The gamecock. (Columbia, S.C.) 1908-2006, October 07, 1994, HOMECOMING EDITION, Page 7, Image 7
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Jr Amateur theati
W a NEIL HALLIDAY Staff Writer I
1 "Fiddler on the Roof
m (out of four)
W 7 hile an amateur
?A/ dramatic perforf
Vf mance of just about
anything is something I would
normally avoid like the plague, the current
Town Theater production of Joseph
Stein's "Fiddler on the Roof," is a pleasant
mw change from the normal fumbling of lines
ml and collapsing scenery you would usual MJj&
ly associate with this kind of performance.
Set in the tiny Russian hamlet of Anatevka
at the turn of the century, the story
ethan myerson The Gamecock follows the daily life of the Jewish community
(which is trying to cope against
the anto-Semitic policies of the Tzar). In
particular, the local milkman, Tevye, who
is beseiged from all sides by complaining
customers, a nagging wife and five daughters
(upon whom he has no dowry to bestow
in order to marry them off). The action
revolves around him and his ques
tioning, but respectful conversations with
God as to why the almighty seems to enjoy
targeting him for fun. These little talks
become more and more frequent when
Tevye's three eldest daughters decide to
find husbands for themselves,and each
new husband is more unacceptable to Tevye
than the last; a task traditionally left to
the village matchmaker with the blessing
of the father.
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is a tremendous boost to the evening (subtlety
is not really required for this musical).
The lead players all do themselves proud
as regards to their acting and, more importantly,
their singing. In particular
Johnathan Leader as Tevye (who looks as
though he was positively designed to play
the harassed dairyman and does a pleasing
rendition of the song 'If I Were a Rich
Man*), Nancy Shane as his scolding wife
Golde (again an ideal role) and Lauren
Tyler, Kimbi Lee Glenn and Lolly Kramer
as Tevye's three eldest daughters: Tzeitel,
Hodel and Chava.
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job,the most notable being Steve Onley
as the belligerent butcher Lazar Wolf
and Patrick Kramer as Tzeitel's timid husband
Motel. The musician nimbers, unsurprisingly,
are far better than the ham
acting; none of the cast could get the Jewish/Russian
accent dead-on and most had
the good sense not to try.
Emalee E. Robbins directs the singing
and dancing peasants in a good natured
manner, and Greg Boatwright on keyboard
and Ami Cafaro on percussion do an excellent
job of supplying Jerry Bock's musical
score. While this production is hardly
outstanding, it deserves full marks for
the effort and energy that all concerned
throw into it.
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Friday, October 7, 1994
The USC Symphony presented its second per
Koger Center. Donald Portnoy directed and |
Soloist, 'Machine' cr
ASHLEY BALL Staff Writer - ' t
Thursday evening at the Koger Center, The Big ^
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blew the audience away with a performance, and a ?
soloist, not soon to be forgotten. " ?
This was the symphony's second performance in
a string of seven concerts this season, with each con- ^
cert featuring a different soloist. Last night, it was
Julliard School graduate pianist Gail Niwa who left ?
everyone in awe after giving the Schumann Piano Q
Concerto, which she will also be playing soon with
Sir Georg Solti and the Chicago Symphony Orchestra. t
Niwa is the first woman ever to win the Gina
Bachauer International Piano Competition, a tri- ^
ennial competiton last held in 1994 at the Symphony
Hall in Salt Lake City, Utah.
"It was two weeks of competition," Niwa said, r
"six rounds, and they could only choose six finalists." s
Niwa was also the only American finalist. "In y
1991, even Russia began to participate," she said. t
"It's like an Olympics of piano players." y
Niwa, who has been playing piano since she was r
four years old ("I'm told that I was asking for piano
lessons at two and a half years old!" she laughed), p
is quite an inspirational figure. Even though she is 0
only 34, she has won the Gina Bachauer Competition
and been given rave reviews for her recital ap- d
pearance on the prestigious Allied Artists Series in Y
Chicago and has traveled all over the world to play a
piano. a
"My favorite place was probably Amsterdam," h
Niwa said, "and of course I love the Orchestra Hall a
in Chicago, since I'm a Chicagoan." tl
But going from city to city can be hard. n
"It is gruelling just doing a one-night show and f(
Nothing could be fii
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MAGGIE CAMPBELL The Gamecock
formance of the season last night at the
lianist Gail Niwa was featured.
ank it up at Koger
hen moving on. Sometimes I try to stay for a few
iays and look around, like when I played in Greece."
Tm really looking forward to going back to Chica;o
and playing with the Chicago Symphony Orhestra
again," she said. Her father has been a member
of the CSO violin section since 1951.
"It was great getting to play for a younger crowd
lere," she said. "The audiences usually seem to be
;etting older. I really don't believe that classical muic
has to be such a stuffy affair ? I think that every>ne
should enjoy it."
And it looked as though everyone who attended
he concert enjoyed it immensely. Dr. Donald Portloy
conducted the orchestra through a mesmeriz
ng rendition of Brahams' Symphony No. 2 in D Maar,
op. 73.
"The USC Symphony Orchestra is one of the top
ated university symphonies in the United States,"
aid Noelle DeAtley, public relations. "Dr. Portnoy
ias worked with this group for nine years, and has
aken it from a small chamber group to a huge, wonlerful
orchestra. He's extremely passionate about
nusic, and pulls the best out of us."
"Orchestra is the high point of my day," agreed
tachel Miser, a first-year graduate student in the
rchestra. "It's what I look forward to the most."
The orchestra's next concert will be on TVmrs
[ay, November 17, at 7:30, and will feature not ony
the winners of the Young Artist Competition, but
ilso the music of Libby Larsen, an incredible upmd-coming
American composer- Tickets are reguarly
$12, but are $9 for seniors and USC faculty/staff,
ind only $6 for students, and can be purchased at
lie Roger Center, the Coliseum Box Office, or by
lail. Season tickets are also available. For more inirmation,
call 251-6333.
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