The gamecock. (Columbia, S.C.) 1908-2006, June 28, 1989, Page 3, Image 3
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Chuck Dean/The Gamecoc
MailiC Michelle MalonP rOPk? with an nn^anm fi?!?
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BetweenC^W
The ^t
Covers
Novel carries reader
to eighth-century China
B\ PAMMK HADES sends the bauble to earth as
Staff writer Greenpearl. The Assistant
Silk Road: A l\oxel of Eighth- Undersecretary of Baubles to the
Century China, Jeanne Larsen. Emperor is then reassigned to
1989. Holt and Company, New monitor Greenpearl's progress.
York, N.V. 434 pages. 'n t'ie meantime, Greenpearl's
As the government executes mother, Seagem, has been kidnapmore
and more students and the ef- Pec* ar,d betrothed to the son ol the
fects of the cultural revolution Dragon Monarch. Now living
linger on, it is hard to imagine the under Cavegarden Lake, she has
eighth-century China of Jeanne appealed to the Moon Lady, Lady
Larsen's Silk Road Gang-yin, and the Motherqueen,
During the rule of the Brilliant herself, to guide Greenpearl to her.
Emperor of the Tang Dynasty, Greenpearl s quest to find her
poetry flourishes, courtesans mother takes her across China
cultivate their musical skills, and from the Great Wall to the sacred
women have their own written mountain Mothbrow.
language forbidden to men. Life , A ' slatCT <" Chinese verse,
inter.wines ? ill, karmic destiny and LV.se" ,weav?S intrl?,e ,a'l
the humor of the gods. sprinkled with poems, historical
c ii d? a f i i narratives and even an ancient
Silk Road focuses on the adven- T
, n Taoist sexological text. She comtures
ot Greenpearl along the ,. , , , , .
r o ru .a Th bines mythology and history,
famous Chinese trade route. The . ...
young daughter of a great Tang "<*""8 a m>'s,lcal world w"h her
general, she is kidnapped after ^a^ u Prose-T--i
, j i-ii u Her prose is at times delicate but
Tibetan raiders kill her nanny. u r j u
cu , , * , . e- , straight forward as when
She is bought and sold and final- ? & , , ,
. a, .u . Greenpearl narrates. The style then
ly winds up as the apprentice , , 3 .
, ei d . ,u- turns flamboyant as the 16thcourtesan,
Dragonfly. But this is ,. .
... . r u century storyteller continues a tale
lust the beginning of her journeys. r , / ,
J c for the marketplace crowd.
In a celestial palace the Jade A powerful, magical work,Silk
Emperor finds a green, odd-shaped Road will not give the reader a new
pearl in his new Go eame. The bau- incioht inm rhino nitt? m^roi aH_
ble speaks, begging the god to send vice, or affect your life. The purit
to the human realm, so it may p0Se of Silk Road is to delight and
learn their tongues. fascinate with its glimpse of the
The Jade Emperor consents and great civilization of antiquity.
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916 Elmwood
765-2971
Patti Amick
GIVE BLOOD, PLEASE RadQm
(Drag the River plaj
Band's ir
By CHUCK DEAN
Staff writer
Often, Arista records recording artist Miche
Malone is compared to greats like Joan Baez, Ju
Collins and Joni Mitchell; this doesn't mean tl
she must agree with the comparisons.
The outspoken Malone once told a newspap
"1 can't stand them. They play wimpy music. I
have a lot of respect for Joni Mitchell, but the
others are fraudulent. They don't feel anything 1
what they play. 1 could be wrong about that
ttjjj guess, but 1 don't like real whiny music."
pk The lady doesn't lie. Malone and her band, Dr
The River, are miles from wimpy, whiny
fraudulent. This Atlanta-based foursome has gai
ed a reputation for their kamikaze live sho
H chock-full of original songs, elongated musk
melt-downs, and often hilarious impromtu ra
Si with the audience.
These performances seemingly skip, hop ai
I* glide over one main goal, that is to provide
|| evening of no-holds-barred rock'n'roll that sta
H with you long after the concert is over. Seldom <
Michelle Malone and Drag The River fail in th<
|1 attempts.
Malone is a small woman who, while off stag
P* looks as if she'd be quiet in some corner watchii
\l everyone else have a good time. She seer
withdrawn, shy and low-keyed. Yet, once in fro
of the microphone, all myths are dispelled. Oi
quickly finds that her size isn't any indication
k the power of her voice.
At times, she can be painfully honest when sin
ing the imagery-enriched songs she wrote hersel
~ While singing "Into The Night", her face oft*
becomes twisted; her lips will curl and quiver ov
her words as she sings, "...Give me back n
secrets/ And I'll give you back your lies/ Ever sini
the day you said hello/ I've waited for goodbye.
Inevitably, the intensity explodes as she coi
tinues,"Into the night, into the night/ 1 w
wander into the night/. You've shattered n
dreams, and strangled my will/ Now I'll wander i
to the night." As with this song, conviction is c
appropriate word in describing Malone's deliver
You see the singer wandering into the night, ar
I
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People line up to get their tickets to the long-awa
'Batman' dc
By PAUL CATALA nightmare
Staff writer Cheshire c
It started Friday. . .theaters imo a val
around the nation and in Columbia ^'s b'zarrt
premiered the long-awaited, and for Nichols
some, anticipated screen debut of source of i
D.C. Comic superhero "Batman." provides f
The movie, starring Michael entei tainir
Keaton as Bruce Wayne, a.k.a. chmen ma
Batman, is arranged and put together at l^e ^ol
in a set and production designer's vi- t0 e tun<
sion of a megalopolis gone mad. which pla:
From the opening camera shots Alter I
that slowly zero in on Gotham City, (thanks
the immensity of the movie's sets parent;
isn't fully comprehended until the young, he
bustling streets of people and traffic killer
in the city come into view. should ha1
The movie's plot and somewhat good guy
mundane development are really rather thai
strung together by the intricate exact- ruption, v
ness of Anton Furst's set production subplot,
design (the new, improved Bat- !^im ?
mobile, for example, is a marvel Williams
compared to the old modified T-top needed su
driven in the television series). plays Vic
The premise for the plot, that photograpl
Gotham City has become so l?ve
outrageously corrupt that it has run a stubbc
m.t nf sion that
vy. l\J LtltUldlC IIS
bicentennial, is at times no more than movie,
filler between the elaborate sets. Williams
However, director Tim Burton t'1e .^'st
does such an excellent job of convincing
manipulating the stars' interactions Since m;
during their lines that the plot is are Pr?bab
feebly feasible. T.V. series
movie coul
Jack Nicholson, the perfect Joker, wh or sar
is allowed the freedom an actor of his liners that
caliber needs to almost violently grab humor (wi
the audience into his realm. Joker's biz
His maniacal delivery throughout characters
the movie conjures up surrealistic im- ticipating a
ages usually reserved for your worst rives. Besic
vs Thursday
lusic has kain
^ I can't stand them. They play \
iat wimpy music. I do have a lot of r
respect for Joni Mitchell, but those N
Jo others are fraudulent. They don't a
>se feel anything for what they play. I s
?J could be wrong about that, I guess,
but I don't like real whiny music." N
ag 11
or Lead singer, Michelle Ma/one
in
WS
:al you want to hunt down the bastard who took liber- ?
ps ties with her dreams. This is only one of Malone's el
qualities that add to her appeal. C(
nd In Michelle Malone's case, it's true: behind ir
an every good singer there is a terrific band. Drag the J1
ys River consists of Billy "Deuce" Pitts on the drums, a'
do Phil Zone on the bass, and Johnny Dee aiding
;ir Malone with his lead guitar. 111
They all fit well in the manic scheme of Malone's tc
;e, personality in that they can hang with doing a song
ag straight-forwardly, but quickly adapt to the e\ns
tended all-hell-breaking-loose mood Malone often
nt slips into. fo
ne For instance, once at the Royal Peacock, a legcn- Je
of dary club in Atlanta where the likes of James lei
Brown and Aretha Franklin have performed, th
g- Malone was being heckled by a drunk audience wl
If. member. She had just finished a song and the man so
;n yelled, "Get tough!" fk
er Attitude in tact, Malone edged up to the
iy microphone. Looking straight at the man she said, an
ce "What if 1 did?" The audience supported her with M
loud applause. at
n- Malone nodded to her band, who quickly shifted
ill gears to perform "New Experience", a fast paced wi
iy rock number?perfect ventilation for Malone's of
a- anger. tal
in In this case, she kept her eye on the heckler and co
y. performed the tune in a sarcastic, sexually- fyi
id exaggerated manner, complete with her guitar Rc
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ited movie Batman.
I #%
;ilVVI? VII 3|/YVI
is gone sour. The Joker's Batman, humor should I
:at grin, the result of falling prerequisite,
of chemicals, only adds to Although the plot and most c
; nature. casting aren't of any real meri
on who provides the basic production efforts are. In additi
:onflict for the movie, also Burton's and Furst's work, 1
or one of the movie's most
lg scenes. He and his henike
a festival of vandalism 11nffyi OT"l YY
:ham City Museum of Art lJCltliiCtii 11
; of Prince's "Party Man"
/s on a boombox.
Jatman has a flashback lV/I V^V/lvlll
Kung Fu") of witnessing
>' murder when he was By J.R. WILLIAMS
recognizes the Joker as Staff writer
. At this point, the movie For the last two weeks, i
/e stuck to a more typical been almost impossible to wal
versus bad guy theme shopping mall without seeing
1 wading through city cor- dreds of people wearing tw
vhich barely works as a three items of Bat
paraphernalia.
asinger and Billy Dee So much so that if Ba
offer the movie much- himself were to come to Colui
pporting roles. Basinger he would think he was st
ki Vale, a newspaper Gotham City,
ber and Bruce Wayne's Well, he did come to tovsn F
it, with barely enough heat (but not in person) as the r
>rnness to give the impres- opened in main release in
she was, in fact, in the Columbia-area theaters.
"I'm very surprised that a
., somewhat dryly, plays city like this would have this i
rict attorney fairly enthusiasm," said Gene Wad
ly. 20, a Columbia native who w
any of Batman's viewers the main premiere of the mo\
ly old enough to recall the Dutch Square Mall
' self-mocking humor, the But the Batman shirts,
d have used a little more posters, clocks and other bat;
casm than the few one- have been selling for two v
are used. The movie's since the Batman hype was puI
th the exception of the full throttle,
arre quips) stagnates. The "People buy things they i
will deliver a line, an- they can make money off of,"
pun that never quite ar- Kim Mitchell, an assistant mat
les, with Keaton cast as _____
likaze style
lestled like a weapon between her legs. She sang.
Til do anything for a new experience/ I'll give
'ou my left wing for a new experience/ Give you 15
ucks for a new experience/ I'd give you all my lust
or a new experience." When the song climaxed,
dalone, soaked in sweat, cocked her head and askd
the drunk man, "It was good for me, what
bout you?" He remained silent for the rest of her
how.
Along with their original material, Michelle
lalone and Drag The River perform some covet
laterial including songs by The Rolling Stones,
anfiv NIpwmnn Qlv ar?/^ X Cn.-M.k; ?. ?-!
.. uiuii, uuu n\- I ci 11 I 11 > OlUlIt UIIU uitsionally,
The Jefferson Airplane.
Although the band's strength lies in their
riginal material, they handle the unoriginal just as
fectivlev. When Malone sings Randy Newman's
mfessional "Guilty", she adds so much atlosphere
that one envisions some lonesome extnkie
walking down railroad tracks thinking
x>ut his life and what went wrong.
She sings, "Got some whisky, from the baran/
Got some cocaine, from my friends/ I've got
i keep moving baby, till I'm back in your arms
tain/ I'm guilty..."
Also, Drag The River have been known 1o perrm
hard-rock, hand clapping version of The
ffersons theme song that prompts all the band to
loose as Malone wails, "....beans don't burn in
e kitchen/ fish don't cook on the grill/ took a
iole lot of pushing/ just to get up this hill." This
ng beckons practically everyone to the dance
)or.
You can have the chance to experience the music
d madness for yourself Thursday night when
ichelle Malone and Drag the River take the stage
Roekafellas'.
What can you expect? You can expect no whiny,
mpy or fraudulent music. Instead, expect a night
loud, abrasive, quality music, some unpredic3le
madness, and a heck of a good time...so
me out and get hooked. It'll be a new and satising
experience. For additional information, call
>ckafellas' at 252-7625.
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l.es Alverson/The Gamecock
a I effects
)e a Pratt's cinematography, Ray Lovejoy's
editing, and the enveloping
>f the richness of Danny Elfman's musical
Lhi2 \cnre mate "B-""1-""
~ "MU'IU" v. i h v. I (clllIIIIU,
on to with no real threat to anyone's
ioger intellect.
leans big bucks
ibia merchants
at Spencer's novelty store in Columbia
mall, "and Batman will
t has definitely be a collector's item in 10
k in a years."
hun- Mitchell said when the sneak
o or previews began Thursday up until
m a n Saturday the store sold 50 Batman
T-shirts at $13.99 each, nine Battman
man dolls at $40 each, 50 buttons
nbia, tor $7.99 each and eight Batman
ill in auto sun shelds at $5.99 a piece.
"Friday, people were in here
riday buying $20 to $30 worth of Batman
tlYWiir* cJiifT " TV***
T " (Ttjvv^fVU MUWVU. J JIV ^IWIV
four also sold 72 Batman posters at
S2.99 each.
small
nuch Even non -licensed sellers are
ford, making money off the Caped
as at Crusader.
ie at An illegal merchant said he sold
S200 worth of Batman shirts
hats, Friday.
items "They are bigger than Cocareeks
Cola was when it First came out,"
into ">aid the merchant, who asked not
to be identified,
think Shirts, legal or not, were worn by
' said masses of people to see the film
tager over the weekend.