The gamecock. (Columbia, S.C.) 1908-2006, November 19, 1982, Page 9, Image 13
Singer's m
By Tanya M. Savory
imrieen years ago, trail anc
a tune entitled "Both Sides No^
fact that "I've looked at love
don't know love at all."
Today, nearly 40 years old,
mature Mitchell appears to 1
than two sides to love.
At least that is what her n
Fast," seems to indicate.
MITCHELL HAS run the g
folk/acoustic to rock to classic
But always there is the same
as enigmatic and painful,
recipient of love's woes.
To be perfectly honest, her
not they made her a musical s
tad tedious. "Wild Things R
welcome change from this t
songs are somewhat unconvin
Maybe it was easier for Mi
On her new album, songs si
derneath the Streetlight" are
and jumpy for Joni Mitchell.
She seems to be having qu
streetlights and singing "hot
having a good time. Perhaps 1
have made her happy with
convince her listeners ot her
THIS IS not a poor albi
freshest, most listenable tun
her somewhat commercial "<
ago. Her other albums of I
featured jazz music, except fc
On "Wild Things Run Fas
saxophone, jazz guitar and a
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aturing prove
I wistful Joni Mitchell released
w," in which she bemoaned the
frnm hnth siH^c nnur T rpallv
? ' upl>
a musically and emotionally
nave realized there are more .' *
the;
ew album, "Wild Things Run ? ^
fnei
whii
'amut of musical styles, from yea
:al to a touch of country to jazz.
lyrical theme, portraying love
with herself as the eternal Pra
apo
failures with love (whether or 1
uccess) were beginning to get a "J1*
;un Fast" might have been a
rend, but these new "happy"
and
hof
tchell tq be creative with pain. Del*
ich as "Solid Love" and "Un- ma
musically and lyrically too cute an^
P
ite a good time dancing under wit
dog darlin' " ? perhaps she is be
ler many years of introspection and
love. Now all she has to do is gre
happiness. whi
im. Musically, these are the H
es Mitchell has released since goi
Hourt and Spark'' of eight years tha
the past eight years have all ret
>r one dismal live effort. V
it," there is still frequent use of ter
jazz sound, but it is much more an<
m
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' r
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ikes'happ
H
album r?
eat than, say, "Hejira," whi<
^ffrnnnrl mucin for pnnlrtflils m
Chinese Cafe" is probably the
album, written in the style tha
tie song deals with- aging; J
rids "look like our mothers di
ch moves so quickly that befoi
rsold.
ho cares? Somehow, Mick j?
3 can get away with aging,
nticallv anolosi/.ine for fitrow
logize for growing!
Chinese Cafe" is another tunc
smooth and melodic musi
itric guitar and acoustic piano
he majority of the album's so
I fun than Mitchell has ever da
ore. Tunes such as "Be Cool
ke one wonder how this queen
rway.
ERHAPS THE last song, "L
h a little adaptation from Cor
saying she finally knows exa
I hope and love and of all th
atest beauty." Quite a change
0 sang, "I really don't know to
1 i.~ it a.I 1 _
i is mipussiuie iu ten 11 me ia
ng to be the last Joni Mitchel
n a few times that she's tl
urning solely to her painting.
Whether or not this is her las
esting. Mitchell should realiz*
i continue to develop her musi*
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y' tunes
wiew
:h was pleasant mainly as
id falling asleep.
most self-revealing song on
t earned Mitchell fame.
cotrc cVto on?rl nnr
riiw^ucu oaj o onv uuu nv&
d now." It deals with time,
re we know it, Mitchell is 40
igger and members of The
but here we see Mitchell
ing older. Of all people to
; that is confusing lyrically
cally, as Mitchell blends
into an even flow.
ings are more light-hearted
red to be in her songwriting
" and "You're So Square"
. r t. At l_ x 1
oi neariDreaK goi so nappy,
ove," is Mitchell's answer,
inthians 18:11, she seems to
ctly what love is: "of faith
ese great three, love's the
from the wistful 24 year old
ve at all."
test Joni Mitchell album is
1 album. She has said more
hrough with music and is
>t album, it is certainly ine
where her true talents lie
c.
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