The gamecock. (Columbia, S.C.) 1908-2006, October 21, 1994, Page 9, Image 9

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Murdero MARC LaFOUNTAIN Staff Writer Professor Carol McGinnis Kay loves a good murder. In fact, Kay loves murder so much she's teaching an entire class about it. The murder, of course, is fictional, and the class is English 429E, American Detective Fiction. Kay said ifs important for scholars to study classical works, but she thinks novels from today's popular authors are also worth examining in the classroom. "There are people in the academic world who would say what we call liigh culture' is the most i i.i_: * ? x- - x._ J. ? i i uv ii i mipui uuil tiling iui us to stuay, sne saia. 1 tmriK it is also very important to look at what a lot of people like. If we say it's not important because so many people like it that it can't be good, I think we are saying dreadful things about what we think about people." Kay said William Shakespeare's plays are considered classical today but were seen only as popular fiction during his time. She said Shakespeare is an example of how popular fiction can be worth study, and detective fiction is nothing if not popular. Agatha Christie, the author of mysteries feat turing characters such as Miss Marple and Hercule Poirot, has become the best-selling author in history. Her novels have outsold Shakespeare and the Bible. Judy Thomason, owner of Volume I bookstore, said mystery/suspense novels are the most popular type of fiction in her store. "That is probably because a lot of the people who work in this store like those types of stories and direct people there when they ask what books are good to read," she said. "In bigger cities, you find large bookstores dedicated to mysteries. Science fic tion is the only other type of novel you would find an entire bookstore for. "Mysteries probably appeal to me because I still have the Nancy Drew syndrome. I read mysteries as a child, and I still like that kind of fiction. I also like the adventure. I can project myself into adventures I do not think I would do in real life." This is the first time Kay has taught American Detective Fiction, which examines the works of fe,0 male detective novelists from the beginning of the genre to the present. In her class, she classifies detective fiction into three basic sub-genres. First are the "Golden Age" or "Fair Play" novels, exemplified by Agatha Christie. These novels feature an intricate plot where the reader can attempt to solve the puzzle of whodunit as clues are a rm r.-i j j i 1 * untuvereu. me leaturea aeiectives are weaitfty and, at times almost omniscient, making deductions from seemingly unrelated clues to reveal the identity of the killer. Intellectual prowess, not physical strength, is the way crimes are solved. The second area is the "Hard-boiled" detective novel. Raymond Chandler and his fictional private investigator Philip Marlowe are often said to represent this area best. Hard-boiled detectives lack the omniscient abilities of their "Golden Age" coun- 1 terparts. Hiey also tend to be much more physical, often getting into gun fights and car chases. The third area is one Kay refers to as the "con- j ft temporary" mystery novel. Almost all of the authors [ are women, manv of whom started writincr data*. j five fiction after a divorce. In addition to the search 1 _ /7ft (J Cusl eI v I 1 s| usly goo< deal with a social issue. els don't fit into any of could say is that they are ^pP issues, and the fact that ||||P^ J it is a mystery novel is pr M simnlv a wav to deal with i -fflgMffiBSr u, ' i-" i iiiiiiiiflMir the social issue. "Judith Van Gieson's heroines always get in- :f;!;|f volved in fighting environmental terrorists. Barbara D'Amato's novels :#'& issue. Hard Women' is M one before that was Hard ; .... /W male detective novelists. She has formed a book ' ' Mk dub which meets at 7:30 pm. on the first Tuesday of every month at Volum I. The group reads a work by a female mystery at thor and discusses it. Kay, a member of the grouj said they are awarding "daggers" to the novels the read. A five-dagger book might be murderously goo reading, while a one-dagger might be, well, mui der to read. Kay isn't the only professor at USC who deal in death. Professor Matthew Bruccoli is team-teach ing an honors section of English 102 on Americar Detective Fiction with an unusual slant. Along with computer science professor Robert Oakman, Bruc coli is helping students to create a multi-media com puter presentation of chapters from the works ol Raymond Chandler. Each student takes one chapter and creates -"hypertext links" for it on CD-ROM. For instance, il the character Philin Marlowe is enterincr a Hi-iild. ing in San Francisco, viewers can see a picture ol that building just by clicking on the appropriate link in the text. The CDs will be available for public viewing after they are complete. Bruccoli said he enjoys writers like Chandler not for their mystery plots, but for their ability tc portray people and locations. "Presumably, a lot of readers of detective fiction read them for the puzzle. I don't. I don't care whodunit," he said. "What Fm interested in is the sense of place, the sense of character that the best detective fiction develnns "I am interested also in the Americanness of hard-boiled detective writing. It was developed in America, it flourished in America, and nobody else is very good at it. The Brits try very hard. They can't get it right." A different kind of mystery has been done well by the British, according to music professor G.B. Lane. Lane is a lover of Arthur Conan Doyle's novels, featuring the famous Sherlock Holmes. In Holmes, Doyle created the model for the omniscient, rational detective. Doyle's work spawned numermm mmmm, y13 i Be an original with ^ ADD AM'S OOKSTOK NEW torn Greek Clothing She Quick Service - 4 days or less. You decide what vnn want Use your materials/clothes or use 01 for all your sewn on lettering. No hassles or long waits. . Available 7 days a week. iBg&g PHONE: 256 - 6666 i reading Wljk :^B ^^HBB ^Bi:j:j:j:;. ^ nn > Ethan Myerson GAMECOCK GRAPHICS e ous imitators and was a precursor to the "Golden l" Age" of detective fiction. Lane was one of the people who, in 1977, helped 3 revive an organization called the Hansom Wheels - in Columbia. Hie group's name is taken from the horse-drawn cabs of the Victorian era. They are an 8 off-shoot of an organization first founded in New l" York. l , "There are groups like this all over the country," . Lane said. "The Baker Street Irregulars got start ed back in the 1930s in New York. A few people got ^ together, a lot of them were mystery writers, and they started a drinking society. Then they got inf terested in studying Sherlock Holmes and began to meet every year. As the numbers grew, people ' left the city and began to spread it." The Hansom Wheels meet once a month for a dinnef. They present papers and plays, which are . usually parodies of Holmes and the Victorian era. i The group also studies Doyle's work, referring to it v. as the "canon" since they see it as a standard and | important part of detective fiction. ? In her study of detective fiction, Kay has concluded that no one work stands apart from all others as being the best. She said detective novels are \ entertaining but few approach the level of being great literature. | "I have sensed with the class a real desire to * ?v know that they are reading the King Lear* of mys- | tery novels" she said. "There is no King Lear' of f mystery novels. There are 50 novels I like a lot, | but I refer to them as disposable literature?Kleenex in the literary world. You read one and then grab | another one." MM - ! 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