The gamecock. (Columbia, S.C.) 1908-2006, February 13, 1996, Page 6, Image 6
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a iia^niii J
Valentine's Day isn't the only thing i
happening Feb. 14. i
David Cowart, director of graduate
studies in USC's English department, f
will give the annual USC Educational a
Foundation Research Award in f
Humanities and Social Sciences lecture d
at 8 p.m. in Gambrell Hall, Room 250, c
6
0
m
which is tree and open to the public, a
Cowart was the recipient of the a
1995 USC Educational Foundation
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This Wednesday, Di
lesearch Award, which hono:
lutstanding faculty research.
His lecture is entitled "Amelia
.literary Postmodernism: A
ntroduction," and will emphasize tJ
iction of Thomas Pynchon and D<
)eLillo as nrime examtiles i
ostmodern fiction.
"Postmodernism describes a kii
if fiction which is very much involvi
n the process of its own production
t's self-reflexive,'' Cowart said.
Generally, the term postmodei
iction refers to literary works writfo
iter World War II. Most postmodei
iction attempts to show how literatu
loesn't convey reality, but instef
reates reality via literaiy constructioi
nd the reader's preconceive
ssumptions.
"One of the things that emerges
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11
5
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?MBV
is Debate
p.
ary 13,1996
.m.
treet
sell House
ONI
si
ductlons and Student Government
The Qamecock B8Ki
modern
. David Cowart offers USC the chai
knows reality.
rs postmodernistic practice is a work"Lol
deconstruction of the ideal of originality." "Lolit
in Cowart said. "Originally, we thought desire tc
.n that the artist was capable of creation through
le of something altogether new. Now, substantiv
>n we're realizing at least the Cowarts?
a f postmodernists are affirming that the Cowar
original is a copy, which is a paradoxical introduct
id kind of statement." author sj
jd Cowart believes individuals such means no
? as Pynchon, who has written several "That's
books including "The Crying of Lot 49" postmod
rn and "V", and DeLillo, who wrote "White (Postmod
m Noise", epitomize the essence of there are
rn postmodernism, as does Vladimir absolutes
re Nabokov, who is well-known for his all of ther
id
By Stephanie Soir
Features Edil
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Tuesday, February 13, 1996
Delight
ice to experience a world of fictioi
ita." said,
a' absolutely confounds your Cowart, whose area o
i move through the play, 20th-century American
the persona to something Literature, received his d<
e, some affirmation of reality," Rutgers University, wh<
ud. his dissertation on Thorn
t went on to quote Nabokov's Published works by Cc
ion to the novel where the "Thomas Pynchon: The An
lys "reality is a word that "Arches and Light: The Fi
thing without quotes." Gardner," "Histor
i a classic statement of where Contemporary Novel," a:
ernism is coming from. Symbiosis: The Reconfig
ernists) are affirming that Twentieth-Century Writ:
no positions, no truths, no In addition to teachir
? all of them are traditional, classes from British Li
n are materialistic," Cowart Modern American Literat
each semester), Cowart has
n ^3 the Amoco Outstandin
Ld-OJ-LJ. Award, USC's highest re<
hryn teaching. Cowart was a]
the 1995 Michael J. Munj
f eyes will read page 10 today...C
iua ono loco njicn nL.... onn /-?-*-?
IA. OUO/?3?-UH39 rilUlld. OUO/ / //"
? 1,000,000 BRAINS 5ew<
expertise
and British
jctorate from
jre he wrote
Las Pynchon.
iwart inrlnrJp
ction of John
y 2l n d the tfe*px<x$??? <0* <?-.?? <?**?*?' r??<
ad "Literary w" ';::"""': "''' ' "; ':
ured Text in outstanding teaching,
ing." But, all awards and published works
ig a range of aside, Cowart is really only hoping
terature to attendees of his lecture "get a couple
;ure (varying of insights from the images all around
; also received them, which are part of the
g Teaching postmodernist picture, and I hope they
cognition for would get a sense of the absolute delight
[so awarded to be had in many of the postmodernist
go award for texts."
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