The gamecock. (Columbia, S.C.) 1908-2006, November 19, 1990, Page 5, Image 5
The Undergraduate String Quartet is (fro
on violin, Marianne Lyles on cello, and Alve
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USC music students le
Professiona
By DOUGLAS BELL
Staff Writer
The USC Graduate String Trio and Undergraduate
String Quartet had the opportunity Tuesday to learn
what it is like to go the next step in their musical
careers.
The Ridge String Quartet, in town for a performance
at the Koger Center, gave a master class for
selected students from the USC Department of Music.
In a master class, students usually try to accomplish
three things: prepare and play with accomplished performers,
get a lesson in chamber ensemble playing
and have the chance to prove the quality of student
performers at USC.
The Graduate String Trio opened the master class
by performing the first movement of the Beethoven
String Trio in E flat major. Robert Rinehart, second
violinist in the Ridge Quartet, suggested that the viola
and cello needed to balance more. They were again
asked to perform sections of the first movement to try
out Rinehart's suggestions. Peter Wyrick, cellist in the
Ridge, said the second performance was much better.
Suggestions were also made about how they could inrani
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;arn from masters
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terpret the music differently.
The Graduate String Trio is made up of professional
musicians who returned to school to improve
their playing abilities. This master class gave them the
opportunity to be heard outside of the music department
by musicians who are playing on the concert
circuit.
The members of the Ridge Quartet were also impressed
by the Undergraduate String Quartet. Made up
of one freshman, two sophomores and one senior, this
was their first performance as a string quartet.
The Undergraduate String Quartet played the first
movement of the Mozart String Quartet No. 2 in G
major. This quartet is dedicated by Mozart to his
friend Franz Joseph Haydn.
The suggestions by the Ridge Quartet were limited
to musical interpretation. Krista Bennion Feeney, first
violinist in the Ridge Quartet, suggested that they take
more time in between the music phrases and add a
little more dynamic contrast to the music. They played
the Mozart again and what sounded good the first
time sounded even better the second.
Orchestra
Continued from page 4
"It's not often that you get to
sing with an orchestra unless
v you're very well-known," soprano
Michelle Poole said.
Poole, a music education senior,
travelled to Moscow this past
spring to perform The Fantasticlcs
with the USC Theatre Department
She will perform Mozart's aria
"Vedrai, Carino."
The other voice winner in the
competition, graduate student and
tenor David Bankston, agreed that
singing with an orchestra was a
special chance for a student. He
said he chose the longest piece he
knew for the performance,
Weber's aria "Durch Die Walder."
to lengthen this experience singing
with an orchestra.
The third winner of the competition,
piano pedagogy senior Allison
Hudson, said she also welcomed
the chance to play with an
orchestra and added that students
at other schools often do not have
a chance to perform with an orchestra
because many schools
don't have orchestras. She will
perform Rachmaninoff's "Piano
Concerto No. 2 in C Minor."
The concert will open with the
USC Symphony Orchestra playing
Rossini's "The Barber of Seville
Overture" under the direction of
Conductor John Ricarte. After .
Hudson's piano performance and
Bankston's singing, master's student
Tony Makarome will conduct
the orchestra in Mozart's "Marriage
of Figaro Overture."
Dr. Donald Portnoy will conduct
tne orchestra during Poole's performance
and also for the last
piece of the evening, Copland's
"Appalachian Spring."
"There's a lot of variety in this
performance. It'll be a great experience
for first-time orchestra comers.
It's the perfect type of evening
to get an idea what a concert is,"
Ricarte said.
The concert will be at the Koger
Center tonight at 8 p.m. Admission
is $4 for students and senior citizens
and $6 for the public. Call
777-5111 for more information.
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