The gamecock. (Columbia, S.C.) 1908-2006, February 10, 1984, Page 8, Image 8

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

English professor in Ennis Rees The USC professor is being considered for poet laureate positio Swimming Pool Q By Leslie Dunson The Swimming Pooi Q's, the talented and slightly ceeentri rock 'n' roll dance band based in Atlanta, Ga., will dive int Greenstreet's tonight and tomorrow night. The Q's, a band that has developed an extensive Columbi following, specializes in clever, humorous lyrics and jarrin melodies as they reshape the definition of Southern rock. Their music, well-written and definitely a sound of the! own, consists of jagged chords and violent, throbbin rhythms. This is not easy-listening material, as the music an vocals veer away from conventional lyrical patterns. Early < material includes such titles as "The A-Bomb Woke Me Up, "Rat Bait" and "Big Fat Tractor." Jeff Calder, songwriter/rhythm guitarist and brains of it outfit, says that the band still plays those types of songs, b has added another dimension to its sound. "There's not as much eccentricity or cleverness. Our new songs are more emotional and melodic. They are personal ai powerful emotional statements. It's a natural growth for tt group," Calder said recently. Calder believes the Swimming Pool Q's have successful managed to incorporate these contrasting styles into one con plete musical package. The Swimming Pool Q's have played with other Georgi; based bands like the B-52's and R.E.M., and opened for th Police in Tampa, Orlando and Gainesville, Fla., in 1979. B&fe *3yl .fife xv ^' ?'' . ^ / / '"* ' -^"rifiMi dtifl- V " ' * - V \_jr&&fezAZk ^36 HK^H -?^i^vSHy^S8BBESg^ ^V^K3^SWHnsf&^mjr" W^Bz~z?~~ ''C^SBW^^^dMSS^HWBMML jjjg^ B'y ' Two of the 'Three Sisters' Susan Young (top) and Jane Griggs are featured at Workshop ' UUIIlttllllUM IUI I By Doug Bell A USC English professor is high on the list of contenders for the title of state poet laureate. Ennis Rees is one of the poets a fivemember committee may recommend to Gov. Dick Riley as candidates for poet laureate. Born in Newport News, Va., the same Tidewater town that produced Wiliam Styron, author of "Sophie's Choice," Rees graduated from William and Mary ' got advanced degrees at Harvard srsity before i o . i nr i i coming 10 10 tea* REES DESCRIBED poetry as "a way of celebrating, praising and criticizing. It gives people a greater insight into language and life. It enriches Rees considers himself a distinctly Southern poet. "Practically all my poems have a Southern setting. I wrote one entitled 'The Low Country.' n. Another one called 'Ballroom,' is ic Take the plunge at Greenstreet's The Swimming Pool Q's, a clever Atlanta fej Johi T&4=t?kr, f-v-^o''"- p wn H allows |??parguab H||?liil;;S'] |?gf Dire ^ ' V x i " ''V 1 | V i aims a I' ^ degree of his j 4 Sim| w to deli 40 local BHb. three F when f dead n p and th Photo by Kim Crossell The and fr fheatre. their li menT r poet laureate about Mrs. Sloan, a Columbia dance instructor. Though all the poems have Southern settings, most arc not specified," he said. Perhaps the most prolific of the poet laureate contenders, Rees has published verse translations of the "Odyssey" and the "Iliad," his "Selected Poems" and several children's books in verse, including "Tiny Tall Tales," "The Song of Paul Bunyan and Tony Beaver" and "Brer Rabbit and his Tricks." He has also recorded some of his children's poems on record. "If poetry for children doesn't appeal to adults it doesn't really work," he said."Really good children's books tend to appeal to everyone." ac iwnif ati- n u \i Viic tranclafinnc rio iiiL/ivmi * a>*--j hu viuii.nuiiv*w of Homer and his verse versions of the Paul Bunyan and Brer Rabbit legends, Rees has a special affinity for mythology and folklore. "Mythology is a heritage of symbols, images and stories that you can o Greenstreet W*M fk W wfy Ifmr ^Kk : fiL ? r^T * ff*1 . *8MB ^ flP ''jSttt?V.j&kX ?"^Hfcv_ based rock band, will perform tonight and tomorrc tree Sisters' pro attain director's i Vaughan ferin tragedy of Workshop Theatre's emol Sisters" lies not only in the script, CI in admirable attempt by a director to quie; oals outside his cast's abilities. tion ten by Anton Chekhov, the play differing artistic interpretation, with IT le elements of tragedy at its spine. Wor :ted by Bill Storrer, the production accei t difficult artistic stratification, but N< overcome the limits of its performers. as St any < BK sure, presenting Chekhov at the and inity level is an ambitious decision, Bi lly when one proposes to present it tragi clear rer has just such a proposition firmly A< d for Columbia theatergoers, but his Stor r* 'ir\ ' t cnctoin t Un rv r /\ /l ? i /? I /a ? ?I v,i, vim i .->11.->i <n 11 11 iv. [fiuuuLiiun. piuy unfortunate circumstance results lis cast's ? and perhaps from some "1 of his own ? struggle to make sense four heady directorial considerations. Tl >ly, the depth of texture Storrer wants ense ver falls beyond the boundaries of this terec heater and these amateur actors. seen A IKKK SISTERS," first produced in tain: w in 1901, introduces the viewer to wan Russian sisters coping with the pattern Vi r lives. muc i, Masha and Irina are Moscow-born his c who moved to a provincial estate shuf their father's work required it. He's coui ow, as is their mother, biu the sisters path eir brother, Andrei, have continued to ?ir routine in town. T three sisters are unhappy, however, tech ustrated with almost every aspect of slug ves. They dream of escaping their suf position Ubc iu ^cty wnaicvti yuu warn, uv. said. "American mythology can be heroic and funny at the same time. Like Hawkeye on "M-A-S-H" ? he's a tall tale character in the tradition of Daniel Boone and Paul Bunyan." Rees finds that teaching and writing are compatible occupations. "They are supportive of each other. Just having young people around to share poetry with is a great stimulus to me," he said. "Young people are a great help." Some of Rees's recent poems have appeared in Images, The Southern Review, and The New Republic. He is working on a prose book on poetry uiiu Mjmc new vvi oC c^pceiaiiy iui children. SOUTH CAROLINA'S first poet laureate was Archibald Rutledge, who held the post from 1934 to his death in 1973. He was inducted into the South Carolina Hall of Fame in January. Rutledge "was one of the writers my father iiked ? particularly his hunting and wildlife stories," Rces said. 's tonight HSuSlm$ iw night at Greenstreet's. duction fails ; artistic goal g by returning to Moscow, but lack the ional means to do it. lekhov's play, then, traces their ac>cence to the pain, boredom, dissatisfacand drudgery of their lives. IS on this theme of inevitability thai kshop's production seems most ssible. :> doubt several USC scholars ? as well orrer ? could outpoint this reviewer in Jebate on Chekhov's artistic inspirations thematic intents. it from my vantage point, the play's c elements are delineated much more ly than the work's comic or lyric strains. Jmittedly, that opinion conflicts with rer's statement that he had pursued the 's lyricism. I FEEL the whole thing is a symphony in movements," he said earlier this week, lat goal is evident throughout the quirky mble interaction. The show is even scat1 with music, and a little dance covers a e change. s stated though, the production never at? the multi-leveled polish Storrer truly ts. ery few of these performers have realized h of their characters' dimensions, and lecision to have them constantly sleeping, fling and pondering about the stage enages them to remain on the dark, listless i of tragedy. HE DIRECTOR is also let down by his nical designs, especially Michael Taylor's gishly executed lighting concept. See "Pl?y," page 9