The gamecock. (Columbia, S.C.) 1908-2006, March 24, 1980, Page Page 8, Image 8
HOT SINGLES
1. "Another Brick In The Wall' Pink Floyd
2. "Working My Way Back To You" Spinners
3. "Crazy Little Thing Called Love" Queen
4. "Desire" AndyGibb
5. "Call Me"/. Blondie
6. "Him'V. .V.-. Rupert Holmes
7. "Too Hot" Kool& The Gang
8. "The Second Time Around" Shalamar
9. "Hide Like The Wind" Christopher Cross
I Make You" Linda Ronstadt
:JMl 5 TOP LP'S
Pink Floyd
The Wind Bob Seger & The Silver Bullet Band
3. Mad Love Linda Ronstadt
4. Damn The Torpedoes Tom Petty & The Heartbreakers
5. Bebe Le Strange Heart
6. Glass Houses Billy Joel
7. The Whispers The Whispers
8. Fun And Games Chuck Mangione
9 Phoenix rvm rnitniKopd
A 5
10. Off The Wall Michael Jackson
Hardback Books
1.Princess Daisy Judith Krantz
2.The Bourne Identity Robert Ludlum
3.The Devil's Alternative Frederick Forsyth
4.Smiley's People John Le Carre
o.wrw s un rirst William F. Buckley Jr.
6.Portrait s Cynthia Freeman
7.Memories of Another Day Harold Robbins
8. The Top Of The Hill Irwin Shaw
9 The Bleeding Heart Marilyn French
10. Jailbird Kurt Von negut
The John Brannen Band, from Hilton Head Island, will [
j be performing in the Golden Spur Tuesday and Wednesday.
| CAROLINA WOMEN'S CLINIC
B ( ( , Free Pregnancy Testing
|| Abortion Counseling and Services
|! Pregnancy can be detected before missing period _ i
m Birth Control Counseling and Pills 1
fc j Pap Test and other Female Problems
I 2009 Hampton St., Columbia, S.C.
|a Call Collect - 803-256-0128
>
USC Cultural Series
I presents
(^EaAotte fympfjony Orchestra
, .,7/t , Leo Driehuys, Musical Director
with Guest Soloist
WITH
* ill MM M Ihll i I ! IIIMPIHH HIIHHMHBHIM . J
The Township
April 10,1980 8:00 pm
Tickets: Public $5.00, $4.00
J - _ . _
aiuucms: $2.00
j! Available: HHUU Activities Office T^T^S
sponsored by The HHUU Cultural lJ I |
Series Committee f [ ^ |
. Ill 1 III 111, I , , 11 ml ; 1 ,1 11 1H- 11 iTrffiWtg',"
| La Syphid
dance into
By Nancy Young
Gamacock Staff Writer
The Township was the site of two
unique ballet productions Saturday
nieht: La Svlnhide. a romantic
ballet originating from the Paris
Opera Ballet mid nineteenth
century, along with Paquita, a
ballet choreographed for the
Maryinsky Ballet in Russia.
TWO BALLETS differed greatly
in style; La Sylphide is a ballet
blanc where the dancers are
dressed in white tutus portraying
light, airy nymphs. Paquita is a
Spanish flavor ballet and is full of
gaiety and vivaciousness.
T? t - O - _ I _ I- J _ 4 I J
111 jlu oyipniun, me uauirers are
supposed to be light and possess a
good elevation. But in this
production, the dancers did not
seem very sure of themselves in
their arabesque penches, a step in
which the dancer stands on one leg
with the other leg straight out
behind him then falling 180
degrees. The dancers seemed to
force their technique which
destroyed the illusion of light
I
?wuuuidiiu iiympiis.
K i ' IB
JIB
_^T(
l ! Si
tlx!
j| DR
t "IklTEOkiATl
Hinicnnnii
THI
! si
| RiCEF
I NOTIONAL RR1
immEDM
1 THI
I,
\e, Paquita
Township
LOU MARTIN was a beautiful
dancer who seemed to have a
natural ability for dancing but her
technique could have been a bit
stronger. But her interpretation of
the Sylphide, who falls in love with
a Scotsman, James, was touching.
Warren Conover, a guest artist
from the American Ballet Theatre,
stole the performance with his
technical ease. He iust seemed to
hover the air while also proving to
be the very essence of the
Romantic hero.
Despite the technical flaws, the
production was enjoyable to watch
just because of the beauty of the
costumes and for the feeling of
romanticism which the company
gave.
Paquita, the opposite of La
Sylphidc, is lively, demanding a
strong technique and Stacey
Calvert led the ensemble with
assurance and authority. The
soloists proved to be just as strong
individually. But as an ensemble,
they were not always together ; one
dancer would be just a step ahead
cs at Ballroor
THE AUDIENCE was shown
film clips from Mary Hartman
episodes, the movies Bananas, No
Lies from Ingmar Bergman, and
her first commercial for Jello
cheesecake, for which she received
theCleo Award for Acting.
Lasser said that she was offered
the role of Mary Hartman several
times by Norman Lear before she
accepted it. "There was something
very gentle about him. I finally
decided that the discipline of 52
weeks straight would be good for
me. There was this look in his eye
that finally convinced me."
I.ASSF.H SAin nf
man, Mary Hartman: "Mary
Hartman was a statement for
middle America; especially uneducated
middle America; There
were scenes about everything
including masturbation and even
one scene about orgasm when Tom
and Mary were discussing their
3SSSSSSSSSSSSSSSSSSSSSSSS
UA flOT CINI I/
nn nivi CUUV
PEAKER SERIEJ
PRESENTS:
. fiL HURWI
IONOL ART ED
JRS., mfiRCH
7:30 P.m.
.OflN COLLEC
ROOm 203
HON SPONSOREI
' EDUCATION STUD
TELY FOLLOWING I
. ' 1 V ' ^ % *>' '
E PUBLIC IS INVITEI
FREE ADflllSSION
%
Dave Matthews - GAMECOCK
of the other. Walter Miller was a
good partner even though he
naturally lacked the technique of
Warren Conover. He proved to be
quite a cavalier to his ballerina.
THOUGH THE COMPANY is not
always strong technically they are
always fun to watch for the sheer
enjoyment of dancing. Columbians
should be grateful for the
chance to see these great classics
the company brings.
n From page 7
love life. Of course he did, and she
didn't." The scene was scrapped
because one station objected so
strongly.
LASSER SAID of the show, 44We
were doing the best we could do,
and suddenly the country just
picked up on it as some sort of
phenomenon. It was all out of
proportion."
The audience freely asked
questions of Lasser. One interested
person asked, "Is Fernwood
modeled after Lima, Ohio?" It
seemed that Fernwood is the name
of the street that runs behind
KATV in New York, where the
series was filmed.
Lasser gave a warm and open
account of her public and private
life and was very well received by
the audience. When asked how shp
would like to be remembered,
Lasser replied, "As a good, good
soul." She should have no problem.
ps^ssssssss^
TZ
UCATION"
?g |
E. I
) BY |
>ENT CHAPTER I
LECTURE. I