The gamecock. (Columbia, S.C.) 1908-2006, February 15, 1980, Page Page 8, Image 10
Jazz comes c
highlight. Cherry's bluesy
"Guinea" has l. fine solo from
Cherry and a great solo from
Redman whois very much at home
wun tnis sort 01 material, unerry s
entry on piano behind Redman is
more intrusive than helpful, but
this is a minor quibble.
Redman's "Orbit of La-Ba"
features him on musette, a doublereed
pipe of fluctuating intonation.
Redman's knowledge of his instrument's
quirks is tastefully
displayed in a melodic solo. A brief
4 ? !|L /II 1 _
uuei passage wun wierry evolves
naturally into a solo for the
Tales o/Toyj
All the actors were good, but no
one was outstanding. It was a
"starless" company, a perfect
blend that was a pleasure to watch.
The sets and special effects for
the show were very well done. The
interior/exterior of the Toyshop
was on a revolving platform ? one
scene an inside wall, the next scene
an outside wall. Even the small
? Corre
In the "Hopscotch" article in W
Neame was mistakenly identified
quote-out as Howard Zieff. The tiam
caught before the paper went to pres
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AROUND
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,
if ageFrom
page 7
trumpeter. The tight rhythmic
support of I laden and Blackwell is
especially noteworthy here.
Haden's "Song for the Whales" has
nnrin e t\\\\r iic? I \ ?
o\ji i iv. i iv. uv;vvvu vuuvio v/uv iv;uoij
intended to duplicate the speech
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Four great modern masters of
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I
" f from page 7
touches were painstakingly trueto-life
? there was a cat, for
example, who sat on the outside r
wall, turning its head and waving
its tail gently.
The Babes in Toyland wasn't a ?
classic operetta, or a deep, probing
play, but it was an enjoyable
escape into a few hours of fluffy
fantasy and fun.
iction p
'ednesday's issue, director RonaldjJ
both in the photograph and in the!
lecock regrets that the error was notl|
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album of fine music that pays
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Caroline) and is nuhlished three limes
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Columbia. S C 29208 Subscription ratos
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