The gamecock. (Columbia, S.C.) 1908-2006, December 05, 1979, Page Page 10, Image 10
From Aesthetics, page 9
questions stagger the in
and discredit and c
direction of the show. 1
more.
Two other works on
wall, "Dark Sea" ai
Rise", display stunn
ments of water, in varyi
realism. Yet, both \
destroyed by the com]
convincing moons that r
* O
horizons. They look as ii
afterthoughts, for their <
flat and there is abs
interaction of light upc
face of the water they ris
Sky's ability as a cc
seems inconsistent. Hi
wonderful color in
acrylic, "Congaree",
small oil, "Trip to Myrtl
other works, like "Jet"
hot pink beside lime
deep violet, a combin
sounds awful even in v
Again too, the moon lot
afterthought, done at
moment to "fit" the thi
show.
SKy s Drand ol "phou
is also not up to coni
standards, light years i
Richard Estes (who a
trucks) or Chuck Close, <
own "Tunnelvision."
crafted works in this
are, "Sealand" and 4
large acrylics. The otl
rtioVir?rl /\t? r?t*v?wvl??
A UOllCU y \JL 1411111113
Nights is obviously
- pointment, certainly not
standards the artist has
is capable of. Although t
way to decipher what ca
a back-slide, one wondei
biz may now come b<
Nights will continue thr
6.
"I went to Myrtle Beac
metaphor for popular
culture, 1 found the
juiigie suung on a concre
The above quote is
introduction to David L
Gunars Strazdins' photi
minature golf. The show
20 black-and-white photc
and ten quoted statem
the academic commn
dealings with this
phenomenon usually
with resort areas.
Visually the show is 1
done, being that both L
Strazdins are fanati<
perfection and present*
photos are of the highei
rich in tone and high in
The montages are als
done, and the inter-re
between them is a stimul
of form and value.
Yet, aside from all thi
don't understand the pc
show. There are ce
number of kitch
contemporary riHWv, t
state fairs, ^^raseme
along with miniature goll
one was selected,
significance of this o
social icons, is not entire]
In any event, the show
Drovokinc. and as I'vp
photos are beautiful. Th<
continue through Jan. 6.
Briefly, two other re
tists are showing loca
Lebby is exhibiting re<
tings, drawings and lith<
McKissick through
Michael Tice, a 1975 gi
USC, is displaying water
drawings in the lobb
Creperie at Jefferson Sqi
I
j Thursday De
| in assoc. with USC Hist*
m
?
/
^agination, mm* _ \m
lefuse the W
But there's |g ' _ T
nd "Moon jgj*-ing
treat- y~ jtffcgli
ng levels of
vorks are ,?8? ' Tjtft mm
the last pav
ime of the ?
D-realism" tel ^ ''''
temporary B ,ftf*W0P<
iway from H
Iso paints HKKBLIi4K
Dr even his
The best
collection C (?
4K", both B ^
lers seem JEWELR
ucu. ! :M WAREHOU
a disap- H 2909 Piatt sprln
up to the wejtcoia9tli6w
proven he
here is no
msed such
*s if show- ffCKSXSSSXSS
efore art. /
ough Jan. $
:h to find a \
American i v
cultivated
steslab." <5
from the ^
ackey and j
3-eassy on V
consists of j
montages
ents from \
inity, all J
leisure jj
associated 5
I
beautifully g
ackey and \
cs about
ition. The \
st quality, j
l contrast. \+\
o artfully \l
;lationship f
atingplay jl
s, I really J:
)int of the \i\
rtainly a j
within our i
hings like '\\ 9VJ
At parks, 4\ H P w I
f. Why this \ \ KHBHV
or the 't HHk
ver other j
i
is thought \\
said, the, t
?ckn.? 72
/ onuw win ,m
i HHhi
gional ar- 4 imih-h?uuii^^h
lly. Larry I HHPSFVH
cent pain- i fi
^graphs at | H^Bg&JyJ
Jan. 11. \
raduate of t HgHpffig
colors and rt
y of the J ^
jare.
tiL O f t \ Mpy
ory Dept. \
wm R
Ij 1900 Dl
| (ACROSS FRO
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*> TJBgCEp.
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id Lackey and Gunars Strazdins'
I SHAME I YOI
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