The gamecock. (Columbia, S.C.) 1908-2006, October 02, 1981, Page Page 7, Image 7
1 Entertainrr
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"This is the first time I've <
danced so hard," Liu J
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rvweiMg-v^iieiig laugneu aner ||
the show was over, "because j|
there was no air con- r
ditioning." p
Liu was right, but the I
temperature didn't matter to r
the audience that filled a r
stuffy Booker T. Washington I
auditorium Tuesday night to I
? watch Liu and the rest of the
Youth Goodwill Mission
from Taiwan, Republic of
China.
What the audience saw
was a superb performance
called, "An Adventure in
Chinese Songs and Dance,"
presented by the group that
made USC one stop along its
seventh U.S. tour.
IN ADDITION to a
r_> director and deputy director,
the mission consists of 15
performers, selected from
104 rnllpOAS And univ*?rsiHf?s
? 0 ? ? ?
in Taiwan. They are not
professionals; the main
purpose of the mission is to
strengthen friendship between
Chinese and American
people.
Despite this fact, it's a
^ little surprising to note that
most of the students touring
with this group are not dance
or music majors, but are
studying fields ranging from
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Graceful movements an
of the student performe
lent""
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esen
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is Dr. Wang Chih-Kang
of National Taiwan
University.
business to languages to
zoology. It's surprising
because of the quality of the
90-minute Derformance.
The performers do not
pretend to the dancing of, for
example, New York's famed
Radio City Rockettes;
perfect synchronization is
not what the mission's
performance is all about.
And so, while everyone on
stage may -be making the
same moves at a given point,
everyone may not be doing it
at the same split-second in
time.
But the show was excellent.
The program opened
with examples of Ch'uan
(Chinese Boxine). a oer
formance designed to introduce
the audience to
id dances often required th
rs of the Youth Goodwill Mi
UUUI
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martial arts. Chinese
martial arts began by
imitating the flying and
jumping of animals, and
since then has been passed
from one generation to the
? next and now has a variety of
I schools.
i
ONE BY ONE, the entire
group walked onstage,
slowly demonstrating basic
hand and foot c. ition as
examples of "Tai Chi
Ch'uan." They were accompanied
by pre-recorded
music and a narration
describing the basic
movements and their history
as the group moved into
Mantis (Jn uan, Crane
Ch'uan," "Tiger Ch'uan,"
"Snake Ch'uan" and "Eagle
Ch'uan," demonstrating
fascinating movements
associated with each animal.
The first part of the show
ended with a sort of
"medley" of movements,
wrapped up in the mission's
own "Ch'uan Dance."
The recorded music was
provided throughout the first
three parts of the show, and
served itself as an example
of Chinese musical heritage.
The second part of the
show featured highlights of
Chinese classical and folk
dance, presented in four
Hewly choreographed
dances. Each dance
-represented differing
regional cultures and
provided effective opportunities
to show off some
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e intense concentration
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of the most intriguing and j
visually beautiful costuming j
I've ever seen.
j
I
THE FIRST featured j
three lovely young ladies in a j
dance called, "The Lass of
Tribe Miao." The second and
third each featured a couple, j
with the boy portrayed !
chasing the "hard-to-get" I
girl. They were named
"Love Songs of Shin-Kiang," j
and "Love Songs of KangTinrt
"
*"*o * j
These two dances seemed
to be designed especially for j
popular appeal to modern
American audiences, and
the relentless suitor even
flashed the "thumbs up"
signal to the audience on
several occasions.
The final "Dance of the
Lamp" featured six women
in lavish silk costumes
dancing with colorful
hanging lamps. It would be
almost impossible to
overemphasize the
breathtaking costumes here
and throughout the show, as
the group seemed to change
clothes everv time thev were
offstage for a moment.
The third part of the show
was called, "Taiwan the
Beautiful," and followed a
basic story line through
songs and dance. The setting
was the countryside of
Taiwan, where the village
people were shown in a
leisure atmosphere, flying
kites and singing, and then
during work on the farm,
miming their work with hoes
and planters. Finally the
work yields a harvest, and
the people celebrate.
THE CONCLUSION of the
show was a time for the
individuals in the mission to
introduce themselves and to
say a brief hello. Most chose
to speak in both their native
language and in English,
expressing how happy they
were to be here and to meet
new people.
After the introductions,
x one of the members, Lin
Min-Chong, led the group
Ia.I_ _ _..!i ?
wiui nis guitar as iney sang
their theme song, another
Chinese song, "It's A Small
World," and a final native
song called, "The
Generations of Long." Lin
played quite well and the
students proved to be superb
singers as well, harmonizing
nicely.
The message from the
Youth Goodwill Mission was
most clearly expressed over
the course of the evening in
their theme, which contained
the simple verse: "No
matter where you come
from, it's a song for me and
you to sing."
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Beautiful silk costumes
featured in the "Dance of
[ Weekend En
FRIDAY, OCTOBER
Cameo and Bricl
(tickets $9.50 and $
Dundee's, 2701 Rosew
Zipper at Zack's 73<
(nominal cover charg
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Fools Star at Dun
Drive ($2 cover); Zij
St. Andrew's Road (n<
MONDAY, OCTOBEF
Amateur night at
charge).
WEDNESDAY, OC T(
Glen Phillips Band
charge); The Brains
Greene St. C$2.50 cov(
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and oriental lamps were
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8.50); Fools Star at
rood Drive ($2 cover);
3 St. Andrew's Road
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dee's, 2701 Rosewood j
3per at Zaek's, 736 F
:>minal cover charge)
* a
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the Spur (. 50 cover
viinn m
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at the Spur ($2 cover
at Greenstreets, 2009
?r charge).