The gamecock. (Columbia, S.C.) 1908-2006, April 24, 1989, Page 5, Image 5
Jasper Job
featured at
By TOMMY JOYNER
Assistant features editor
Artists are strange people. Of all
people who need recognition and
critical acclaim to actually survive
their pain, it is the artist who is most
often ignored.
But occasionally, an artist rises to
the top of the heap. "Just scraping
by" becomes a thing of the past, and
suddenly the artist is a big hit at all
the celebrity parties. We know their
names: Andy Warhol, Salvador Dali,
Norman Rockwell, Georgia O'Keefe,
Ansel Adams.
Jasper Johns, who lived in South
Carolina much of his life, now enjoys
this same acclaim, and he and his
work are being featured in the
"Jasper Johns Retrospective," April
30 ? Aug. 6 at McKissick Museum.
Jasper Johns is considered to be
one of the hottest artists in the world,
and this is proven, if by nothing else,
by the fact that Jasper Johns' work
sells for more money than any other
living artist.
The McKissick exhibit, says
museum director Lynn Robertson
Myers, will follow Johns' work from
about 1960 to 1981. "We're not try
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its' work
McKissick
ing to show the biggest and best of
Johns' work, but we will show how
his work has evolved over the years
and how he's handled different art
forms," Myers said.
Jasper Johns was born May 15,
1930, in Augusta, Ga., and was sent
to live with relatives in Allendale,
S.C., shortly thereafter. He attended
school in the state and entered the
University of South Carolina after
high school. In 1950, when he was
19, Johns moved to New York City
to begin his art career. Johns
worked as a clerk in a bookstore, studying
and painting all the while, until
he learned to get by on part-time
work. Johns awaited his "big
break," and it finally found him in
1958. He was offered his first oneman
show by avant garde gallery
owner Leo Castelli, which was a huge
success.
There will be a lecture giving a
more sensitive, in-depth view of
Johns and his works at 3 p.m. May 7
at McKissick Museum. The lecture {
will be conducted by Robert Ochs, a
former USC professor who taught
Johns when he attended the j
university.
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DALYwDEREK GIBSON "MARK KASDAN "RC
vision- "TMARTIN CAMPBELL
Copyright 198
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Local jazz ac
iy SCOTT PRUDEN
staff writer
Columbia has recently come to the
ore as an excellent breeding ground
'or new musicians, but aside from
groups that play only statewide gigs,
tone have received recognition. This
:ould change if things for the local
azz quartet Quintessence pan out.
Quintessence has already won the
,emi-finals for the Fifth Annual Hentessy
Cognac Jazz Search for the
3layboy Jazz Festival and will soon
)e off to Los Angeles to compete in
he finals.
The overwhelming amount of
:ompetition faced by Quintessence is
jut one indicator of the talent of
nese iour guys. More tnan ouu tnreeong
demo tapes were submitted in
February, and out of these, 12 i
groups were chosen to compete in
our regional competitions. Picked as
emi-finalists, Quintessence headed
o New Orleans' Storyville jazz club ;
or the southeastern contest, hosted <
tnd judged by Doc Severenson of I
The Tonight Show. The perfornances
were 25 minutes apiece, in 1
vhich Quintessence performed four (
unes, all penned by band leader and
ceyboardist Paul Reichle. ]
The group's victory in New <
Orleans raked in a $1000 check, some ]
-lennessy cognac and a trip to Los <
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Angeles, all expenses paid, to compete
in the finals on May 17 in
Hollywood. If the group wins the
finals, the prize will be $2000, a gig at
the Playboy Jazz Festival and a good
chance at a recording contract.
Drummer John Glancy said
assembling the group to compete was
sort of a spur of the moment idea of
Reichle's.
The list of the group members
reads as a collection of the best and
brightest of Columbia's flourishing
i SI 77 cppnp PpiphlA hoc o morfar'r
-JWI1V. 1W1VIIIV 11UJ a 1I1UJIV1 3
degree in composition from USC,
plays keyboards and writes all of the
band's material. John Schwabbe,
described by Glancy as "the bass
player in Columbia," divides his time
between working on his doctorate in
composition at USC and playing in,
among others, Terry Rosen's band at
Pugs.
Glancy, a USC sophomore,
also performs every Monday at MulJoon's
with his own quintet, Second
shift.
Chris Potter, a senior at Columaia's
Dreher High School, is the
city's jazz saxophone wonder boy.
Reichle, Glancy, Schwabbe and
Potter can be seen together or individually
at Pug's, Muldoon's or
alaying with the group Giant Steps at
Cinnamon Hill in Lexington.
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