The gamecock. (Columbia, S.C.) 1908-2006, October 02, 1989, Page 4, Image 4

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

B"": jj^H ? Sunny (Ellen Barkin) and . Radio is relm The Debs mo By DAVID BOWDEN Staff Writer The Reluctant Debutantes is a rising rock quartet that deserves better publicity. The talented band from Sumter has a sound similar to the style of REM and the Church, but it is more appropriate to say that the Reluctant Deb's music draws from the same sources as their more popular colleagues. They do not try to imitate. Both the Debs and REM play rock with strong folk and country influences. The Debs are quite simply an excellent band that,-unfortunately, is stuck on a minor-league label based in Sumter. The only station in Columbia that plays their music at all is WUSC. The Debs were in Columbia last Thursday at Rockafella's. They started playing at midnight after a good show by their opening band, Channel Zero. The mostly collegeaged crowd was fairly large for a Thursday night. While the Debutantes' debut album, Colored Songs from the South is good, their live show is even better. Although hampered by technical problems such as excessive feedback at first, they recovered and put on an inspiring show. The group played surprisingly few songs from their LP, concen trating more on newer songs. They played at least eight original songs that would ? and probably will ? make a great second album. As far as stage presence goes, the word subdued comes to mind. The band is not the type to run around and have choreographed dance movements, and there's no room to do that at Rockafella's anyway. They are not the spandex-andmousse type of band either. The lead singer, Dwain Gambrell, was the most dressed-up member of the group with his red velvet tuxedo io/-lrat onH Klaflr HprKu hat Thf juvn.^1 "'*v, u.uv^ other members of the band dressed like typical college kids. Bass player Greg Hallidy was the most vocal of the four. He joked with the crowd between songs, making several allusions to Hurricane Hugo. After a cover of the Robert United W^u of the Midlanas tne Four people from foi backgrounds come togetl a wonderful evening of j and classical music. i Johnny (Mickey Rourke) in Jc ztant to re limelight bona Review I , Plant song "Big Log," Hallidy - said, "The big log in the song is the one that's now in my kitchen." Lead guitarist Sean Herrington and drummer Paul Kiger both gave solid musical performances. Herrington is a skilled guitar player. He doesn't utilize flashy guitar techniques that would detract from the Debs' music. Similarly, Kiger backs his friends up with authoritative rhythm. The group as a whole played well together with no observable musical gaffes. As for the unusual name of the group, it comes from their reluctance to conform to the rigid album-oriented rock format of most stations. Most radio stations will not play new groups unless they sound exactly like some older group, meaning that groups with an original sound such as the Debs rarely break into the mainstream. Debs fans can only hope that if they do imitate REM in one way, they succeed. lacross: l^ast uaii ror students Meeting: Wednesday Room 135 Center Come ready For more info call Scott' I MINIMUM : With EVERY donatior Blood. Programs avail f simple blood test is all t if you qualify. Special students. Sero 2719 Mi Serologicals Co1' Monday, October 9,1989 Koger Center for the Arts $5 students $10 public 8:00 pm Tiese activities paid for, in part, by Student Activities Feet. ? KSta thr ma mc bul Mi 4 SOI bul me am J wa dis lOC . mc He rol Orl ] to tor ma >hnny Handsome. mc Art junior Steve McCumby welds Building as part of a class project. 1\ a larger-than-life man made of steel 1 > E CLUB ; playing this fall.) Oct. 4 at 4:00 in of the Blatt P.E. to play! 777-5261, 736-7657 (20 PAID h Plasma & Whole or all blood types. A hat is needed to see bonus program for toxicals. Inc. ddleburg Dr. Suite 105 jmbia, S.C. 29204 254-653? "J >r H u Johnny 1 tut Barkii DAVID BOWDEN iff Writer Johnny Handsome is an uneven iller from the director who has de them his specialty. Walter Hill has made some good >vies (48 Hours, Crossroads), t more bad ones (Extreme Prejuce, Red Heat, Brewster's llions). As in most of his movies, Handne has some great action scenes, t it also has really slow" monts that break up the suspense 1 irritate the audience, fohn Sedley (Mickey Rourke) s born with a birth defect that torted his skull and made him k grotesque. Thus, his buddies knamed him Johnny Handsome, grew up to be a convicted bank Dber hanging around New leans. Vlickey Rourke is really starting get type-cast. He and fellow acJames Woods are cornering the irket on scum-bags in the vies. JM jffll * *- 4i t mm V^ ;>'":' ? ? * * M & 8M?s> rk ~^p mmmm j r mKM DONNJE CORNELUThe Gamecock a sculpture in the Sloan Art IcCumby's sculpture is to be ods. ' iandsome' n plays goo Rourke has played a sexual per- I vert (9 7/2 Wpp\ck\ a serial killer ? (Angel Heart) and an alcoholic \ drifter (Barfly). He certainly has the credentials to play a character ? such as Johnny Handsome. j The movie opens with Johnny's 5 only friend, Mikey, begging him to ' i help rob a coin dealer. Mikey has c also recruited some other low-lifes for the robbery: Sunny (Ellen s Barkin) and Rafe (Lance I Henriksen). > Sunny is an ex-prostitute who t bosses around her slightly stupid j boyfriend, Rafe. She is totally evil J and wants to keep as much money ( as possible for herself. As Sunny, Ellen Barkin steals | every scene she is in and really is < the best thing in this movie. She is j the best movie villain since Jack ] Nicholson's Joker. 1 Cnnnti on/1 Dofd Kofroi/ T/\Virin,r juuuj aiiu xvaiv Lvuflj JUIIIUI; and Mikey after the heist, killing Mikey and leaving Johnny to be < arrested by the cops. One cop, Biography of1 creates well-wj By The Associated Press I "When I was a kid in Brooklyn and told people I wanted to be a writer, no one took me seriously," I Irwin Shaw said some years ago. " 1 "No one there had ever met a wri- i ter, much less had one in the i family. < "But I started writing when I 1 was 20, and I've been banging on 1 that typewriter for dough for 40 1 years now." i Shaw was 60 when he said these things, and indeed the words had i come in a steady stream ? and, i after a while, so did the money. He < also said he had set aside plans to < write his memoirs "because I chickened out After all, I'm just < 60." ; It's sad he didn't do the memoirs, because Shaw had just another 11 years to live, dying in 1984 at 71. He continued instead to write the novels and short stories that had made his reputation. However, those interested in j Shaw's life and writing career can read Michael Shnayerson's recen- j tly published biography, Irwin j Shaw, a well-written, intricately < detailed portrait of the writer. ; Shnayerson does a succinct job of summing up Shaw's contributions to literature when he writes: Shaw's "obituary appeared on Have you thought about where you buy your textbooks? & v v#*** t4t strange, d villian X Drones (Morgan Freeman), vants Johnny to tell the police vho killed Mikey. Johnny does not cooperate and Sets sentenced to five years in )rison. Why doesn't Johnny turn Junny and Rafe in? The simple eason is that the movie would be )ver a lot sooner. In prison, Johnny is stabbed and ;ent to the hospital. There, a Dr. *esher (played by Forest Whitaker vith a really fake Southern accent) relieves that by giving Johnny elastic surgery and a new identity, [ohnny will be a reformed member )f society. The plot goes downhill from here, but it is not a long drop. The characters in this movie do many illogical things. There are very few ikeable people in this movie, but he main character is not one of hem. Those people that still want to tliic mAiria oan finH if af Snrinn jw una uiuviv van im?v? - ? wjrsui5 Valley Theaters. writer Shaw ritten portrait the front page of The New York Times, and if readers had time that May morning in 1984, they noted that the Brooklyn-born Shaw, lenown to an entire younger generation as the author of the bestseiling Rich Man, Poor Man and other commercial fiction, had had his first success as a left-wing play, wright in the 1930s, gone on to write a string of lyrical, much-; admired short stories for The New Yorker, produced a World War II novel heralded upon its publication as a masterwork, and been considered one of the finest writers of his jay. "At the time of his death, every one of Shaw's dozen novels was in print. Fourteen million hard- and softcover copies. Twenty-five languages, including, as Shaw had enjoyed pointing out... Icelandic and Macedonian." Shaw began his productive car?f radio soan nn. cci as a winu w? ? ?-r v^, >ras, devoting his spare time to )lays and short stories. His first )lay, "Bury the Dead," was pro* iuced on Broadway when he was 23. "It was a big hit," he recalled in See SHAW page 5 1 . I - \ \ I