The gamecock. (Columbia, S.C.) 1908-2006, September 30, 1993, encore, Page 6, Image 6
O September 30
19 9 3
mmmhmp
Panic sends
Township
into frenzy
By MELISSA TENNEN
Encore Editor
Widespread Panic knows its
audience.
Saturday at Columbia's
Township Auditorium, which
shook itself with frenetic hippies,
cigarette smoke and the
lazy smell of hemp, Widespread
Panic produced a two-and-ahalf
hour set with a three-song
encore.
The group's voluminous
playing of the material from its
latest album, "Everyday," didn't
make it seem like the band was
just trying to sell records.
Under the changing multicolored
spotlights, the band didn't
prove to be outlandish frontmen.
The members played their
instruments without a wild
show or theatrics. No high-tech
video screens, no jumping into
the audience and no bare
chests. Instead, the band
behaved like it was practicing
in its living room on a Monday
night.
The sounds the six-man band
emitted from its instruments
wcic piitaiuiiiciiai, uiaiuiig uic
crowd move like it was heaving,
breathing and alive.
The band didn't speak to the
audience in between sets except
to say that it was taking a
break, which lasted a half hour.
The band's set list included
material from its first album,
"Space Wrangler," up until the
self-titled release from a few
years ago.
The Panic played the material
with zest and power, especially
on songs such as
"Pigeon," "Barstools and
?* A I V
ureamers anu ociiu i uui
Mind."
The college-aged audience
was relaxed, milling in between
the aisles and changing seats
frequently. The auditorium
occasionally sparked with lights
from cigarette lighters but otherwise
remained dark except for
the glowing red spotlights on
the stage. The Panic expects
to play about 250 places in a
non-stop cross country tour.
4" V' 91 ill
? ?g| m
OpU - ?
K \'<
Sandy Wright and Marie White e
rant offers a wide variety of food,
Annabelle's o
By TARA DiGIROLMAO
Staff Writer
Annabeiie s Kesiauram ana run
is an excellent place to eat if you
like good food at a reasonable
price. Even though it is located in
Columbia Mall, the restaurant could
definitely stand on its own. With its
pleasant atmosphere and good service,
I would eat there anytime I
had the chance.
After my roommate and I were
seated by an inviting host, we
quickly decided on our appetizers.
Michelle decided on chicken fingers,
while I ordered the fried
cheese. As we waited for our appetizers,
we noticed the clean-cut
appearance and dress of the wait
staff, who all seemed to be in their
20s. However, the customers varied
in aop
"? M5V*
With the quick arrival of our
appetizers, we found them to be
hot, tasty and pleasing.
Soon after, our main meal
Welch presents
By ERIC JAMES STAMEY
Staff Writer
"Fools Crow," by James Welch
("Winter In The Blood"), is a novel
about growing up and the subsequent
decisions that need to be
made. The reader follows the
book's protagonist White Man's
Dog/Fools Crow through several
stages of maturity, growing and
learning with him along the way.
The book takes place in Montana
in 1870 on the Two Medicine Territory.
A group of Blackfeet Indians
called the Lone Eaters live in this
area, and in this erouD lives a
young warrior named Fools Crow.
The Lone Eaters' livelihood is
beginning to be infected by the
approaching white men (Napikwans),
and Fools Crow sees his
Indian culture dying.
To fight would be useless, and to
surrender would mean a total loss
of self. Fools Crow finds himself
faced with the pressures of growing
' ' w
IA U 1
^ 11
<*a |.^a|
' *^nt ' ? Vs f?y iif IP
njoy an appetizer at Annabelle's ir
including Mexican and Italian.
ffers great foo
value | jj e
atmosphere j| j| jj
-33ftttS* :
= lia > i .
_51 oo 0.0 ; >
rO speed | | jj r
food quality jj| jj jj ^
5
arrived. The menu offered a large
variety with everything from r
seafood to pasta and chicken to ^
sandwiches. I decided on the 1
lasagna, and Michelle wanted to try ^
the chicken fajitas.
My lasagna came with a Grecian t
roll, and it was prepared perfectly. I f
normally don't eat anyone's Italian a
food except for my parents', but c
since they are home in New Jersey, I
I'll let Annabelle's take their place J
anytime. The sauce was great, and e
fantastic vision
up and the pres
sures from the j-,,,f
white men that r
are destroying c
his way of life. 1^ c
The book f * v
comments on ' v
the benefits of !!lp^ i
virtuous encoun- s
ters. Through r-s F
the eyes of
Fools Crow, the /""\ ',//////yjr c
reader sees the ' ////aY 11
effects of virtue 00
as compared to 1 *"*"** J r
fear and egoism. I
James Welch uses winter, just as c
he did in "Winter in the Blood," to i
symbolize death. Fools Crow grows
through this "death" and through t
virtue and lives as an Indian in f
spring at the end of the book. Fools a
Crow also has a son that spring, \
and the Lone Eaters continue to t
hold their Indian culture, hoping to 1
pass it down to each generation. a
"" - ^ ^ "' jim
David Mandrell/ The Gamecock
i Columbia Mall. The restaud.
low orice
/ JL
very thing was seasoned just how I
ike it.
Michelle's fajitas were brought
mt on a sizzling blackened skillet
long with a plate full of varied
oppings such as cheese, lettuce,
omatoes and sour cream. Although
^nnabelle's is not a Mexican
estaurant, Michelle said her fajitas
asted better than many specialty
dexican restaurants she has been
rv tJooK af /mir maolc nr\ct Ipce than
u. ijavii Vi v/ui uivuio vvoi *vuu u<ui?
110.
After our main dish, we couldn't
esist trying the hot fudge chocolate
rownie dessert. It was a large porion
for less than $3, so Michelle
nd I decided to share the fat. We
oth agreed it was delicious.
With its value, service and selecion,
Annabelle's is a great place
or anyone to eat. My roommate
md I found the restaurant to be
apable of preparing Mexican and
talian food. I recommend
Annabelle's to anyone wanting an
injoyable meal at a great price.
of Indian life
In his vision of the other Indians
enced in on the Napikwan encampments,
Fools Crow sees the white
hildren playing, "but a small group
if children stood on the edge...they
vere dark-skinned, and they
vatched the other children." In the
.one Eaters tribe that spring, he
ees the opposite of his virtuous
>eople: "Outside, the children
dayed in the rain, chasing each
>ther, slipping and skidding in the
nud."
Fools Crow grows into a wellespected
warrior. His virtue shields
lim from winter, awarding him the
:ontentment of soring and a contin
led culture.
Welch uses spectacular visions of
he Native American mind in conlict.
He is able to project the fear
ind spirituality of the characters
vith ease and places the reader in
he midst of all this chaos and pain,
fou become a part of the Pikunis
ind can feel their impending doom.
True Romance'
bleeds in the
wrong places
Who do they
think we are?
Quite frankly, I
find it insulting
that they market
products such as
"True UlJitlllllrl
Romance" to
me and my fel- ^Bj?
low twen- ^*1P1|1Fj
so-called Generation
X, expecting
us to follow blindly what marketers
describe as a hip, dark comedy
with quirky young leads. Add
some sex and violence, a cast of
rpnpoadp artnrs and an artsv srrinf
by Quentin Tarantino ("Reservoir
Dogs"), and you have an instant
smash.
Perhaps symbolic as a tribute to
film as a medium, 'True Romance"
is slick and different but hardly
important.
The film revolves around a
young man named Clarence, played
by Christian Slater, and his newfound
girlfriend, Alabama, brought
to life by Patricia Arquette. Both
are charming leads who retain their
appeal among the trash in which
they wallow.
Clarence kills Alabama's slimy
pimp, the dreadlocked Gary Oldman
steals Clarence's cocaine and
spends the rest of the time trying to
sell it so he and his girlfriend can
leave the country.
'True Romance" is a film of gratuitous
violence. I perfectly understand
we live in a violent society.
What I can't respect, however, is a
film that presents violence as a subject
and remains indifferent to it..
"True Romance" presents breathtaking
violence and doesn't have
the guts to explain what message
it's sending.
In one scene, Arquette is brutalized
to the extent of disgust. In
another, the film makers seem to be
trying to make the audience chuckle
at the extent to which they show
off their violent display.
The film does present some
interesting characters. Brad Pitt is
funny in a small part as a druggedout
roommate. Oldman and
Christopher Walken are splendid
villains.
Dennis Hopper is great as
Slater's dim-witted ex-cop father.
His classic squint and deadpan
deliverv reminded me nf hk earlv
renegade films that actually had
something meaningful to say about
the state of the world.
It's just too bad that director
Tony Scott and his talented cast
haven't realized that a true romance
with today's movie audience must
start with respect for humanity and
the decency to draw us into the story
rather than callously distancing
us from it.