
ginning.
The band returned to
the stage the next afternoon
for another exciting set.
After playing for nearly two
hours, they closed with a
cover of Eric Clapton’s
“After Midnight.”
They left the stage
for a long break, leaving the
crowd anxious for the fi
nale, an all-night set start
ing just before midnight and
ending at sunrise.
By 11 p.m., the con
cert field was packed. The
crowd was more excited than ever. The'Combina
tion of the coming of the year 2000 and the show to
be played made for an intense feeling in the sea of peo
ple.
Father Time appeared on the screens near the stage
riding a stationary bike as the turning of the gears played
over the PA.
Ten minutes before midnight, Phish made their
grand entrance, riding in on a giant hot dog. They
threw beads, leis and other presents into the crowd.
They.hit the stage in time to join the crowd in a count
down to the year 2000.
As the 20th century ended, the band broke into
“Auld Lange Syne” and a fireworks display lit up the
sky.
The final set was a testament to both the band and
their fans. Earlier in the show, front man Trey Anas
tasio promised the crowd that the band would not leave
the stage for the entire set. True to their word, every
member of Phish remained on stage for the
marathon seven-hour-and-45-minute set.
Just before 1 a.m. Anastasio informed the crowd
that the next song would be taped and played as part
of ABC’s “New Year’s Across the World.”
He greeted those watching on television with a
message of peace and love for the 21st century and re
minded the world that the left lane was for passing on
ly. At his request, the crowd replaced the traditional
applause and cheers at the song’s close with chants
of “cheesecake.”
Many fans did not last the entire set. Some re
turned to their tents, while others fell asleep on the
concert field. As the sun rose, Phish left the stage, ex
hausted. •
Phish’s New Year’s Eve 2000 show will almost
ceftainly draw comparisons to Woodstock. It most
certainly was not Woodstock. But in a year where
concerts were marred with riots and fires, those three
days of friendship and music came close.
Patrick Rathbun The Gamecock
Phish fans celebrated the new year with a three-day festival on the
Big Cypress Seminole Reservation in Florida's Everglades.
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