The gamecock. (Columbia, S.C.) 1908-2006, November 22, 1978, Page Page 4, Image 4
s*6E^S^IR^^^w
Tiger Burn '78
] A group of rowdj
Monday at the ani
.?J. _ -L.
umuarisi
impressive
By Janet G
Gamecock Stal
Christopher Berg is becoming some
not to mention various other cities in wl
guitarist to receive a master of music (
Conservatory, is currently a music ins
pride and joy and the only instrument h
"I think one instrument is enough."
Berg displayed his mastery on the c
at the Columbia Museum of Art. All s<
before the concert started. Berg's solo
too soon with an impressive piece 1
Francesco da Milano.
The 26-year-old musician continued
from the Renaissance to contemporai
special type of concentration with Bacli
being an outstanding example of miu
i
V ?
i was intereste
a little bit more \
9
OTHER NOTABLE pieces were his
Dowland, Fernando Sor and Lennox B
ease with which he executed every noU
amazement.
Berg's guitar, a seven string classic*
an overall tone of uniqueness. Berg sai
to aid in the interpretation of older mus
Although Berg played folk and rock
he did not "take the guitar seriously" t
was interested in playing a little bit mo
SHORTLY AFTER comoletion at
career as a recitalist with performanc
In 1977, he appeared as a guest artist
the same year, Berg became the fi
Teachers National Association's Com
Berg said he is currently planning i
Hampshire, Pennsylvania, North Car
Berg's Sunday concert was more thai
concentration. It was an exhibition of
way to spend a Sunday afternoon.
i students showed th
nual Tiger Burn.
delivers I
? concert
ibson
i WriUr
what of a celebrity in Columbia,
hich he has toured. Berg, the first *
iegree from prestigious Peabody
true tor at USC. The guitar is his
e claims to play. Berg explained,
lassical guitar Sunday afternoon
iats and floor spaces were filled
performance began not a minute
ay the 16th century composer,
i with classical works spanning
y. His performance exhibited a
t's "Prelude, Fugue and Allegro"
iical excellence.
d in playing j.
I
than chords. !
i
:
!
interpretations of works by John
erkeley. The clear pitch and the
; seemed to leave the audience in
U designed by Jose Oribe, added
d he uses the seven-string model
ic transcriptions.
music in his early teens, he said
intil about the age of eighteen. "I
re than just chords/' he said.
Pea body, Berg embarked on a
:es throughout the United States.
with the Stamford Symphony. In I
rst guitarist to win the Music g
petition in Atlanta. I
upcoming performances in New ||
olina, Tennessee and Alabama. I
i% {nof a <lian1au r\t ovnat^anna nm/fl I
VM JMOV M VI ^A^/Vft IVIIW CUIU l<
genuine talent and a refreshing I
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ll%H^H9QMw^fljH^^^lK^:v-:-:-9Hl^a
Prank D. Pryor ? OAMECOCK
eir school spirit
fflkfc/ *"'
Christopher
Berg
Mowt ipypffffBi
A iiRmwMwmMi
dKH SHOWS AT:
mSM 3:30 5:30
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any t,m^ flog* ,
mi ll r^l !\~/a4~1
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A r?rvuj? xjuvrwif I:
uieis uu
indicate:
By David
Oamecock f
The title Someone is Killing the Grc
Who is Killing the Great Chefs of Em
picture's release.
It has long been a truism of Hollyw<
distribution process is a sign of panic
screenings indicate that the public i
invariably after a title change is ina
fusion over the product and respond
happened only four months ago whe
given the meaningless handle Who'l
While the title change involving Ch
involving Dog Soldiers, it does indica
moguls at Warner Brothers. Their <
WHAT COULD HAVE been a ?
humorous and the macabre has beco
Kotcheff, a garble of cuteness and sei
the film doesn't have its moments...
a richer feast than it delivers.
As you can probably deduce, the i
very much into food. George Segal
pursuit of his ex-wife, Jacqueline Bis*
desserts. Robert Morley is the g
magazine who cannot resist any of Bi
It is Morley who starts the comic j
when he enters the magazine office c
nf aru\A PAnlrinrf Dnfni" Ctnnn'o <)!?!<?<
v* ^wu vwning. a VWi UU/11^ 0 UIQlUg
that is always exhilarating. He and Bi
moments.
BISSET, LOVELY AS ALWAYS
formance that has to rank among he
signs of crumbling under Kotcheff
rampant overacting, Bisset keeps it
Segal, who has always been one
positively ludicrous. Evidently, Kotc
on last year's Fun With Dick & Jane
direction at all. As a result, Segal i
IjHJ jSMjMPfflEg B**!
RESI
PHO
3888 FOR INPI
AHPAPPOI
B TirTlmv
papa
le change
3 iUlAUlC
I Baker
'llm Critic
tat Chefs of Europe was changed to
rope? less than a month before the
x>d that a change of title late in the
. It usually happens after a few test
s not clamoring to attend. Almost
tituted, the public senses the cons
by staying away in droves. This
n Karel Reisz's Dog Soldiers was
II Stmi th? Rain
efs isn't quite as radical as the one
te some concern on the part of the
:oncern is justifiable.
sophisticated combination of the
me, under the non-direction of Ted
itimentality. This is not to say that
, it is merely to say that it promises
najor characters in Chefs are all
stars as a fast-foods magnate in
let, the world's foremost creator of
;argantuan editor of a gourmet
Bset's fattening concoctions.
uices flowing in the opening scene
expounding on the sensual delights
ue dances off Morley with an ease
isset provide the film with its finest
, gives a very understated per
tr best work. When the film shows
's heavy-handedness and Segal's
together with her radiant allure,
of my favorite actors, though, is
iheff was so impressed with Segal
! that he nasnm#?H nn
is constantly jumping around the
See CHEFS, page 5
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