The gamecock. (Columbia, S.C.) 1908-2006, January 27, 1984, Page 8, Image 10
?EntertffimrienT
'Pump Boys i
Irresis
n.. i :i u
oy jurmur Toumans
A night like "Pump Boys ai
proud.
The cast left everyone hai
when Mamma used to cook s
gram Union's Cultural Series
enjoyaoie snow to oegin tne s
More than 600 people from
laughed at "Pump Boys and
the Township Theatre. The s
S.C., where the Pump Boys,
run a service station. Across
Double Cupp Diner. Sisters R
IN ONE of the show's son*
son), and Pruddie Cupp (Do
watering menu: "Sweet potatc
biscuits." Rhetta shocks the f
theDoubleCuppaftd you can ei
you can get gas."
If Larson sounds familiar
vocalist who sang the Top 40
performed in "The Best Littl
"Pump Boys and Dinette
L.M. (William Swindler) sin]
Was Almost Mine." Accordi
love in country music. He sing
on the cheek. The effect of t
ton's picture lights above the
The show's success is enha
songs, Jim reminisces about
remember their "Sister."
IN "SISTER" the Dinettes
Director s
By John Vaughan
Staging a classical Greek
melodrama and violence on a
isn't every director's idea of ;
Even worse is when the (
push just to get a slot in the t
lineup.
But for USC instructor Ann
ting "The Trojan Women"
Theatre has been a satisfying
"UNLESS SOMETHING
much work, I can't get up f
said softly in an interview yest
ting is a lot of work, and I'
worker. I'm lazy.
"So unless I absolutely hav
with it, I tend to let it go."
The play opening tonight
Theatre certainly fell into
category, she said. Written c<
Euripides, "The Trojan W
many artistic questions for ac
"Adapting it was problei
know if difficult would be t
And of course, I don't know i
the problems," she said.
THE PLAY focuses on v
rape ? heavy subjects, to be
"V
Making a point
Director Ann Dreher and Jayne M
-v >
and Dinettes'
i^UI
>iauic revi
nd Dinettes" made Southerners
nd clapping and remembering
weet potato pie. Carolina Procould
not have picked a more
pring season.
various areas of South Carolina
Dinettes" Wednesday night at
etting is fictitious Frog Island,
i: r?jj* t v m i
Jim, c,uuie, L.rvi. ana jacicson
from the station is the famous
hetta and Prudie run the diner.
?s, Rhetta Cupp (Nicolette Larnna
Watton), sing the mouth)
pie, corn bread, pecan pie and
ellows with "come on down to
at and get gas, or you can eat, or
, it's because she is the female
"Lotta Love" in 1979. Watton
e Whorehouse in Texas."
:s" couldn't continue without
ging "The Night Dolly Parton
ng to L.M., Parton is his first
;s of how he managed to ki^s her
he song is captured when JPar?tnop
need by touching songs. In the
"Mamaw," and the Dinettes
overwhelm everyone who has a
sees chattel
play ripe with
limited budget | lie*
a good time.
iirector has to "The Troj
heater's season by Euripides
Theatre.
i Dreher, direc- Directed b
for Longstreet focuses on 1
challenge. Troy during
Helen.
seems like too Dreher's i
or it," Dreher music by Sa
erday. "Direc
m really not a the heritage of <
same grim real
e to spend time Dreher said.
at Longstreet 1 he work 1
the "work" those lines her
mturies ago by anc* entertainm
'omen" posed "Euripides r
iaptation. the director lau
matic. I don't sentimental trie
he right word. But Dreher <
f I've solved all elements of he
takes a bold lo<
var, death and SEVERAL
' sure ? but in described their
#QBi Shl Ji
Rvl gpWBf h
k ^B _ ?n^ J3
hb^,
I v.
lulvaney discuss the production of<4he Ti
* U
* *%, Bywij w
I - pile!
\\ jj vjj|jj 'w^^ \ J^v i I
v* ^R v H^Kp ^ .'r'
; M^M^Wm --~"W lB,^g
--T- "/:':'" iS ^Bj^B
The darling Dinettes
Rhetta and Prudie Cupp (Nicolette l.arso
sister. Unfortunately, their sister is th
know.
Barber shop harmony, tap dancin
guitars completed the night with the
formed by the Pump Boys and Dinett
"Drinkin' Shoes," "Highway 57" <
the crowd in stitches, particularly wher
describe how the man of the girls' dr
Tan" ? a red neck, brown arms and
When Jackson (Henry Gross) perfo
and dances like the famous Chuck Berr
iounaing memoers 01 sna iNa rNa.
nges, messai
Trojan Women'
jan Women," a Greek classic depar
, opens tonight at Longstreet deals
Greek
y Ann Dreher, the USC show Th<
the plight of the women of with
the famous war hponn nv<r Siinds
closet
adaptation features original Foi
im Douglas of USC's music fice a
3reek classicism, not with the ing sc
ism of some modern works, terrif
Dr<
s melodramatic, and along violei
sights are set on "spectacle the p:
ent," she said. posin
"I
eally wrote for the masses,"
u a i.n u wron
ighed. He uses every cheap, ,
:k in the book." ? e^<
in th<
dso recognizes the unsettling audie
r production, which she said Th
ok at violence to women. sity's
skimj
OF the performers have made
unnerving experiences in fac- wju ^
a scri
with
Hk diffpi
some
direc
in so
raisei
may
Sh
rojan Women which opens today. for h
Rjfc ? L- mtWSk vm>
b^ ^ tc|E| ^
Mjapj^^^Kg. ^BBH|M
n and Donna Watton) run the Double Cupp
e stranger they'll never THE "CL
with a brief
g, banjos and electric The audience
Pump Rock style per- show,
es. Rust and 5
ind "Farmer Tan" left by the Cultui
1 L.M. and the Dinettes joined "Pun
earns has a "Farmer's Knoxville, T<
white chest. hour work s<
rms "Mona," he sings formances. 1
y. Gross was one of the he says he en
lead him to i
4?3b
ges in usu |
opens tonight
tment, dance and singing. It also
with violence and rape against the
1 melodramatic view of fate.
2 production runs through Feb. 5,
performances at 8 p.m. except for
ay matinees at 3 p.m. The theater is
i Monday.
r ticket information, call the box oft777-2551.
:enes where they are raped, beaten and
ied by conquering soldiers.
sher said Greek plays usually prescribe
ice to be played offstage, but she felt
roduction would gain strength from ex
g its audience to more brutality.
made the decision ? and I could be
g ? to incorporate rape into the play,"
lid. "It's not something I invented. It's
; script. But it's not usually before the
nee."
e traditional Greek chorus in the underproduction
will feature actresses in
3y, torn rags, their faces and bodies
up to show years of abuse. Rape scenes
>e partially concealed in shadow behind
m, but the audience will be confronted
the women's screams and tears.
tEHER SAID she cannot predict the
ring reactions of the men and women in
udience.
w men besides her actors have seen any
ie production, and their feedback has
red. One recent USC graduate told
er he was disturbed and embarrassed at
ling his gender abuse women, while a
*nd of one actress worried about other
laughing.
eher said while the man was renulsed hv
a notion, he felt men might laugh
ise they have laughed when the situation
il. She referred to a recent case where
in a Massachusetts bar stood by and apled
while five men raped a woman on a
table.
Iven men who don't feel capable of
) tend to ignore it because it's not
thing they are personally afraid of," the
tor noted.
IEHER SAII) she hopes the production
ts the men and women in her audience
me positive way.
hope men will have their consciousness
i and realize that their reaction to rape
be part of the problem today," she said,
e said the experience has been sobering
er and the cast.
le Townsl
Diner in Frog Level, USA.
OSING Time" sung by the cast i
medly of all the songs sung in the
: left with the same smile they had t
swindler attended a wine and chec
ral Series after their performance,
ip Boys and Dinettes" only two
inn. Rust described how they begai
:hedules consisting of rehearsals fc
rhe hours don't leave him much le
joys it. His touring experience with
i prospering career as an actor, he
irnrluntinn
J H UUUULIUBI
"All of us, including me, h;
happy-go-lucky, carefree hat
alone at night," she admitted
DKEHER STRESSED rap
merely coupled with the play'
cern with war.
"I hope people will view
secondary, or adjunctive, a
war," she said.
"The Trojan Women" cei
war, but Dreher said this
another challenge: She wanted
message with some releva
theatergoers.
"We live in a time when pe
ing about the end of the woi
"The hand-to-hand combat
somewhat romanticized and o
DREHER SAID she hope
tion's theatricality will allow
draw meaning from the ancie
She said she doesn't feel th
material is bad for older teer
the head of her 5-year-old dai
who plays a doomed little bo]
Dreher said she chose the p
her fascination with Greek cl
said several professors at U
their students to see it.
Acceptance of the play reh
challenge faced by Dreher in s
fact that previously she has m
C1 r\t i r? I rnr?..ln^
in - ? ItgUldl SCaMJll,
AN INSTRUCTOR at the i
1973, Dreher said she was "di
the former department chaii
Gillespie, from applying to di
"I suppose it was politic
merited. "I wasn't studying <
other department members fe
her in priority below cer
students in directing who were
Dreher is no newcomer
however. She has staged ch
during the summer seasons at
has directed frequently a
Workshop Theatre.
She said after her husband
ford (praised as an actor in n
ductions), told her she was "
of them," she decided to pusl
for her chance at USC.
"ONE OF the biggest reasc
direct a show during the seast
with the students," Dreher
past, the only chance I've ha>
them is if they came over to 1
Now the chance has been
has been done, and she's just
lights to go up tonight.
flip
MB #"""
j3biifftli . *
ends the show
performance,
hroughout the
:se party given
They said they ^
weeks ago in ^
n three-to-five>llowedby
perisure
time; but
\ tne cast couia
: said.
ive altered our
>it of walking
l
e was a theme ^
s primary conthe
rape as a
oncept to the
"tainly is antiproved
to be
to convey that
nee to 1984
r\n !r? Qro f h i 1/ _
^/piv ui v linn i\~
rid," she said,
in this seems
ld-fashioned."
A>
:s the produc\
audiences to
nt subject,
e production's
is, and is over
Lighter, Fanny,
/ in the play.
ilay because of
assies, and she
o o i
eirc asKing
ites to another
taging it ? the
3t been given a
jniversity since
scouraged" by
rwonian, Patti
rect.
:s," she com
directing" and
It this dropped
tain graduate
given chances,
to the field,
ildren's shows
Longstreet and
t Columbia's
, Bob Hungerlany
local proas
good as any
i a little harder
>ns I wanted to
)n was to work
said. "In the
d to work with
Workshop."
had, the work
waiting for the