The gamecock. (Columbia, S.C.) 1908-2006, September 14, 1983, Page 12, Image 12
Students can
By Kelly Hemrick
Submitted for your approval, USC students who are enticed
by an opportunity to play games, eat and party all night wH|
have the chance to do so Friday, as they prepare to
enter . . . The All-Niter Zone.
Sponsored by the Carolina Program Union, the sixth annual
All-Niter will include diverse events in an effort to apnp^l
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appearing. "Myriah" will give a free concert on Greene Street
at 4 p.m. and midnight.
"The Pedestrians" will appear in the Russell House
Ballroom. Admission will be $1 for students and $2 for the
public.
COMEDIAN MICHAEL Davis will be the main attraction
at 8 p.m. in the ballroom. Davis has appeared on Saturday
Night Live and is perhaps best known for his juggling act. He
juggles almost everything from bowling balls to meat cleavers,
and to fruit, which he eats as he juggles.
Admission to see Davis is $3 for students and $5 for the
public, but he will give a free sneak preview on the Russell
Hmicp natin nt r? m
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Other events include dunking booths, a video tournament,
water balloon fights, a pep rally, cigarette rolling contest and a
sleeping bag contest.
Exhibitions will be given by USC's Fencing Club, Frisbee
Club and Body Building Club.
EATING RAOUL" will show at the Russell House
Theater at 2:30 p.m., 7:30 p.m., 11:30 p.m. and 1:30 a.m. Admission
will be $1 for the matinee and $1.50 for the other
shows.
In addition to specials at the Gamecock Snack Bar from 7
p.m. to 3 a.m., SAGA will sponsor a picnic at 4:15 p.m. on
the patio. Breakfast will be served in the Grand Market Place
irom ^ a.m. 10 3 a.m.
Two vans will depart for Mrty'c Beach at 3 a.m. The trip
costs $8 and advance registvation is required. The vans will
return about 5 p.m. Saturday.
"The All-Niter serves a two-fold purpose," said CPU president
Glenn German. "It is good visability for the Union and
one of the ways we use student's activities fees to get quality
entertainment."
Al l CONTEST registration tables and information will be
in the Russell House Lobby. Video tapes will be shown all
night and a hospitality table will be sponsored by Coca-Cola
and the USC Bookstore.
Gallery displays reno
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The Pedestrians
The concert will begin at midnight in the Russell House.
uvned photographers':
By Gene Crediford
One hundred vintage
photographer Edward Weston
display at the Ciibbes Art
Jg Charleston.
Weston was also a writer wh
reconcile humankind with n
through his accomplishments,
change the direction of
photography.
Photographers at the turn of
who were interested in making a
cameras chose to imitate the sty
face textures of etchings, charcc
and watercolors. Even the
photographer / painter Edwai
would "de-focus" his lens to
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techinquc used by others as well
EVEN THOUGH large view c
used - negatives as large as eight
inches and even much larger wei
and great sharpness, detail and t
possible, photographers often (
itate other art forms.
These photographers, called
commercial and art photograph
fluence extended from New Yor
nia, and from the United States t
fllSB j^HSSHfEBIj^Bi was created by an later rejectee
others, Steichen and Alfred Sti
fluenced Paul Strand, Imogen C
In 1902 at the age of 16, Wei
^0rmal 'nstruct'on a Chicago
established a commercial studio
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M STRAIGHT PHOTOGRAF
"mere" photograph has little or
in Charleston. it cannot stand alone, but rnus
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look like "art."
prints of The essence of straight photograph is to
will be on prcvisualize the camera's image of physical
Gallery in reality and affirm this image by printing to
the highest standards of tone, detail and
o sought to richness; the entire photographic process
ature, and becomes, then, the link between individual
he helped human experience and the external world.
American- Weston's affirmation of straight
photography led to a unique style in
this century photography. Purity, clariiy, sensuous surrt
with their face and form define his style. As his style
ies and sur- matured, he came closer and closer to his
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renowned rock formations; seaweed formations; and
rd Steichen sand dunes. "Anything that excites me, for
give a soft- any reason, I will photograph," he said.
cially prized DETRACTORS OF straight photography
( argue the camera can only duplicate the
work or appearance and, hence, can never
fliIIcrds vvi C- i < ? igs ...
inches bv 10 claim itself as an art form. Weston was never
impressed by such humbug. He was after
e common - . ,
omlitv were something bigger than proving his
hose to im- photography was middle-class art.
For Weston, the photographic process
oictorialists became as much a philosophic tool as an inThis
in- strument for image making. It is as though
k to Califor- was so exc't'n8? so lived that his
0 Europe It photographs were drained of'time.'
1 by among 'mPact his prints is that the
eglit'z It in- images exist as though time had come to an
"unningham enc*' ^ ?s as though he could only reveal the
nc Edward pnenomenal world of nature by eliminating
time and motion.
ston's father 'on^ enou8h to realize national
he auicklv anc* international acclaim, if not financial
ok his onlv riches. In the 1930s he lived on the very edge
photography of Pover'"lifornia
and . , . r
ONCi', HE rejected the soft-locus images
le used soft pictorialism, he rarely sold his serious
s to produce photographs even though he offered them at
able images vcry reasonable prices. He believed
iton rejected photography is a democratic art form and
g most of it original photographs should be reasonably
hy priced for the general public. A print made
by him in the 30s sold f'r*r ah/\nt
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'tlY, unlike the price of one print may go as high as
power of $8,(XX).
p, clear, un- The Gibbes exhibit gives an excellent
i detail, tonal display of his work except for one discouraging
fact. The lighting is inefficient in the
n is that a galleries, and, in consequence, the marvelous
no integrity; qualities of subtle tone, especially in the
t be made to shadow areas, are very hard to see.