The gamecock. (Columbia, S.C.) 1908-2006, March 04, 1981, Page Page 8, Image 8
'Rag
BY MIKE CHIBBARO
At first glance, it*s hard to
feel sorry for a man like
Jake La Motta.
As a teenager growing up
in the Bronx, La Motta was
nothing more than a street
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Woody
hazard
Bv DAV
Like cigarette packages, th
"Side Effects" should be reqi
people that the contents may 1
No one will get cancer from
of humor, most of which was (
Yorker and The New Repub
one's sides, bust one's gut or fi
Depending on one's taste, 01
and each of the 16 contains en
entire day.
ARGUABLY, THE most hi
is a biting piece of satire c
contains several bogus descr
by eccentric characters acros
One such sighting goes as
beach house, but could not
chicken in the icebox that I f
wife dropped off, and tiptoec
looking at the clock. It was f
certain of this, because our V
twenty-one years and is alw;
that our dog, Judas, was actir
his hind legs and singing. 'I e
room turned bright orange. ,
A boo
^Un||
ingE
punk. He survived off of
nickel and dime larcenies
and defended his honor and
turf with an ice Dick given to
him by his father. Around
the age of 17, La Motta
viciously beat up an elderly
I
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Allen's'
ous to re
ID BAKER
ie dust jacket of Woody Allen's
lired to feature a label warning
>e hazardous to their health.
reading Allen's third collection
)riginally published in The New
ilir hut nnn r?milH pacilv cr?lif
racture one's ribs laughing,
le story is funnier than the next
ough funny lines to brighten an
larious story in "Side Effects"
ailed "The UFO Menace." It
iptions of UFO sightings made
s the country.
follows: "I was in bed at my
sleep because of some fried
nit pntifloH tr? I wroito/1 'till ?>->?.
v.1% viivivivu iv. * ttuilv^u 1111 11 ft y
i into the kitchen. I remember
>recisely four-fifteen. I'm quite
kitchen clock has not worked in
lys at that time. I also noticed
lg funny. He was standing up on
njoy being a girl.' Suddenly the
kt first, I thought my wife had
k 'Spil
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ibcrt Moss
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man with an iron pipe.
as a professional boxer,
La Motta purposely lost a
fight for the mob in order to
get a chance at the title. In
his novel, he confesses to
beating his wife and raping
his best friend's girlfriend.
After retiring from fighting,
he opened a bar in Miami
where he was later convicted
for soliciting prostitution.
DESPITE A
BACKGROUND that would
make only Satan proud, La
Motta is able to reveal his
life story in a sincere and
honest manner which leaves
the reader actually feeling
sorry for the Raging Bull ?
Jake La Motta.
"The Raging Bull," the
book on which United Artist's
recent movie was
based, is the autobiography
of one of boxing's most
notorious champions. Unlike
the movie, the book tells the
former middleweight
champion'scomph story.
From the book's * -tset, La
Motta is obviously trying to
explain some of the
mysteries surrounding his
scandalous life. He's not
necessarily looking for
sympathy, rather, he is
Side Eff
jaders' t
caught me f iting between m<
Then I looked out my window,
a gigantic cigar-shaped aire
ireetops in the yard and emi
transfixed for what must hav
our clock still read four-fifte
Finally, a large, mechanical el
and snatched the two pieces <
nuioklv rptrpatoH "
Allen concludes the tale: "
accelerating at great speed, >
reported the incident to the Air
I had seen was a flock of bin
Quincy Bascomb personally
would return the two pieces o
only received one piece."
In addition to UFOs and sij
include absent-minded prof*
Abraham Lincoln and P'ren
sterling jab is unforgettable, a:
"SIDE EFFECTS" more t
volvement in last fall's disapp<
Memories," which provided e\
rapidly burning out. "Side Eff
was only a momentary setba
master of humor.
ked' "w
3Y MARK PLATTE
Because of its very nature,
"The Spike," a fictionalized
account of Soviet espionage
in the United States, is not to
be taken that seriouslv Rut
it is so well-written that the
book takes on an air of
alarming truthfulness.
We are told of the separate
lives of first, Robert
Hockney, a radieal, left-wing
Berkeley graduate who
turns journalist after exposing
eovert Central Intelligence
Agency action in
France, resulting in the
suicide of the head of the
French news agency.
Cnnnr.^1.. tU, *?r - I
ucv-uiiuiy, llltTC IS IVllCniit'l
Henard, an employee of the
suicide victim, who is l>eing
manipulated by Soviet intelligence
in exchange for
money. The manipulator,
Viktor Barisov, a KGB agent
is heading a plot to alter all
Western news agencies into
tiard
attempting to show the world
he is not the crazed animal
the media frequently made
him out to be.
His story begins in the
poverty-ridden tenements of
the Bronx, where, as the son
of an Italian immigrant. La
Motta fought for his
existence in an often cruel
and prejudiced world called
America. In this ghetto La
Motta developed his "survival-of-the-fittest"
value
system.
IN THE FIRST chapter,
La Motta relays a story that
epitomizes his youth. He
tells of a time when he
complained to his mother
that some other boy had
stolen a sandwich from him
at school. When La Motta's
father heard this, he slapped
young Jake in the face and
handed him an ice pick. The
elder La Motta said to his
son, "You don't run from
anybody no nore! I don't
give a damn how many there
are. Use that (ice pick) and
dig a few of them. Hit 'em
with it, hit 'em first and hit
'em hard."
La Motta said the phrase,
"hit 'em first and hit 'em
hard," stayed with him all
ects'
Lealth
*als and set fire to the house,
where to my amazement I saw
:raft hovering just over the
tting an orange glow. I stood
e been several hours, though
en, so it was difficult to tell,
law extended from the aircraft
)f chicken from my hand and
The machine then rose and,
/anished into the sky. When I
Force, they told me that what
ds. When I protested, Colonel
promised that the Air Force
f chicken. To this day, I have
?hters thereof, Allen's targets
issors, graduation speeches,
ch murder mysteries. Each
s is the book as a whole.
han makes up for Allen's inminting
comedy film, "Stardust
/idence that Allen's genius was
ects" proves that "Memories"
ck in the career of America's
itii tr
Soviet thinking.
T11E LIVES OF these men
spill into a wild 10-year tale,
which finally leads to the
infiltration of Soviet agents
into U.S. politics. Hockney is
the first to discover the
predicament, but he is
discarded as a maniacal
liberal from his college days
of demonstrations and attacks
on the CIA.
The book begins slowly,
with different names and
locations coming into play
throughout the painstaking
200-page introduction. But
once the action begins, the
description borders on
brilliance and stunning
surprises become commonplace.
Tho illlthnrc fnrnirtn
a ttv MUVIIV/I O , lUi V/I^ll
correspondents Arnaud de
Borchgrave and Robert
Moss, have woven a very
credible story into events
which have shaped U.S.
politics, such as Watergate
-hitt:
his life and became a
motivational key in his
boxing career. He said this
particular advice was the
only good thing his father
ever gave him.
me door is not only an
account of La Motta's
complex life, but it is also an
indictment on the
professional boxing world.
La Motta justifies intentionally
losing a
professional fight, explaining
that the loss was the
only way he would ever get a
shot at a title bout. After
reading La Motta's explanation,
it is hard to blame
him for fixing the fight.
La Motta develops a guilt
motif in his autobiography.
He tells of his savage past
with an obvious inflection of
regret and guilt. It is this
sense of guilt which seems to
mysteriously loom over his
life.
AS A YOUNGSTER in the
Bronx, La Motta mugged an
elderly bookie named Harry
Gordon. The newspapers
incorrectly reported that
Gordon had died from the
wounas mulctedBy an
jnknown assailant.
Throughout the book, La
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Woody
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and the Iranian conflict, with
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characters to create a keen
insight into a frightening
situation.
However, their use of a
great many characters has
taken some personality out
of the important ones, such
as Hockney. We never really
feel the young journalist
experiencing any emotion.
Instead, he leads an unbelievably
successful life
with rewards falling into
place easily and quickly.
Hockney does face some
crisis, but the Berkeley
graduate continues, undaunted,
like a glorified
James Bond in the
newspaper business.
TO TIIEIK CREDIT, the
authors bring so many
elements into the novel that
it's hard to believe they are
able to tie them together into
a scorching climax. There's
ing
Moota relays a deep sense of
guilt for this brutal attack.
Several years later, on the
night in which La Motta won
the middleweight championship
in 1949, Harry
Gordon showed up at La
Motta's victory party. On
what should have been the
happiest night of La Motta's
life, the champ is overcome
with guilt.
Upon seeing Gordon, La
Motta reflected, "Here was
the greatest night of my life
and all I could think about
was all the wrong things with
my life. I could see myself on
the street in the Bronx
froilinrf aM
uaiuiig U1U liailjr as IlC was
going home, hitting him with
the pipe, pushing him into
the vacant lot, hitting him
again, taking his wallet and
running off...I've just won
the title, Harry Gordon is
alive so there ain't no
murder wrap against me,
there never was one.
Shouldn't I be happy, out
there drinking and having a
good time? Instead of which
I was wracked with all this."
"Raging Bull" is the story
of a real fighter. Today,he's
still lighting ? lighting for
forgiveness.
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Allen
lness
nothing in the book that
suggests any type of political
action being ridiculous
because the political
situation is so life-like.
"The Spike," the term for
a newspaper story not
printed, centers around
Hockney's search for the
truth from 1967 and the
unwillingness of his editors,
political friends and family
to believe the damaging
news he had unearthed. The
book takes Hockney from
California, to New York,
Vietnam, Paris, Home,
London, Geneva,
Washington, and ultimately,
back to New York and
Washington where the facts
that are bared make the
Watergate scandal seem
trivial.
Although the story
sometimes borders on the
incredulous, it is worthwhile
reading and extremely
vibrant in its main point.