The gamecock. (Columbia, S.C.) 1908-2006, February 04, 1981, Page Page 10, Image 10
By Michael Romatowski shots, t
staH Wrtt?r machim
In the three years since he burst upon the you don
New Wave/Rock scene, Elvis Costello has 1? "V
been cranking out songs at a machine gun become
pace. Indeed, in the last six months of 1980 matter
he released two albums, "Get Happy," and charge
"Taking Liberties," each packed with 20 black 'n
songs. If his fans thought those two records so you ji
would be enough for a long while, they were
wrong.
Costello is already back with a new Time."
Columbia Records release called "Trust." b?un(;?
On the new record, he has opted for songs lines lik
that are slightly longer than his usual two- lust ton
minute bits, and the result is an extremely musical
well-conceived album.
The s<
ELVIS'S BAND, The Attractions, is in top is "Shot
form; Drummer Pete Thomas and bassist piano si
Bruce Thomas provide plenty of rhythmic doom wl
punch, and Steve Nieve has shunned his "losing
electronic keyboards for an acoustic piano song is E
which adds a melodic touch to manv of thp Not al
'? ? J ? ~
songs. Lewis-st
The recurring cl iracter in most of lost in a
Costello's tunes has always been a hurt and 'N' Chip
confused lover, and that same figure haunts
the emotional landscapes in most of the ALL 0
songs on "Trust." In "Lovers Walk," the attentive
vocals keep pace with a rapid-fire drum to under:
beat while proclaiming, "Your love walks they are
where three's a crowd, be on caution where master
lovers walk." In "Pretty Words," the around <
character at first suffers abuse: "I ask you and he is
nicely, get my face slapped..." then gets a New W?
littlo m nro rnKiilliAiic "All T cnn or**-* r- ?-* ?-v nlhum fK
V a vuviiu/uo . nil i OLt ul v ^lltip "i^uni ill
i ?
L *-K?
Elvis Costello's new album release "Trust" h
week.
I ODK Forum
ll~1 g I I "t~ i?' '?> I l_t ? ?> P P<?> r?\ QOj
I II I V?4 C^l I?J K?J UJ O Ul I ^ pi p LJO^
"7% personnel budget cut
Thur. Feb. 5 T7p.m. in Capstc
BEST MUSICAL
1 978 TONY AWARD WINNER
/ VtW
I Tickets: February 18,1 <
Public?$10, $8 8 PM
usc students?$5, $4 The Townshi
rhuu Travel center, The Township b<
Office
Sponsored by the rhuu Cultural Series committee and the p
Hellenic council.
Costello u
lg shots, dead spots, mug shots,
slots, you don't know what's what, ^y|
t know what you've got." ^aSi
hite Knuckles," the scene finally
physically violent: "It doesn't
f your face doesn't fit, there's no V
or changing it...white knuckles on
blue skin, you don't have to take it
st give in."
ALBUM'S centerpiece "Strict
Oostello's guitar and Nieve's piano
he tune alone while Rlvis Knits nut
? "You talk in hushed tones, I talk in
s, tryin' to look Italian through the
valium."
ng that has received radio airplay
With His Own Gun." Nieve's grand W j^&HT ,
unds like a melancholy voice of : i S^BjQ
ile Costello's alienated character is
lis touch with each caress." This 3 J1
lvis at his best.
I the songs work; The Jerry Lee Y||jp?||||||
le vocals on "Luxembourg" are _
nrtttn nf I I I TT>' _ I
tdVC Ul CVIIU, UIIU llillt',
Japer," is annoyingly obnoxious. 7
F Elvis Costello's albums demand
listening. The lyrics are often hard
tand, but once they are figured out | ^
always fascinating. Costello is a
at twisting words and phrases "The Attractions b
ach other in extraordinary ways,
one of the more musically creative ^
ve style artists. "Trust" is an /
it Costello fans are sure to enjoy. / SPECIAL
HHHI I as
Bg* In our Speci
||| opportunity t
fij ferent functic
3 job placemer
mm University
t the Columbia record shops last
EFFECTIVE CC
HAS ALWAYS B
Man lear ned at a very early age that good ideas have to fc
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^ m W
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A ?> ? _ 1 " *
we win oe interviewing ai ine
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;ee your placement office for details.
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Anderson, S.C., 29621
Member ol the BASF Group UNmI J
an equal opportunity employer ? m/t y
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