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an unnerving
portmitof a killer
by Matt Wolf
Associated Press
The latest film from Atom Egoyan, who scored Academy Award
nominations two years ago for writing and directing “The Sweet
Hereafter,” could be called “The Deadly Present.”
mow can tnat be, you might asK, especially given the lilting purr
of an English Midlands accent affected by the movie’s star, Bob
Hoskins, in uncharacteristically courtly form?
It’s Egoyan’s way to address potentially sensationalistic materi
al indirectly, even obliquely, to catch the audience off-guard. The
result — “Felicia’s Journey” — is perhaps the quietest film ever
made about a serial killer, though no less unnerving.
Those in search of emotional signposts may resist Egoyan’s
method, a reflection of his refusal in “The Sweet Hereafter ” to play
that film’s topic — a community tom apart by a school bus crash —
for cheap sentimentality.
At heart, Egoyan’s style is one of a clinician whose apparent cool
sometimes leaves viewers wondering whether he has a heart. But
there’s something to be said for this director’s stealth, which keeps
its distance from emotions that other filmmakers would quickly wal
low in.
Like The Sweet Hereafter, which was drawn from a Russell
Banks novel, “Felicia’s Journey” has a literary source in the fic
tion of William Trevor.
And, unusual for the movies, this film is in essence what in the
theater is called a “two-hander” — a duet turned face-off between
putative friends who end up potentially murderous adversaries.
At the start, there’s little to suggest the intentions of Hoskins’
character, Joseph Hilditch, a catering supervisor who inspires affec
tion among his staff at work but spends evenings alone fussing around
the enormous kitchen of his rambling home.
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old cooking program hosted by Gala (Arsinee Khanjian), a cheerily
eccentric Frenchwoman who is glimpsed in the footage alongside
her plump and clearly discomfited young son — Hilditch.
Into this ordered yet solitary life comes Felicia (Elaine Cassidy),
a pregnant 17-year-old Irish girl who has arrived in England in search
of her boyfriend.
' Unable to find him, Felicia strikes up a hesitant friendship with
Hilditch.
But what seems like a meeting between two emotionally way
ward, kindred souls begins to sour as Felicia learns the fates of oth
er teen-age girls who have fallen under Hilditch’s spell.
And yet, the film refuses to take the easy way out by demoniz
ing Hilditch. In its reined-in manner, “Felicia’s Journey” allows
for the possibility of healing.
By contrast, Khanjian—Egoyan’s real-life wife—is deliciously
over-the-top as the daffy, demanding mother, while Claire Benedict
stays just the right side of caricature, playing an itinerant preacher
whose unexpected arrival prompts the film’s climax.
Hoskins seems to be enjoying a career remake, opting out of
more mainstream fare in favor of the quirky, character-driven roles
that first brought him attention in “Mona Lisa” and “The Long Good
Friday.”
Newcomer Cassidy enters completely into the riven world of
Felicia, a child-woman whose romantic dreams over time become
cries for survival.
That Felicia not only survives but even prospers is perhaps the
ultimate surprise in that rare film about a killer to turn something
potentially grisly into a study in grace.
“Felicia’s Journey” is an Artisan Entertainment release, pro
duced by Bruce Davey. It is unrated, but clearly not suitable for chil
dren. Running time: 116 minutes.
rr .ysragswe?
Elaine Cassidy plays Felicia in Adam Egoyan’s film,
“Felicia’s Journey.”
Bob Hoskins (left) playsJoseph Hilditch, a catering super
visor with a dark side.
Kids send Pokemon' to the
top of weekend box office
by Paul chavez
Associated Press
Los Angeles — Children enthralled by the ad
ventures of Pikachu helped Pokemon extend its
franchise to movies over the weekend.
“Pokemon: The Fust Movie” earned an esti
mated $32.4 million for the top spot at the box of
fice, more than doubling the $12 million earned
by the second-place finisher “The Bone Collec
tor,” according to early industry estimates released
Sunday.
The animated Warner Brothers film, which fol
lows the mouse-like Pikachu and friends as they
battle a bio-engineered enemy, has earned $52.1
million since its debut Wfednesday, a five-day record
for animated features.
The movie continues to ride a wave of Poke
mon popularity fueled by elementary school-aged
children. The craze began when Pokemon,
which is a blend of the words “pocket monster,”
appeared as a Nintendo game and expanded into
a trading card series.
“Pokemon couldn’t be hotter than it is right
now,” said Paul Deigarabedian, president of Ex
hibitor Relations Co. Inc., which tracks the box of
fice. “Kids are insatiable for entertainment and
they’ll consume everything that comes out in a big
way.”
The film will receive competition from Dis
ney’s upcoming “Toy Story 2,” but should enjoy
repeat business through the holidays, Dergarabe
diansaid.
Last week’s top film, “The Bone Collector,”
saw a 28 percent drop in ticket sales over the week
end but still held on for second place. The movie
stars Denzel Washington as a bedridden New York
cop who tries to a serial killer. M
The debut o ivin Smith’s control
versial film “D ed Hard with $8.8
million. The mo’ __ 1 the ire of some Ro
man Catholics for its irreverent look at the na
ture of faith. \
“Sometimes there’s rib such thing as bad press,”
said Deigarabedian.“Film recognition and aware
ness by an audience are really important and the
director has been pounding the pavement pretty
hard ” 1 <
Audiences had a wide range of choices this past
weekend with films ranging from the romantic
comedy “The Bachelor” tp the tobacco industry
drama “The Insider.”
Filmgoers also continued to spook themselves
with “The Sixth Sense,” starring Bruce Willis. The
movie finished tenth in the weekend box office
derby with $2.7 million and has earned $267.8 mil
lion since debuting 15 weeks ago.
m The ghost story, could reach the $300 milhorT
mark if it receives a Golden Qlobe or Academy
AwydBomination, said Chuck Vane, president of
distribution for Disnav’s Buena Vista Pictures.
Estimated tidppales for Friday through -
Sunday at Nortlmmerican theaters, according to
Exhibitor Relations. Final figures were to be re
leased today. 1 4 V X.
V. FOKemon: i nj za mil
lion/
}2. “The Bone Colleci llion.
3. “Dogma,” $8.81 '
4".-“The Messenger: of Joan of Arc,”
$6;3 million.
5. “Anywhere But Here,” $5.7 million.
6. “The Insider,” $5.1 million.
7. “The Bachelor,” $4.7 million.
8. “House on Haunted Hill,” $4.4 million. _
9/“J)ouble Jeopardy,” $3.1 milhon.
10. “The Sixth Sense,” $2.7-million.