The gamecock. (Columbia, S.C.) 1908-2006, February 14, 1979, Page Page 7, Image 7

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r^r r kiiH I H^^H^^^^HNPPHjjj^: '''''"^Ck^s/ ^^^^B^^^'j5^E3'rViJ"''1'5"'^ i hi .. I 1 flHHHI I 8 ^ > > . v i iJC^BwWIW^MHMBiy JBir-^1^---^^7% I |lfttj]|Mjj^ I! nanHB^MH^p ,, . raMHK * wii? w9H| * ? ? *Jtt1?ll I jBHHMKHBBMff^BB H; MBA ^JB^m'^r- < ? ->.-v v dfifr WB " ^ NRBQ keyboardist enjoys life on the road By Larry Hudson Qam?cock Stall Wrltar After NRBQ's performance in the Golden Spur Monday night, a Gamecock reporter was invited to talk with keyboardist Terry Adams in his Holiday Inn suite. Adams projects an almost manic stage image with his keyboard clowning, but offstage he is surprisingly soft-spoken ? a man who makes a living by doing exactly what he wants to do. GAMECOCK: NRBQ has been performing for more than 10 years. What has kept the band together? | ADAMS: We like what we're doing, and we like our kind k of music. GAMECOCK: Where did NRBQ get started? ADAMS: Florida. We work out of New York now, though. GAMECOCK: Mercury is your fifth record label. Why so many changes through the years? ADAMS: All artists change labels every now and then. Frank Sinatra has changed labels six times. GAMECOCK: How well is your Yankee Stadium album doing on the charts? ADAMS: It's doing very well. We have a new one coming out in a couple of months called Kick Me Hard. GAMECOCK: NRBQ plays jazz, country-rock and straight rock-and-roll. Why produce and perform so many styles of music? Do the band members each compose different kinds of songs? ADAMS: Well, it's that to a degree. We're always being asked what kind of music we play, but we don't know the answer. We don't sit down and say: 'We're going to do a country song this time' or 'This one will be jazz.' It's not a conscious attempt to play different styles of music. We ~11 -*-.1 ? ~e 1 ' * ciu allies ui music ana aon i iry 10 limn ourselves by playing, say, just jazz or something like that. I'd say we've all been influenced by just about everything we've ever heard. It just happens that way. GAMECOCK: Who came up with the idea of the Magic Box? ADAMS: I guess I did. It's all ad-libbed, mostlv iust to eet the crowd to have a good time. I think the worse we do those songs the better they are. It's fun. GAMECOCK: What did you think of the Spur crowd? ADAMS: They were about half-and-half. We'll know for certain Tuesday night. GAMECOCK: Do you usually play the club circuit? ADAMS: We play a little of everything. We play small nlnKc Knf ah ? ^ viuw, wui wc vc ujnjncii tor mice cooper, ueep purple and B.B. King. GAMECOCK: Do you enjoy opening for such big acts? ADAMS: It depends on the crowd and who the headliners are. The crowds that follow Cooper are into lights and fireworks; they're there to see the main act, whereas the crowd that follows B.B. King really appreciated our music. Some groups try to restrict us. I remember one that refused to let me nlav niann - i j r GAMECOCK: Have there been many personnel changes in NRBQ? ADAMS: Some, but that was a while ago. The latest addition was our drummer, and he joined us four-and-onehfllf vPArs nan GAMECOCK: Do you do your own producing and engineering in the studio? ADAMS: We have our own engineer and we do our own producing. We've had big offers from record companies who want us to take on a big-name producer. Thev think a producer can narrow our sound down to something that is more commercial. GAMECOCK: Where are you going from here? ADAMS: Nobody knows where we're going. GAMECOCK: After a night like tonight, what do you usually do? ADAMS: I like to sleep. ^ I wyu I I ^if! WmSBH^^B?9nB^Ba8&m&B^mSiin J %&\ Ailwftl^HI I ' J?li^BSBaMBmKW 198IIS1 wnsnn^p^^HH^H^^WK ^ ?MviBI^GBB1 |i%fiPRP^Hfl^^n faS^i^L JH I ~ . WT.-1 TSr.|-- -niia^a^VHMlOOTtMBHMPI ^ * * SB :S 111 I Bk iiSSissi 1 fin :X-^5t*F ^6BB81fe : '. '" ! ^R.- -r yp^c^^^^'C;,-"^""" r^---:' "j ,v- .v. D?v? Roback - OAMIICOCK