The gamecock. (Columbia, S.C.) 1908-2006, September 22, 1982, Page 11, Image 11

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-entertainment W iim 'm ifc--- ..Jf 'ifli fr ^^fe?09KPU|Mj?iSB^^^^flfclll^^^^6nll^BS^B^Bw _ -Jg M ^fc-Mfa^^SfcSa. ?" ^ DhB n?:::;:?^nn^HB^^iK^^HnBmBH^^ | HM^fl Photo by Win McHamoo Lead guitarist Bill Wood of The Collective sings on Russell House Patio Monday. The local group appeared as part of a WUSC-sponsored music series. Series invites bands to perform on patio By Becky Burnette The Collective one of several loeal erouns nartirinatinc ? 7 O K K K O in a WUSC-FM-sponsored music series, performed on Russell House Patio Monday. The band was the third this semester to appear on the patio and played before a small but attentive audience. Tim Poates, the group's stage manager, said it was hard to draw a crowd near Russell House, but the band enjoyed playing, anyway. "We're funky good. We're nice folks and we play good music," he said. The Collective features lead guitarist Bill Wood, rhythm guitarist Stuart Massey, keyboardist Forrest Halford, bass guitarist Chris Paul and drummer David Skeen. Monday's performance demonstrated a rock'n'roll sound with jazz and Grateful Dead influences. The Columbia-based band often performs at the GROW Cafe at 18 Bluff Road and will be appearing there Friday and Saturday. Utner pertormances m wusu s series win De on me patio Mondays between 5 and 7 p.m. The concerts are not scheduled for every week, however. Two dissimilar filn Soap opera stars Stuart Damon and Janine Turner (I) join ?-?# 1 p J in LOve, Willie nnicnaBI mmoan ?MU ooau luuny ill 810! no I Town Theatre f By John Vaughan Tickets for Town Theatre's season-opening production of umL. n j _ r a m ;_?t ? ? . i - e 11? l nit; aouiiu ui music go on saie tomorrow ior me general public, just more than 24 hours before the show opens Friday at8p.m. The 8 p.m. curtain time is a change from the theater's traditional 8:30 p.m. opening. The show will run through Oct. 16, with all performances at 8 p.m. except for a Sunday matinee, Sept. 26 at 3 p.m. "The Sound of Music" is the famous musical by Richard Rodgers and Oscar Hammerstein II, which made a successful transition from Broadway to film (with Julie Andrews) more than a decade atzo. The original nroduction was the fourth longest-running musical in Broadway history and one of the most successful shows of the reknowned Rodgers and Hammerstein duo. THE MUSICAL is the true story of the Trapp Family Singers, an Austrian family performing group who struggled against the Nazi reign in the early stages of World War II. The show features a variety of musical numbers in one of the authors' most successful scores, including "Edelweiss," "Maria," "16 Going on 17," "Climb Ev'ry Mountain," "I Have Confidence," "My Favorite Things," "Do Re Mi" and the title song. In Town Theatre's production, Dorri Herring will star as Maria Rainer and Jon Blouin will play Captain Georg von Trapp. in some interesting casting one linos only in local tneacers, King breaks from hi with four novellas ii By Chris Handal JV A Readers who expect to cringe a little while WmJrA reading Stephen King's "Different Seasons" firJig will not be disappointed, but those who expect a pure horror tale will be. In "Different Seasons," Stephen King 8 proves he is a versatile writer by presenting ^ four mainstream novellas. The fourth has a B touch of the supernatural, but that touch does not dominate or detract from the story. It came as no surprise that King could " write enjoyable mainstream fiction. His |Hf best tale in "Night Shift" was devoid of THE SAME holds true for the four stories in "Different Seasons"; they are tragic and [ , scary without depending on spirits to make King has not changed his penchant for downbeat endings. Only one of the four tales JjPli|SB has anything resembling a happy ending. JpSI The first story, "Rita Hayworth and Shawshank Redemption," concerns a man , imprisoned tor a crime ne aian t commit. This was my least favorite of the four f:'jT stories, perhaps because I invariably Jft ' ^ compare any story that deals with prison to % Norman Mailer's book "The Executioner's \ Song." The comparison always falls short. . * That objection aside, "Rita Hayworth and Shawshank Redemption" is a solid tale. ^l|M||j The wrongly imprisoned Andy Dufrense is believable as he grudgingly exists in the prison, and the narrator tells the tale the u-.. way it should be told: , S,ei;hen K,r Sea "King." page 12 from his mas is achieve similar I other afternoon idols in cameo appearances in 'Young Doctors wo young doctors in love. presents musical Blouin's wife, Sue, will portray Elsa Schraeder and three of the Blouin children will be seen as three of the von Trapp children. Elizabeth Briggs will play the Mother Abbess, and her son Lawton Buckner will portray another von Trapp offspring, r neuricn. ALL OF THE von Trapp children have been double-or triple-cast. Joining Buckner as Friedrich will be Hob Kincaid and Greg Borom. Amy Harrington and Beverly Blouin will play Louisa; Bryan Smith, Noel Swicegood and Joey Hodge will play Kurt; Nichole Griffin and Becky Blouin will play Brigitta; Kristin Ness and Ashley Renee Turkett will play Marta; Leah Lane Lowe and Elizabeth Borom will play Gretl. Beth Blouin will play Liesl, the oldest offspring. Other members of the cast will include Jeffrey Wyatt as Rolf. Nancv Derrick as Sister Marearetta. Tracv Grano as Sister Sophia, and Jolee Pearson as Sister Berthe. Town Theatre's decision to open with the musical is interesting in the light of Workshop Theatre's staging of "Cyrano de Bergerac," which opened last week. Both area amateur theaters selected shows on a rather grand scale to begin the 1982-83 theater season. Town theatre's Emmalee Elizabeth Robbins will direct "The Sound of Music." Tickets are $8 for adults and $5 for students and children. For more information, call the Town Theatre box office at 799-2510. s usual horror style n 'Different Seasons' ig, pictured here with his youngest son, Owen, makes a change tery of the horror genre in 'Different Seasons.' ow aims I By Doug Bell | "Young Doctors in Love" and "Fast Times at Ridgemont x! iiirtUii tu. *v Irugii di c iwu iiuus uiaaiuuiai ui uuviuua wd^a. iuc iuiiuci is a soap opera parody and the latter is a campus comedy. But in many senses, the two are companion pieces. Both are about students, and thus carry some indirect implications concerning discipline and authority; both cater and condescend to the youthful mind and market; both achieve their aims ; both aim very low. In "Young Doctors," a group of young interns is apprenticed to a graying surgeon (Dabney Coleman) with the kind of disastrous results meant to be lively and hilarious. J Much of the cast come from daytime TV soap operas, which are the subject of the film's parody. "YOUNG DOCTORS" obviously was inspired by "Airplane," a popular parody that works for several reasons: 1) it develops with a disciplined fidelity to its source, the airportdisaster series; 2) the gags, both visual and verbal, are original and sometimes detailed; 3) its stars (Lloyd Bridges, Robert Stack, Peter Graves and Leslie Nielsen) playfully exploit their tough-guy images. Occasionally the humor in 'A "Airplane" gets a bit sick and there are definitely weak a? spots, but I can't think of a comedy since "Airplane" that has brought me as much laughter. "Young Doctors" arouses in me only boredom and mild - disgust. It doesn't satisfy the rules as set down by its model; the parody is indistinct ; the jokes are flat, soggy and old; and the cast is not memorable. Poor old Dabney Coleman. You would think that this actor, v Sm "Fil**," psga 12