The gamecock. (Columbia, S.C.) 1908-2006, November 16, 1984, Page Page 14, Image 14
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11 jSPES
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Desperation
Robert Townsend is one of t
Oscar contender.
FOR BEST Actor, the
Caesar or Howard Rollins,
voice gravels like fingernai
Orchesti
As a soloist, Pruzin must
tain feats different from the
ble performer.
"You have to project. Yo
the right notes," he said,
simplistic, but sometimes a
away with a small mistake '
with a group. Not as the
though; even a non-musicu
M Jean Jacke
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he stars of 'A Soldier's Story,' a likely cine
If
ignc
nomination could go to Adolph Sole
Caesar is perfect as Waters. His dese
ils across a chalkboard. His face If IContinued
from page 12
accomplish cer- when a soloist plays
>se of an ensem- Just from the stam
evening will be rougl
part will last 15 min
u have to play all
That may sound TO PREPARE, F
musician can get endurance and wc
when performing technique and the pi<
featured soloist, a good athlete, he h
in usually knows weeks, practicing s<
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Jeans & Tops
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IRDAY NOV. 17
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les somewhere between a smile and a sneer,
his character's emotions with pure precisioi
ollins, who was memorable in 1981's "R
:h he received an Oscar nomination for Be
>r), is also perfect as Davenport. His face si
itude and identity. His eyes are a dark f
nd the aviator sunglasses. His voice, as ah
ding and riveting, and his performance is po'
iating. Rollins' presence sets the movie s
never he appears. That's the stuff Oscars ai
irector Norman Jewison also deserves a no
effectively brought the play to the cinema.
? ** C/\ntU to AA r\ri r\ n rxrninrli^n
mi uo nit juuui in i71tt ~ puuv, ^ivjuuivv
lity.
^wison and screenwriter Charles Fuller have j
most gripping, emotional and dramatic filn
HE GOOD roles for blacks in films are fe\
n. This near all-black cast is the finest cast s
11" or "The Right Stuff." Louis Gossett woi
supporting role in "An Officer and a Gent
ild have opened the door for good blapl
1't. Everyone who has a part is this film sho
>efully, this film will turn things around
ma.
the Academy of Motion Picture Arts and Sc
>re this film or stereotype it as a "black mo^
lier's Story" will gain the many Oscars th
rves. It should also gain respect, accliam ai
lollywood recognizes the need for intelligt
~ ^ ? :i ? i:,
a ldi^c iiulc. uiuMtai cam
dpoint of endurance, the bouchure, or li
i for Pruzin, whose solo and lifts weigh
utes. his mind and j
his body.
pruzin is building up his "You can't
>rking on his playing said.
:ce's interpretation. Like Pruzin point
as been working out for proach to a
sales and what he calls vocalist's: 44Y
ERMflTIVE
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He truly acts iffWWfcdS
agtime" (for ^ ^
st Supporting && ..4ii|j|
lows his stern m
ire that burn
.vays, is com- |^r fSlfg'lllllppl
werful and in- mLf
creen on fire
re made of.
mination. He W
leman." That
c roles but it ? \
uld feel great.
for blacks in Justified anger
Larry Riley stars in 'A S
iences doesn't good black roles, this
rie," then "A Forget those raves
at it so richly Soldier's Story" is the
id popularity, year, and most definit
:nt films with Award.
ithenics" to build up em- becai
p control. He also jogs daily He
ts to tone his breathing, clear the s?
generally maintain control of and n
the pi
just practice the music," he Tic
callin
s out that a brass player's ap- or bj
r __ * _ i _ i r
periormance is similar 10 a oeior
ou can't practice too much and 5
: 90.5
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oldier's Story/ one of the best films of 1984.
|
film should set the precedent.
about "Places in the Heart." 4,A
j best film put out by Hollywood this
ely, the film to beat for the Academy
ise you'll wear yourself out."
must rest on the day of the concert for
ime reason, so he always tries to relax
lot get distracted from concentrating on
erformance.
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