The gamecock. (Columbia, S.C.) 1908-2006, August 27, 1979, Registration Issue, section B, Page Page 12B, Image 36
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The latest 'Ai
takes cinemat
By David Baker
Gamecock Film Critic
The fun in watching David Lowell Rich's The (
comes from trying to figure out just how far into
the movie will go. Past the point of no return is tl
finally arrives at.
During the film's 123 minutes, the Concorde esc;
electronic missile, escapes a French fighter pic
plunging into the Atlantic, makes an emergency 1
no brakes, is sabotaged, loses a cargo door and di
Swiss Alps, loses several large chunks of its fusel;
mountainside, becomes snowbound, falls apart un
snow anu imany mows up.
It it was Rich's intention to make a coined}
grandly, lor Airport is quite possibly the funr
seen And, believe tl or not. it's not the preposteroi
makes the movie so hilarious.
Ninety percent of the movie's laughs stem iron
its "all star'" ca.st. Completely composed of has-be
this cast gives new meaning to the phrase "night of
George Kennedy again appears as Joe Patroni
only running character. In this installment. Patrol
his mechanic's uniform and is now a Concorde pi I
given for the metamorphosis.
Top-billed Alain Delon (Mr. Klein and Zorro) poi
pilot. Naturally, he's having an affair with a st<
Sylvia Kristel ithe Kmanuelle films). A second ro
by Susan Blakely and Robert Wagner. He's a bil
who got rich off of several illegal arms sale
newscaster intent on spilling the beans on his tree
arrives in Moscow to cover the Olympics.
Also along for the ride are such past luminaries i
plane's owner, Bibi Andersson as a Parisian hook<
as a sports commentator, Andrea Marcovieci as
marina uaye as a woman wun a Dladder tne siz
Tyson as a mother bearing a heart for her sun's ii
Jimmie Walker as a pot-smoking saxophonist and
Russian weightlifter with a deaf daughter in tow.
This amazing array of incredible characters is q
wildest scone in the film belongs to Charo. She po
who tries to sneak a chihuahua on board by hiding
The three lines she's forced to utter in this mercii
all that is needed to make her look like the den
always looked noon her as beini*.
Technically, Airport ?;) isn't quite the fiasco
pec ted. It was shot in a process called Cine-Sonic,
same method of combining live action and matte
Wars , the only difference being the use of sky-blue
of black ones. In any event, a great deal of the fi
uuioiuiiuiu^.
If only everyone concerned had not treated t
much of its hilarity could have been genuine rath
As it is Airport *7!> is just a downright embarrassm
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Concorde: Airport '79 ^
the realm of silliness ^
IP ansu/pr thp viou;<ir %
apes the pursuit of an
ine, narrowly avoids
landing in Paris with
epressurizes over the
age, crash lands on a
der tlie weight of said
r, lie has succeeded
liest movie I've ever
isness of the plot that
1 the inadequacies of
ens and never-weres,
the living dead."
i. the Airport series'
ni somehow has shed
ot. No explanation is
"trays the plane's coewardess,
played by
mantic duo is etched
lionaire industrialist 2736 DeVine St. COla, S.C. . . 25
;s. She s a network '
ichery as soon as she MHMBMHBHfflHIMMBHBMBSMHi
is Eddie Albert as the
<!), John Davidson
a Russian gymnast,
e of a peanut, Cicely
upending transplant,
Avery Schreiber as a
uite humorus, but the
rtrays a Latin bimbo
; it in a white fox fur.
ully short cameo are
lented retardate I've
one might have ex- ^^MMfijLg j4&iP[ r
which is virtually the ^kV^HB (||p BBS mrlffl fif($ j 6
backgrounds instead
lm's in-air footage is
he film so seriously, f- ^ -*
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