The gamecock. (Columbia, S.C.) 1908-2006, February 29, 1980, Page Page 11, Image 13

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

'Arsenical stale in H By Cyndle Larsen Qamocock Staff Wrtt?r In theatre there is a place for sensationalism hut in a nlav like Arsenic and Old Lace, Tuesday night at Workshop Theatre, it certainly did not belong. Arsenic and Old Lace, a timeless play by Joseph Kesselring, opened on Broadway in 1941, and enjoyed great success. Two dear, but mentally unbalanced, spinster sisters, unable to curb their in curable appetite to do good, invite old gentlemen into their home and poison them for their own good ... namely to alleviate their loneliness. Teddy, the mad nephew, deducts that the men are yellow fever victims, and neatly burries them in the cellar. Teddy's long lost brother shows up with a cfiff nf Viic nuin Ac Mnrtimor tho third brother, explains to his fiancee, "You see, insanity runs in my family; it practically gallops." THE MOV IK, released in 1944, starring Cary Grant and Peter Lorre. and the Dlav Droved most successful presumably because it suited audiences to poke fun at death during the war years. But by the performance at Workshop Theatre on Tuesday night, one would be hard pressed to guess that Arsenic and Old Lace is still considered one of the best plays of the twentieth century. Kesselring's excellent drama making light of death is made ohso-heavy by the cast and director, RanHall Rrnuinina AVUIIVIUJi UTTIilllg. THE TWO LEAD roles, Abby and Martha Brewster, are played by Cary Crouch and Callie Thigpen. Amiable and kind as the two little old ladies are, they are still the two strongest characters in the play, or shall I say, should be. After all, they do have the wits to murder a dozen old men, 1 A. At. _ A. _ e A.% I J unnnown 10 me resi 01 me wona. While Thigpen did an adequate job portraying the character of Martha Brewster, though a little weak. Crouch really missed the boat. She could have been anywhere from a senile 20 to 60 years of age. Her motivation for her movements and conversation were not evident, unless it was to merely enlighten the audience to . the fact that she was alive and breathing and capable of altering her vocal pitch. Just because an actress sensationalizes her role does not mean she successfully establishes her character, and the audience cannot be fooled into believing what is not believable. THE BEST performance was given by Rex Wilson, who played the nutty nejJhew who believed he was Teddy Roosevelt. Not only did Wilson give an excellent and hilarious performance as Teddy Brewster, he did very well as Teddy impersonating Roosevelt. If anything could have saved the play, Wilson was it. Martha Ivey, who played the flighty fiancee of Mortimer Brewster, did well in her role as Elaine Harper. Mike Collins, playing Mortimer, the only sane Brewster, did a notable job in characterizing the shocked and disbelieving young nephew. PhnrliA P#?t*?rsnn past as Jonathan Brewster, the homocidal insane asylum escapee who looks like Boris ,Karloft, did a good job as Boris Karloft ? not Jonathan Brewster. IT MIGHT BE noted that for a play set in Brooklyn, N.Y., the characters all came off as being very much southern. If the cast was unable to assume Brooklynite snppfh nnH mannpr Rrnwnina could have at least taken the trouble to designate another setting in the stage bill. Overall, Workshop Theatre was not able to instill life to A rsenic and Old Lace, but the superior script alone should be enough to carry the play until it closes on March 2. id Old Lac *r%. # ri/i rehearse for Workshop's . Ola Lace. A ?he%sse ify ^s, the Travel C< any semester's curi I reservations, hotel i maps, or internation But guess what el wants to escape the you to the woods to hacfs. lanterns. stov< If you know when I come visit our librai j; perfect trip. Or bettc i Caribbean, a winter group rates. So when travel ii I Center is located in information on thes It starts with us, but The e' remains traduction oer and Mike Collins as Mortim screwball comedy Arcenic and II House Univer ou know where you're g< inter provides a full range of fi riculum. Sure, we can arran; iccomodations, car rentals, tr lal travel tips. se? If you're a perennial hock hotel world of slinky bars and < 1 4*ruff-it." We help by renting ;s. Everything you need to eari 2 you're going, we can get yot ? _r u i v, l* ry 01 vcicciiiuii uiui:nuic9. ui u :r yet come along on one of our ski trip to Canada, or a spring 5 a part of your plans, revisit i the Student Activities Office e and other travel services cal it ends with you. Russell House University U 'I ^ I V =EEEEE: TIDILITE restaurant & lounge I 1928 Rosewood Drive [l Aooearino This Wf*pkf=>nH H "Fragile" N ? ??V _ . ?_ siariingnexi vveeK We're moving the Beer Bust to Thursday Night j HISO...I Monday & I uesday Night admission is only $1.00 sity Union-Travel Center 1 ninrf urp r?an cfpt vni i thprp ? L/Allgf W ^ Vx%AAl t J V-4 CA A V/ M. -w ^ ree services to help you make 44rambling" a part of! ge all the traditional travel services. Like airline! ain transportation, bus trips, personalized driving! ;ey and speed skating fan, a with-it American who! ?olor television sets. The Travel Center can help getl f all kinds of camping equipment. Tents, sleeping! i your badge as an official outdoors person. S i there! And if you don't know where you're going.! it a member of The Travel Center Staff suggest the! custom group trips (such as a holiday cruise to thel break exodus to Ft. Lauderdale at incredibly cheapp >- -* 4 [y the Russell House. The Travel ^ ^ I on the 2nd floor. Or for further p^pjji|?nw c ? ? t 1 o?* nnn a A ar\ O ij 1 i lit: I Iavd Vvtlllv;! CXL I I i vnm/. 5 P 4s I f nlon--Your Place in the Fun. k.? l.?.? | I russeil house 3 |