The gamecock. (Columbia, S.C.) 1908-2006, August 26, 1998, Page Page 5, Image 5
LIGHTS!
REACTION!
DANCE WITH ME
(out of Five stars)
"Dance With Me" takes a younj
Cuban, Rafael Infante, and puts hin
in Texas as a handyman in a failinj
Latin dance studio where an old frien*
of his mother's is kind enough to givi
him a job. Ruby and the others in th<
studio are in training for the world dano
championships where Ruby hopes ti
relaunch her professional dance career
Starring Vanessa L. Williams
Chayanne, Kris Kristofferson. Direct
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gamecocck critic JENNIFER STANLEY *
I I've decided. I like tap. No tango
* or Latin dances for this critic.
I "Dance With Me" had poor dialogue,
i poor plot and poor photography. Maybe
e the producers were trying for something
e like "Swingers." But that's not going to
s happen. This is the very basic, very bor3
ing, very slow story about a Cuban man's
' journey to find his biological, American
, father.
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Rafael Infante (Chayanne) takes Ru
studio where Ruby is training for tf:
Raphael meets Ruby, a competitor
in the world of professional dancing,
and after just a 10-word argument and
a burrito they fall in love. Chayanne
should be a sleazy soap opera star,
not a big-screen actor. Vanessa Williams
has the sad, betrayed look down, but
unfortunately has no other dimensions
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by (Vanessa L. Williams) out d*
re world dance championships
to her acting. The other character
stereotypical.
The only redeeming factor wa
choreography. The Latin music an
design along with the dancing wei
teresting but took up too much c
more than two hours of the movie.
"Dance With Me." Don't even both
rent it.
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incing his style. Rafael is a Cuban immigrc
where she hopes to relaunch her professic
sare
gamecock critic RUTH NETTLES *
sthe
id set My hopes in seeing "Dance With
re in- Me" were that it would be both a good
if the display of dancing as well as a good
Skip movie in general Instead, it was a slightier
to ly enjoyable display of dancing and a
bad movie in general.
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IfnT7 71
SPE<X\L TO THE GAMECOCK
uit working as a handyman in the
>nal dance career.
Many movies have predictable outcomes,
but the audience still wonders
at least a little if their predictions will
come true. There is nothing to wonder
about in "Dance With Me." Every outcome
of every bit of plot is blatantly obvious
to even a child as soon as the characters
appear on-screen.
The dialogue (what there was of it)
was horribly weak. There were one or
two humorous side comments from time
to time, but that was all And then there
was also the absolute lack of outward
emotional expression.
I must admit that, to an extent, I
enjoyed the many (emphasis on "many")
lengthy dance scenes. But I can also
turn on the television and watch real
professional ballroom competition in
which the dancers actually act like profoeeinn
ol o
iUOOiUUCUO.
Vanessa L. Williams, Chayanne,
and the studio's other dancers admittedly
did a good job of pretending to be
professional dancers. Unfortunately, in
reality, they are professional actors instead,
and so a good job of pretending
isn't quite enough if you're used to
watching the real thing. And if you
aren't used to watching the real
thing, then you certainly don't want to
sit through this.
All of this with Williams' amazing
(and annoying) Miracle-Gro hair extensions
combines to make one of the
worst movies I've seen in a long time.
"Dance With Me" gets its one star solely
based on the attempt at a portrayal
of Latin dance competition. A sad attempt,
but a little credit for the effort.
If you really want to see the dancers,
wait until video.
gamecock critic EMIUE GREENE (none)
I had extremely low expectations
before I went to see "Dance With Me,"
and sadly, the movie was even worse
than I anticipated. A lack of conflict,
quality dialogue, and interesting characters
left the movie void of anything
except really bad acting and some interminable
dance scenes.
Neither Vanessa L. Williams nor
Chayanne displayed any semblance of
talent. Between the two of them, they
have a range of perhaps five facial expressions,
none of which appears genuine.
This was made even more apparent
by the fact that there were no
conversations in the movie at all. Ocnocinno
11 tr fV?nmiiM nvnknrirrn o fonr
vaaivsii.cu.ij cuvj yyuuiu caviicuigc a ictt
short sentenoes, but no real dialogue
exists. Then again, the plot is so transparent
that it needs no explanation.
Rafael (Chayanne) leaves Cuba to go
to work in Texas for an old friend of his
mother's, John (Kris Kristofferson). The
work is as a handyman at a suffering
dance studio where Ruby (Williams)
practices for the world dance championships.
Is it any surprise that John is
Rafael's long-lost father? No. Does it
come as a shock that Ruby and Rafael
fall in love? No. Can Rafael dance and
save the studio? Of course he can. I am
not giving anything away because everything
is apparent within the first 10
minutes, and no one should voluntarily
go see this movie anyway.
There are several extremely long
j i i i *
aance sequences, wnicn Dorea me
tremendously since there was no chemistry
among any of the actors, even the
supporting ones. What made the movie
completely unbearable, though, was the
fact that it was over two hours long.
The length made this already bad film
absolutely tortuous. I thought about
giving it a half of a star because Rafael
does pick up one dancer with just one
hand, but you can see that sort of trick
in figure skating, which is much, much
more entertaining.
)