The gamecock. (Columbia, S.C.) 1908-2006, October 24, 1988, Page 5, Image 5
Comedy is seric
'Punchli
characte
By STEPHEN GUILFOYLE
Editor in chief
The big joke of the new movie
Punchline is that it isn't really a
comedy.
It is funny, but when you get right
down to it, it's intended to be a
serious movie about a lot of funny
people.
It tries to be a drama about the
lives of stand-up comics.
Tom Hanks stars as Steve Gold,
considered by all the comedians at
the Gas Station comedy club to be a
rising star.
He's also a failed medical student
with a whole lot of rage and anxiety
in him because he never wanted to be
a doctor, his father wanted him to be
a doctor.
And yet he manages to stay in
medical school for a while because he
has what he considers the essential
asset for a doctor ? compassion ? a
compassion that is hidden behind all
his rage and many hangups.
Gold is the perfect comic, unable
to resist any chance to tell a joke to
someone. He stands at bus stops and
entertains people before the bus
comes. He stands in front of the club
and entertains the patrons in line.
The other "main character" is Sally
Field, starring as Lilah Krystick, a
New Jersey housewife who can do
three things ? she can be a wife, a
mother and she can make people
laugh. The first two are fulfilled
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but she wants to make lots of
people laugh, so she heads to the Gas
Station for an attempt at the bigtime.
Krystick is kind of funny, but has
no spontaneity, so she tries to get
Gold to teach her about comedy.
He's wound up so tight that it takes a
while, but eventually, he agrees.
Gold feels that Krystick is funny,
but she needs to learn how to work a
room, to use the audience and
develop spontaneity. So he takes her
to a "gig" to show her how he does
it.
It's a hospital, and it's one of the
few times in the movie where the
heart of gold inside Gold comes out.
He entertains the patients, trying to
make them feel a little bit better, and
he works the room to perfection and
spontaneity. One man is in a cast
with his arm raised up. Gold says,
"You sir, do you have a question?
Your hand has been up the whole
time."
He later takes Krystick to a
nightclub, away from her prepared
jokes and forces her to improvise.
She stumbles at the beginning, but
she gets into it and the jokes roll and
roll and roll.
Enter the conflict. Some things
don't work. Lilah suddenly becomes
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and Field
great when she's forced by Gold to
improvise. Gold falls in love with
Lilah. Lilah almost falls in love with
Gold, but she really loves her husband,
played well by John Goodman
oi true stories an a Raising Arizona,
who can be a bit of a jerk but is
basically a nice guy.
Hanks is great as Gold. He is a
naturally funny guy anyway, so it
wasn't hard to pick him to play a
stand-up comic. He tries to add a little
insanity, a little anger, a little
hysteria to Gold's characterization,
and it works. Hank's acting range,
though, is shown far better in Big
and Nothing in Common.
Fields is convincing as the
housewife and the mother. But as a
standup, she is neither convincing
nor totally off. She is bland in this
part. The jokes she has by the end of
the film are funny, but her delivery is
not up to the level of other stand-up
comics or even Hanks.
It's a really funny movie, most of
the dramatic parts basically succeed,
though not with any flourish. The
problem with this movie, maybe, is it
tries to do too much.
It tries to be a serious movie about
funny people, but then it adds in certain
comic scenes that have nothing
to do with the comedy club. It tries to
touch our emotions, but the only
thing it does perfectly is touch our
funnybones, which isn't all that bad,
though.
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Tom Hanks and Sally Field star in the comic movie 'Pi
comedy.
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I Go ahead and gloat. You cai
rub it in all the way to Chicago
with AT&T Long Distance Service
Besides, your best friend Eddie
was the one who said your team
could never win three straight.
So sive him a call. It costs a
!u
lot less than you think to let him
know who's headed for the Playo
Reach out and touch someone.?
If youd like to know more about
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AKT
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unchline.' The film presents a view of the serious side of
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Robbie Benson
Benson
Continued from page 4
South Carolina, Benson sarid his dealings
with them had been average, but
television and radio seemed to be
warmer than newspapers.
Benson did say he had had run-ins
with The State newspaper.
"A reporter from The State came
to do an article on my class auditions
which ran from 3 p.m. to 1:10a.m.,"
Benson said. However, the reporter,
in order to meet her deadline, stated
in her story that the auditions ended
at 6 p.m. Benson said he knew the
reporter didn't lie intentionally, but
the error implied that members for
his class were hastily chosen.
"What are you really reading?"
Benson asked. "Do you know it's the
truth?" He answered "No." Benson
then warned the audience of the
responsibility they had to report the
truth.
Benson also disagreed with the article
in The State describing USC's
loss to Georgia Tech. The.use of the
word "shame" was unnecessary,
Benson said, and should have been
replaced with "disappointment." He
went on to say that maybe one of the
reasons for the steroid controversy is
* because of the enormous pressure for
the football team to succeed, and the
use of "shame" is an example of this
pressure.
When asked about his opinion of
The Gamecock writers, Benson said
he respected Stephen Guilfoyle's
work, despite a misunderstanding
with him earlier this y??r.
Benson's latest movie, croc/c in the
Mirror,. which he describes as an
cc? "ugly, horrible, cold movie," should
be out in five to six months.
^ THE GAMECOCK
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