The gamecock. (Columbia, S.C.) 1908-2006, November 21, 1979, Page Page 11, Image 11
nmumm
Social
Qaiinrlind mnro lilru an
uwuiivuiig miviv tutv III! WUJCVllVC
outlook on life, "social realism" is
a term identified with a regional
movement that flourished in New
York City during the 1930 and 40s.
It is also the subject of a current
exhibition at the Columbia
Museum entitled City Folk. Yet,
before we discuss this show, let's
briefly look at the artist's interaction
in the social context.
The relationship between the
artist and his social/political
environment is not the easiest of
questions to decipher. This is due
primarily to the fact that such
inflnpnrpc run tho oamKif f mm
? 11V111
sublime acceptance to harsh
counter-reaction.
We touched on this briefly when
we discussed the National
Sculpture show some weeks back.
There the point was made that
contemporary sculpture has fully
accepted, utilized, and claimed for
itself, the triumphs of 20th century
technology.
In an example such as this,
Mi IK r?n
MmBI^M aHKT KS3B?^&?^^sg
Paul Campus'
Tha GAMECOCK to th? atwdant
rtawapapar of tho Untvarafcy of Sooth
Cwoha and to puUWMd thiN ttmM
waak on Monday*. WtdnMdtyi and Friday*
during tha fad and apring aamaaaara
and enca waafcty on Thuradaya during both
wmmaf aaaalona whh tha axcaptton of
unlvaralty hoUdaya and axaminatlou
parioda.
Opinion* axpraaaad In tha GAMECOCK
aro thoaa of tha adhora and not thoaa of tha
Unlvaralty of South Carottna.
Tha UrWvacaMy of South Carolina la an
aqual opportunity Inatttutkon. :
Tha Board of 8tudant PubNcatlona and
Uommunicatkons is the publisher of the
Gamecock. The Student Media Office is the j
parent org*ni?*tion of the Gamecock. j
Change of address forms, subscription
requests and other correspondence should
be sent to the GAMECOCK. Bom 85131.
Russell House. University of 8.C..
Columbia. 8.C. 29208. Subscription rates |
are $5.50 per semester and $2 for the
summer sessions.
Third class postage paid at Columbia.
8.C. _
I
realism
social influences are obviously
apparent due to the extent in which
such sensibilities are embraced. It
is also strikingly clear when artists
respond in the opposite direction,
that being rejection or dismav
towards the statis-quo.
Protests of social conditions
have echoed through-out the
history of art. One might recall
Goya's "Disasters of War" or
Daumier's "Third-Class
Carriage", or even the novels of
Dickens.
It is easy to understand then,
why such dismay and pessimism
would have submerged in New
York after the Stock Market crash
of 1929, manifesting itself in a style
loosely termed "social realism."
This era is the subject of a new
show currently on display at the
Columbia Museum of Art entitled,
City Folk.
City Folk, organized by the
Columbia Museum, is a pleasing
display of primarily paintings that
HB| * jut '
m^r>
Pi
t
|'r* f &"Vf
>vJ
j^x ,jbBBBBb - 3. - * '>
. t f i' ><*'*' '>4*
' ^ ^ r " ^
'Playground'
L I
Ben Shahi
effectively capture the mood of a to the past gl<
country in a traumatic and dif- allegorical th<
ficult period. Miller's "Ni
Perhaps the foremost "social Window" ha
realist", Ben Shahn, is here before a skyl
represented by two intriguing smoke stacks
works, "Sunday Morning" and has "Dante
"The Clinic." Square", t
onlookers.
"The Clinic" is a biting com- City Folk is
mentary on the social classes, and speaks
wherein two shabbily clothed
iirnmnn rliiFi rf
nr VAiiVH, u well ItU U y IUC11 UII"
vironment, sit below a sign with HHHOMPii
the question, "Do I Deserve
Prenatal Care ? "
The most stunning visual work in
the show is a tempra by Paul
Campus entitled "Playground."
Here the city is depicted as a series
of walls that speminolv shut nnp nff
from "the real world." In the
windows of distant buildings, ~acks?ns
ghoulish faces peer out like ^ rfoq
strange animals in the (urban) R.E.O. Sp
jungle. 3 Parl,amar
In the foreground, one man Foreigner
seduces a woman, others find a ^ Jacksons
cubical for gaming, and still n Sealj
another climbs the wire fence as if
10 escape.
Yet, not all of the works are so
obviously political, even Campus ? wi,,anp PfV
has a wonderfully sensitive MpiKsa m
drawing in "Study for Sleeping 5 Pat Methe
?y* 6 Single Bull
"Passing Skyline" is another 8 Bob Seege
interesting work. This watercolor 9 Bob Seege
by Reginald Marsh depicts the 11 Bob See9e
arrival of Greta Garbo on the deck 1 5 Aerosmith
of an ocean liner. His illusionistic
lrf>9lrnonl nf thn nnr Q
v> vMVAJitvilV tllV pnv/iv/gl apll^lO,
and his play with the edges of the
work as interior planes is quite GsmOgPJ
inventive. HHHgnMH
Two other works in the show "T* ' y V 1 2j
display an ironic twist by illuding ^ :
| |^ ^ ^ ' "" -' "'-y' -:-'^y<d
Select Unique Ci
Sport Coats...reg. 44.95 to 99.9!
Sweaters...reg. 1 7.95 to 29.95.
Dress Pants...reg. 22.95 to 49.9S
1Casual Pants...reg. 1 7.95 to 28.9
I Blue Jeans...reg. 1 9.95 to 25.95
1 Casual & Dress
| / Shirts...reg. 1 7.95 to 38.95... .
, Antique Ties...reg. 7.95
^4 45 DAY LA
1/ i JUST IN TIME FO
Iv N ummiliiiii
u) arcTT^r
-g7
, 1st Block
I rrJ
ft
mmt
ssmt./ <
SfdMSa
i's 'The Clinic'
jries of classical and rebellioi
?mes. Kenneth Hayes conditioi
jde By Penthouse The effe<
s a reclining nude course,
ine of buildings and Yet, the
AnH IcnH*?l Richnn ???
.. IUUUVI Lriouup pdasivc
and Virgil in Union own little
:> the suprise of periodic;
activism
an interesting show, City F
of the artist in Jan. 6.
? mi
November
' Grei
Dnes
leedwagon Gre<
it/Funkdelics,
i Blue Li
December
>ple, Andy Gibb,
anchester, Dr. Hook
ny
et Theory
r
r
r
']B8| B | |
?jSS|| {Ml I 8l tP M
isual Sportswea
> 29.97 to 6<
11.97 to 15
> 15.30 to 3*
5 .. 11.97 to 2:
13.30 to 1"
11.97 to 2!
Y-AWAY
R RHRISTMAS
MAuiti i i iTTiTTnTTTTTI!
of Main Street, Dow!
ar. rmmegi
*v.
is response to social
is that disturbed them
ct of such a response is, of
impossible to measure.
; view of the artist as
visionary locked into his
; world, should perhaps be
ally revised by such social
oik will continue through
MBn
iggggg
enville Memorial Auditorium
. . . Agora Ballroom, Atlanta
snville Memorial Auditorium
Greensboro Coliseum
Carolina Coliseum
Omni, Atlanta
ttlejohn Coliseum, Clemson
Omni, Atlanta
Agora, Atlanta
Golden Spur
. . . . Asheville Civic Center
Carolina Coliseum
.... Greensboro Coliseum
. . Greensboro Coliseum
nam II
r
* / v
3.DO
rjp
5.97
>.30 j
nuinm
^ " '-v" V 3
HATH?1 I
I
ntown i