The gamecock. (Columbia, S.C.) 1908-2006, September 03, 1993, Page 5, Image 5
)
%
Country fi
appeals to
Called Love I
By J.E. WILLIAMS ^
Staff Writer jj
I don't like country music. a
My skin crawls and I cringe r(
whenever I hear anything resembling
a twang. e
So, I was surprised when I i
^ wanted to see Peter e
Bogdanavich's latest movie, t!
"The Thing Called Love," e
though not as surprised as my c
Garth Brooks-loving girlfriend. t]
After some initial trepidation, t
I found the movie to be not only
tolerable but toe-tappingly a
enjoyable. n
The story is bare enough. A e
yuuug suigti-juiigwiiiti ?? a
Nashville looks for fame and
fortune but settles to sing one a
song at the The Blue Bird Cafe,
^ an actual country music place.
Making up for the simple plot
are heartfelt performances by
Samantha Mathis, Sandra
Bullock and Dermot Mulroney.
River Phoenix, I think, was
supposed to be a co-lead, but his
insincere performance and rocklike
lip-synching to country
lyrics - "your lyin', cheatin',
dog-stealin', toe-suckin', bookreadin'
heart" - make him seem (
like nothing more than a carica- 1
ture of a self-obsessed jerk.
Mulroney's Boston wannabe i
writer carries himself like a shy i
hangdog, the perfect romantic
foil to Phoenix's flashiness. He 1
seems perfectly morose in his ]
physicality, a country song personified,
but his childlike won- i
der with the music capital balk
- '
diel
I
i
Apple
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? lb get subs
ers, there's one \
yours direct fror
| 'MrnkbU to ipuilifyit
lm fare
non-fan
aces it.
Sandra Rnllock's rnnfidentlv
itzy Linda Lue threatens to be a
lereotype until she gives up the
tie of Miss Nashville for fear
f spending the rest of her life
utting ribbons at the grand
penings of Piggly Wigglys. She
wests more than a helium voice
nd vacant eyes in this showy
3le.
More so than 1992's
xploitative "Singles," "The
Tiing Called Love" comes closr
to representing twentysomehings
with personalities and
motions not so carelessly worn
in sleeves. Maybe it has sometiing
to do with the new country
eing bigger than grunge.
It would have been a nice
ddition if Mathis and Mulroney
net with some resistance to their
nusic because their characters
ire both transplanted Yankees.
I wasn't as thrilled as other
ludience members by the
:ameos by country stars such as
F T Oclin onH Tricha
v. A . V/OIHI U1IU A I IvJIlU
fearwood. I had no idea who
hey were. The country music
sn't so grating as to cause any
iiscomfort. As a Southerner, it
vas nice to see realistic
Southerners on the screen as
)pposed to teeth-sucking bigots
ound in thoughtless movies
;uch as "Doc Hollywood."
Unfortunately, "The Thing
Called Love" will probably get
ost at the box office like
'Singles" because of a marketing
campaign that pidgeonholes
it as a country music movie.
See it before it fades away to
video. It's cool to see people
line dance on the big screen.
Even though it's kind of
corny.
Not<
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Carols
RAHTf
USC grad aims for
By LEE CLONTZ
Senior Writer
Lake Murray is a long way from Hollywood
a town of big budgets, big stars and high-teel
special effects.
Lake Murray still has a long way to go, but it i<
taking a step toward becoming a movie Mecca.
A small step, but who's counting?
1992 media arts graduate Jeff Miller is usin<
Lake Murray as the setting for the new movit
he is directing "Head Cheerleader, Deac
Cheerleader."
The movie, an ugly stepchild of "Night of the
Living Dead" and "Hardbodies," is the creatior
of Miller, who wrote the film during a week
and-a-half period in May.
"It's about a team of cheerleaders and thei:
evil coach," he said. "They go on a retreat int(
the woods, and the coach makes them conjun
up the spirit of her dead husband."
Of course, the zombie husband, hatchet ii
hand, begins to chop up everyone in sight.
Miller's production crew consists of abou
five people or, in Miller's words, "whoever cai
get off work and get over there."
Miller got his start while young, drawing
comic books and watchine movies. After writ
ing several scripts, he came up with the stor>
for "Head Cheerleader, Dead Cheerleader."
"I had some free time, and it was either dc
this or sit around," he said. "This is what I've
always wanted to do, so I figured I'd do it."
The budget ?"Ultra-low," Miller said ? was
paid for primarily by Miller and friends.
Miller said his influences are good, cheap
horror movies much like the one he is trying tc
make.
"The first 'Halloween,' 'Texas Chainsaw
Massacre,' 'Phantasm.' Those were movies thai
played with people's minds," he said. "They
were good, not just some dreck."
Some of the movie's highlights, according tc
Miller, are cheerleaders cheering around a pen
tagram, girls in bikinis playing paintball and, ir
what is sure to be a classic scene, the loppinc
off of one of the coach's breasts.
The unlucky recipient of this mammaria
massacre is April Lynn Paris, an exotic dancei
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Makeup supervisor Michael Smith applies bl
1 ing of "Head Cheerleader, Dead Cheerleader.'
at the Trophy Room and a men's magazine
model.
Paris, in her movie debut, is comfortable in
front of the camera, having appeared on "Sally
Jesse Raphael," "A Current Affair" and "The
Joan Rivers Show." She has also appeared in
such magazines as Gent, Hustler's Busty
Beauties and Bust Out.
Paris, who tours the country dancing, has
been in the business for five years.
"I basically did the movie for fun," she said.
"I intend on doing a lot. I want to be successful
in both movies and dancing and everything else
I can. I guess I'm just greedy.
"Sylvester Stallone started out in porno
movies and look how he turned out," continued
Paris, who has turned down roles in porn
movies.
Other actors include Bill Kealey, Amy Swain,
Summer Still, Michele Willman and Amber
Coker. Juedey Green, who is in this month's
1 issue of Playboy's Wet and Wild Women, also
r makes an appearance.
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iAARrgh!
low budget' flick
m
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W/^: - ^St
Photo courtesy of Dismembers Onty
ood to Bill Kealey's shirt during the filmFilming
is expected to end next week..
Miller said Dan Berman, a professor in the
media arts college, was instrumental in helping
him nurture his love of movies. Berman was
supportive of Miller's effort.
"I think what he is doing is great,'.' Berman
said. "It takes tremendous courage. He is showing
a lot of business savvy. You don't have to
make great art to be successful in this business."
Shooting on the film is set to conclude next
week, with the movie ready for distribution,
hopefully on video, by the beginning of 1994.
Miller's next project, other than a script currently
in negotiation, is a segment of "Freak
Show," the follow-up to the horror anthology
"Campfire Tales" produced locally several years
ago.
"We're trying to add production values to the
" X/f;u or ooiH "Aft<?r oil thp hnttnm linp
iiiuviw, lTiuivi ooiu. nnvi uii) v..v wiiv". *"-w
is profit motive."
Nubile young cheerleaders, zombies with
hatchets and dismembered breasts. Production
values indeed.
Hollywood, here he comes.
+ ^ >" ---
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77-4433, ext. 40. Or,
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