The gamecock. (Columbia, S.C.) 1908-2006, September 19, 1995, Page 4, Image 4
4
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Historic Caroliiia
LONGST
JESSICA NASH Staff Writer
Once upon a time, bleaiy-eyed freshmen
stumbled through the rigors of early-morning
calisthenics in the building
now known as Longstreet Theatre. And
budding young scientists pondered the
mysteries of bacteriology and agricultural
chemistry inside this imposing edifice
on Sumter Street. Yes, Longstreet j
hasn't always been Longstreet, and the
theatre by any other name has had quite
a past.
Under Dr. Augustus Longstreet's
presidency in the 1850's, university
trustees approved funding for the con- es
struction of a new chapel, to be called qu
College Hall, away from the campus cen- als
ter. This project was doomed from the tir
start, though. According to Nancy Ash- we
more Cooper of the Institute of South- th<
ern Studies, it took forever to build, the
construction company went bankrupt, wa
and the roof blew off several times. sei
Hie chapel's first?and last?sermon pu
in April of 1855, exposed cacophonous Ro
acoustics. According to Edwin L. Green's on*
History of the University of South Car- ab*
olina, "...Ordinary speaking could not lat
be heard from the stage, owing not to an aft
echo but to a general confusion of nois- the
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Stop by the Stuc
4th floor, Russel
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i 111 1! T^crcfr
M l M M M KW-:M JUVUgOU
MMWM as "the <
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heres a long story the mid
behind USCs j??
grand theater ^KIta
_J2^???This pr
when the hall was filled with an un- 111311
iet audience." A building committee old gym
? claimed that College Hall was "en- atre.
ely unsatisfactory, not elegant, not In 1
11 built," says Green. This cemented forade
3 project's reputation as a-disaster. dgftes ii
During the Civil War, College Hall most 20
s used alternately as a stable, anar- ing to s<
ial, and a hospital, as were other cam- ,,p p_H
s buildings. The modern-day "Green ,.
om," where actors wait backstage, a ^ im*"
? served as a morgue. (Pun to think co
Dut between scenes.) The state legis- View. 1
ure met in College Hall temporarily rumors <
er the war, but the acoustics forced disgrun
jm out. . from th
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ISC 90.5FM |
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EATRi
ie 1880's, extensive renovat
tne virtually aoanaonea cn
mce classrooms and a gymi
Dm then on, even the name'
ill" slipped into oblivion,
eet Theatre was known sii
old gym," says Cooper,
ng campus-wide renovatioi
-1970's, the inside of the old
ted and the acoustics comp
le to make room for the the
lenfs new "theatre-in-the-roi
oject did leave the exterioi
vival facade intact, though.
l was reborn as Longstreet1
980 the theatre was the v<
bate among presidential ca
1 the Republican primary.
0 students waited outside,
je a future president. And
re Hootie-lovin' world can c
ise of Longstreet's Corintl
s on the cover of Cracked 1
"here have even been occasi
of ghost sightings?perhaps s
tied Confederate dead left
e theatre's hospital heyday.
9th cent
aff Reports
If vou're interested in Sout
a history, you're in for a pi
prise at McKissick Museun
i of 140 glass-plate photog
its of 19th century Charles
i architecture will be on dis
museum from Sept. 17- C
George LeGrange Cook, a j
her of the 80's, uh- the 18
featured artist. His wort
t photographic record of Cha
;ure post- Civil War.
Most photographers mad
.
'
1 -J
)epartment.
ireer today!
TC
1
H I
-j
IIUIIO
apel
iasi'Col
and
nply I
is in I
gym I
letelatre
ind." I
RoThe
Themue
indiM.
I
hop- J r
n0W fiHtf -vWjr
atch * mmM
lian
>42
some
over
Longstreet Theatre Is a faml
ury Charlestc
fortunes shooting portraits durii
19th century. Because of this, c
li Car- al scenes are rarely depicted ii
easant tography from this era.
1. A se- Cook was the exception to th<
raphic He was the son of the well-k:
ton life Southern photographer, George!
play at Cook, the only Civil War photog
>ct. 29. er for the Confederacy. Because
jhotog- common bond of photography,
80's, is became a close friend of the fa
; is the Union Civil War photographer Wk
irleston Brady and managed Brady s stu<
a time. George LeGrange Cool
e their over his father's Charleston stu
A
vvuujlll
MANAGEME
program
for student:
<
LIGHTE
program wl
behavioral
i i i _
neip you 10
Sponsored by the Th
Health & Wt
wk* >
BB f WB I
i I I jffl 9
I ^ J| I 1jjl J 9
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iliar landmark and a constant history lesi
>n artist on dis]
ig the 1880 and began to experiment outside
ultur- portrait photography.
1 pho- Country landscapes, architecture,
business life and leisure activities are
5 rule, all included in the exhibit. It also intiown
eludes several images of buildings damSmith
aged by the 1886 earthquake. Cook
;raph- made a name for himself with his
of the "earthquake views," as he sold nearly
Cook 200 different pieces to the public,
mous "Visitors will be encouraged to see
itthew beyond the nostalgic scenes and view
ho for the photos from the perspective of 19th
c took century Charlestonians, keeping in
min^ fViof QTrnrtT+VtinfT ia mnfnmnnrijrv
IUL\S 111 IIIHIU biiuv V/ T VIJ mm wuwiu|A/tutj
V /
iV UP! is an 8-w<
tiich emphasizes tf
and fitness change
ose weight...
XD KEEP IT 4
omson Student Health Center and i
illness Programs. Call 777-8248for
Tuesday, September 19,1995
^ linnf
I
..." Wm m
7. . , " -", ;,. . ,
ROBERT WALTON The Gamecock
ton for USC students.
play at USC
in its own time," said Jay Williams,
the museum's chief curator. "Keeping
that perspective fosters an understanding
of how 19th century Charlestonians
responded to events and to their
environment."
The glass-plate photographs are
part of USC's South Caroliniana Library
collections. Local historian Harvey
Teal, who has researched South
Carolina photography, contributed to
the McKissick collection.
McKissick exhibits are free and
open to the public.
?ek, self-paced
le nutritional,
s necessary to
r>FF!
mplemented by Open Door
more information.