The gamecock. (Columbia, S.C.) 1908-2006, October 30, 1981, Page Page 8, Image 8
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Entertainment Editor
"We've never had much
commercial success, but 1
think our last two albums
are as good as any other two
albums that have been put
out in that time, and that
includes Tom Petty, Boh
Seger, and anyone else who
has been making records,"
said Joe Grushecky,
vocalist, guitarist and
songwriter for the Pittsburgh-based
Iron City
Houserockers.
Blood On The Bricks, the
Houserocker's third album
for MCA Records, has
recently been released, but
Grushecky does not expect it
to rocket to the tops of the
charts, considering the fact
that the band has rarelj
performed outside of the
Northeastern U.S. "I'd like
to think the album will dc
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rockers
real well, but we just don't
get the exposure that guys
like Tom (Petty), Bob
(Seger) and Bruce
i (Springsteen) get,"
Grushecky told me in a
? leiepnone interview lasi
week. 44 That doesn't mean
our records aren't just as
; good, though."
'. .. you don't
have to work in
i a steel mill to
get the
message.'
The Houserockers have
gotten their share of critical
acclaim, however; Griel
Marcus of Rolling Stone
went so far as to call them
i the best rock 4n' roll band in
t America. Blood On The
' Bricks, like their previous
! aioums, nammers ai me
; themes of working-class
> people locked in combat with
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: Songs
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me oppressiveness 01 uieir
surroundings. The
characters in Grushecky's
songs are often factory
workers or street-hardened
losers; one song, "Saints and
Sinners," is about a Vietnam
veteran who returned from
the war with "eyes that
never closed."
WHEN I asked Grushecky
if he was bothered by the
fact that some people (a
Southern audience, for
example) might not easily
identify with his highlylocalized,
factory-oriented
songs, he admitted that
"yeah, it does bother me a
bit, but the things I write
about are things that I know
about. I can't try to make up
things that aren't real for
me. A lot of the stuff we use
is iust images: vou don't
have to work in a steel mill to
get the message. The songs
are about people being
trapped, and having to make
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hard decisions. It does
bother me though, 'cause
you always want people to be
able to appreciate your
stuff."
Blood On The Bricks is a
relentless, somewhat grim
album, much in the mold of
Tom Petty's Hard Promises.
Songs like the title track,
"This Time The Night
(Won't Save Us) " and "No
Easy Way Out" avoid any
traces of fancy production,
relying instead on the
guitars of Grushecky, Eddie
Britt and guest musician
Steve Cropper. There is no
evidence, however, that this
is "the best rock 4n' roll
band in America."
Grushecky's vocal range
is pvfrpmplv limifpH nnH
there is a distinct lack of the
sharp musical "hooks" that
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rapped!1
artists like Petty and Seger
build into their songs.
THE HOUSEBOCKERS 1
are currently embarking on |
i: : - i- i
a iiauuu-wiue luur wnicn H
Grushecky hopes will ^
pand their reputation asQ I
great live band. "I think that M
once people see us on stage J
they'll get a much better I
idea of what we're all ||
about," he said. "Then, if g
they like us, that's great. If I
they don't, well, I can't ||
worry too much about that. 9
The same goes for the ||
album. I hope they like it, j
but the main thing is that I 9
like it, and the band likes^ ]
I'd rather put out an albiffr f
that I thought was good and [Jj
have nobody buy it than put ll
out something that was a |j
piece of shit that sold a
million copies."
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