The gamecock. (Columbia, S.C.) 1908-2006, February 09, 1981, Page Page 7, Image 7

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e Ehtertainmer *?'?W*r3a?<> "^M%. . Ao.. * e;?$iMa^^E * ?isgsSHBsiswj--. /y Mb ^^HHBn^HBj j^SBnS^^V^^H, . .1 , We loved th By Lynn Massey A??t. Entertainment Editor You really missed it. Only a thousand or more people came to witness the resurgence of the Fab Four phenomenon at the Township last Thursday night when Contemporary Sounds presented "Beatlemania". It was nothing less than flabbergasting. Many were saying after the performance things like "anybody who missed this got ripped off." The production was anything but a cheap simulation of the original foursome. It could be called a 60s time capsule, because the band's songs were illustrated with an incredible jocumentary depicting the heavy chaos of the riots, the " ? 1 i:?s ? i tka nippies, Vietnam anu uie puuntcii aaactaaiuanuiio uu uugii miv use of slides and film reels. THE SPECTACLE begins with a collage of television and movie stars while a film clip of John Kennedy in the Camelot era rolls on the screen centered between the slides. Then it cuts to the Ed Sullivan show when he introduces the Liverpool lads to America for the first time in 464. It ends there to throw the spotlight in the group who lash out "She Loves you," "I Want To Hold Your Hand," and "Help." Stunning the audience by sounding, looking, and acting like the original four, the group held the crowd spellbound from the very beginning until the grand finale. What was so profound about this production was that between sets, film clips of people and events of the decade were given more exposure which proved to be very enT omlin shines i --NaB8|p| ^ iw MniKw i Jjt^ ~ ?S? Tomlin prepares dinner in "The Incredible Shrinking Woman" B?S 3 ^"5S 4-'jW8!^CT^aBBnj wB^wW- ;:" :"---" Uf/^jl n i;'J5 P > ~ khB ttHHnn JKlMsrv k , ^ ttL ^fflLiU BSE ^KS >..j .fffij em yeah,ye< tertaining. Film clips of kids doing the jerk, President t Johnson's speech on education, and an interview with c Twiggy kicked off songs "Can't Buy Me Love," and "Day t Tripper." Star Trek stars, Marlon Brando, Joe Namath, and other '60s celebrities flashed behind the group. One of the highlights of the performance was Lenie Colaeinao as Paul McCartney swooning the small crowd with "Yesterday" was complemented with different works of art which reflected the song's gloomy mood. Flashes of Martin Luther King and heavy artillery backed up the songs "We Can Work It Out," and "Nowhere Man." THEN THE BAND showed the transition of the Beatle music Dy dressing in s>ergeani pepper costumes anu recreated drug-related songs while footage of John Glenn's space walk and take-offs of the Apollo rockets made headway for "A Day in the Life." Slides of hippies with headbands, peasant blouses, and people rolling joints filled the screen. However, one of the most spectacular performances was the multi-media version of "Strawberry Fields Forever" that was illustrated by a man floating in space and psychedelic designs of red splotches set off with stoned faces. Other songs illustrated much the same way were "Penny Lane" and "Magical Mystery iour." To end the first act, the band cranked out "Lucy in The Sky With Diamonds" which could not have been more visually or audibly stimulating. Beginning with a toy Ladybug twirling on the screen, the slides progressed with glimpses of comic n'lncredible Shi By David Baker direction is often static and ,VJ ture using focus so soft that the screen continually looks ///., jnmi as if it has been smeared with butter. advertising executive (Charles Grodin) and often WHAT'S INCIIKDIBLK helps him name new about "Shrinking Woman" is products. As it turns out, the that not one of these faults is chemicals in the products severe enough to deprive the Pat helped name are what audience of a good time. The combine in her system to movie obviously was in- make her shrink. tended to be a showcase for The shrinking process, the talents of Lily Tomlin thanks to Tomlin's exquisite ! and the daffy lady's talents facial expressions and are more than enough to unique way with a line, is I make up for the film's hilarious. There's at least numerous shortcomings. one good laugh every two Tomlin plays Pat Kramer, minutes in the movie's first housewife extraordinaire half-hour, but after that they ' and mother of two children. come in increasingly She's happily married to an irregular intervals. I >4 m iKKmf A ^^Bafe^-,-: ^y ?U| H * ?&< ^BBSSaSfe^^^ ..A jl .' "' :- 0* ." .*''* * | iy?[*jji**JI <t?TTYT77I _i_ ~i. ir un, yeufi:: ook heros and strung-out hippies. Red lights flashed for the limax of the song and a strobe light blared strongly enough a give anyone kaleidoscope eyes. A SHORT TRIBUTE was given to some rock legends such is Jimmy Hendrix, Janis Joplin, The Who, and Jefferson \irplane. In a studio atmosphere, The 'Beatles' came back vith a looser format and revealed some tension among hemselves which later led to their split-up. "Lady Madonna," "Michelle." and "Come Together." were some of the songs played while Jon Spa as John Lennon drifted off and on the stage. "Come Together" energized with reels of love-ins and clips of Bobby Kennedy during "AJ1 You Need is Love." Friction and anguish projected from the screen as the band played "Revolution" and "Helter Skelter." While performing "Hey Jude," slides of President Richard Nixon giving peace signs braced the center screen which showed the American flag slowly burning away. THE LAST SET included the songs "I am the Walrus," 'The Long and Winding Road," and ended with "Let It Be." [t jalso included a clip of Timothy Leary, the advocator and :hemist who concocted LSD. The enthusiastic crowd reacted wildly to the production and received three encores which did not seem to satisfy them completely. The boys, originally from New Jersey, concluded with three earlier hits, "All My Loving," "I Feel Fine," and "Hard Day's Night." inkingWomat> gnHHHMMK ' A 1 ISB^f inM[ , _Mf : ;-^ ^ 7 y : > s ^ - , in monkeys around in her new flick. ONCE THE pathetically presence, but only Tomlin underdeveloped sub-plot, could single-handedly make about a conspiracy to shrink a movie this bad seem this the rest of the world to Fat's good. size, is introduced and Pat is kidnapped and caged, the Coupled with her only funny moments are delightful characterization those provided by her next in the current "Nine to door neighlx>r, consumer Five," Toinlin's work in advisor Judith Beasley (also "The Incredible Shrinking played by Tomlin), and her Woman" places her telephone operator, Er squarely at the forefront of nnutinn . Tstmlt n artaint COnfomDOMrV COmiCS If She I IV'Ol I I IV \ t Vflllllll U^UIII ' . 1 w can one day find a script Other comediennes could worthy of her abundant get away with playing three talent, it surely will turn out roles in a movie to foe one of the funniest distinguished only foy their movies ever made.