The gamecock. (Columbia, S.C.) 1908-2006, October 03, 1984, Page Page 19, Image 19
I'All of Me' display
despite Comedy di
I By Patrick Jean
Imagine a rich, eccentric invalid nearing
death who plans to transfer her soul into the
body of a beautiful, healthy young woman.
Instead, she ends up in the body of the attorney
she hates.
That's the humorous premise of "All of
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[ Steve Martin, Lily Tomlin, and Victoria
I Ten nan t.
The basic plot of "All of Me" is a cute
one-joke idea, but it becomes tedious and
i boring during the film's 90-minute length.
MARTIN PORTRAYS portrays Roger
Cobb, a lowly attorney with an important
law firm. On his 38th birthday, he makes a
vow ? to quit moonlighting with a local jazz
band, marry his wealthy fiancee, stop goofing
off and straighten out his life.
Tomlin portrays Edwina Cutwater, an
unhappy invalid who wastes her wealth. At
each sneeze, she uses and discards embroidered
lace handkerchiefs as thoueh thev
Iwcre Kleenex. She plans to leave her money
and her soul with her stablehand's beautiful
daughter Terry, played by Tennant.
Cobb is assigned by his womanizing boss,
poorly played by Dana Elcar, to revise Edwina's
will. His first two meetings with Edwina
lead to hilarious arguments over money
and lifestyles.
Edwina suffers a fatal attack after an argument
with Cobb. Her far Eastern mystic.
J played by Richard Libertini, conjures her
soul to enter Terry's body using a brass bowl.
KDWINA'S SOUL enters the bowl, but a
clumsy accident knocks it out a window ?
^ and onto Cobb's head below.
He comes around but is only able to conjra
trol the left side of his body. Edwina controls
the right side. "She" walks femininely and
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V boldly.
This leads to an early, hilarious confrontaJ
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io's attempt
tion. "He" wants to go one way while "she"
wants to go in another direction. He argues
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by himself. This battle, the funniest scene in
the movie, draws guffaws from the audience.
One passer-by stares intently at Cobb as he
seems to fight with himself on the street.
"THIS IS a private conversation," he
screams.
Cobb then needs to go to the bathroom.
"1 can't go in there. That's the men's
room," pleads Edwina.
"Shut up and do as I say," orders Cobb.
Cobb has to defend his employer in a
messy divorce trial. "He" falls asleep in
court and Edwina has to take over, mimicking
his deep voice and tough courtroom
manner.
MARTIN IS at his best here, as a man
pretending to be a woman, who's pretending
to be a man.
Cobb's life begins to fall apart because of
Edwina. His fiancee overhears an argument
between "him" and "her" and breaks the
engagement, beleiving there is another
woman.
He loses his job and is unable to find the
mystic who can re-locate Edwina's soul.
Meanwhile, Terry inherits Edwina estate
and wealth. She doesn't want Edwina's soul
and tries to send the mystic away. She shows
her true colors and becomes a rich tramp.
SHE DECEITFULLY seduces Cobb, tell
ing him that through sex, Edwina's soul
might enter her body. Cobb wants to make
love to her. Edwina, obviously, does not.
Cobb asks "her" to help him out by "fantasizing
about a few men and then tossing in
a few women on top of that for me." He
returns to the bed thinking all is well.
Cobb later sees Terry for what she is. He
finds the mystic, and along with Cobb's best
See 'All Of Me,' page 22.
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A Heavenly Duo
Steve Martin and Lily Tomlin star as Roger Cobb and Ed
entangled when Edwina accidently ends up sharing half
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Iwina Cutwater, whose lives become hilariously
of Roger's body.
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