The gamecock. (Columbia, S.C.) 1908-2006, August 03, 1990, NEW STUDENT EDITION, Page 12, Image 12
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Students at USC produce a number of publications
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featuring the fiction, poetry, art and photography of USC !
produces a program guide, which is really kind of hard to ac
be complete without an annual, USC's Garnet and Black. U
year from the South Carolina Press Association.
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throughout the year. There is, of course,
veek. Four times a year Portfolio is published
students. WUSC, the university radio station,
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'Driving IV
By DENNIS SHEALY
Carolina Life Editor :
The USC Summer Repertory Theatre's production
of Driving Miss Daisy is quite p5ssibly one of the best
theater experiences Columbia audiences have ever
been treated to.
The Afred Uhry play about people's inherent dependency
on one another despite fundamental differences
is superbly directed by Ann Dreher.
Dreher, with the help of three very talented actors,
believably turns an almost bare stage into three decades
of Atlanta, Ga. roads.
Ruth Moore plays the sometimes prejudice, always
strong-willed Daisy Wertan. Moore makes Miss Daisy
into a very likable woman who just happens to be set
in her ways.
Moore convincingly ages over time in the play. She
leaves no doubt in the audience's mind that she is
loosing sight and mind and becoming feeble as the
years pass in the play.
When Miss Daisy succumbs to senility, Moore creates
a cathartic tension in which the audience suffers
along with this woman who has struggled her whole
life to remain independent.
Hoke Coleburn, Miss Daisy's chauffeur, is played
to the comic hilt by Bernard Addison.
Addison creates a character who is good natured
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Moore give
:ormances in
liss Daisy'
and willing to put up with Miss Daisy's multiple tirades
for a generous weekly salary paid by her son.
In the end, however, it is not a money that makes
his equally aged character visit her in the nursing
home, but the friendship that has developed between.
Paris Peet plays Boolie, Miss Daisy's caring and
ambitious, son. Peet creates a character who seems genuinely
regretful that he cannot personally take care of
his mother, but practical enough to realize he must
nass that job on to another.
Peet's character does not seem to evolve or age in
lie wav Moore and Addison's do. but that could he.
iue in part to Uhry's script and Dreher's direction to
contrast a world that is often resistant to change and
Vliss Daisy and Hoke's growing relationship.
All of the other elements in the play were equally
well done. Lighting, costuming and set desiign were
ill impressively well done.
Lighting was often effectively used to single out a
character and set them apart from their counterparts
and the world.
Driving Miss Daisy is a crisp, upbeat and wellexecuted
production. It is a must see.
This month's run at Dreyton Hall has ended, but
luckily the play will resume July 6 and run through
July 25. For more information call 777-SCAT or
777-2551.
mpus Recreation Program.
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