The gamecock. (Columbia, S.C.) 1908-2006, September 01, 1978, Page Page 16, Image 16
F aye Du
Band entertc
with evening
By Pam Myers
e*m acock Staff Writer
Every now and then the Con- with R
temporary Sounds Committee at and B
Russell House will present a overp]
unique band at the Golden Spur, doesn'
Well, Wednesday night they made claims
U ...Uk tlu> RV
tuiuuici aii?au|iv ai w?ui uiv ~ ~
David Earle Johnson Duom Duom entitle
Bop Orchestra. f>y
The orchestra began playing Mare?
here in Columbia two months ago.
"We began because we like to play which
and we can improvise together/'
Johnson said. "We area jazz band
with Latin influence.*' They appear
mostly in Columbia, and have n_
regular Tuesday night a
engagements at the Coal Com- aU(?e
pany.
Their^ opening Wednesday was
siow. fsryson tsorgstedt tweeted
the first number to a flop with a At i
very weak flute. But he wasn't hanH
flopping alone ? Eddie Bird and Charlie
Lee on trombone along B
Then
A 1 sponsoi
Around
Sea boa
tainers
Campus me
talist,'
Smt?n
I . ''
f > *." i V. J T.'n i
inaway
lins Spurt
\ of Latin,
oiland Haynes on saxaphone f
luck Bird on the trumpet I
layed their brass. (That i
t square with Bird who a
i to double with the O'Jays.) c
THE FOURTH number, ?
k! "78 Dixieland," arranged r
hnson, the band got their I
. J.l i _ __A.I 1-1 XI ~
viBiunzt ujgeurcr, oiew om uie <
and started showing some s
. The percussion section,
seemed to be their strongest
throughout the evening, ?
d. Johnson soloed on the J
s for a while, and Kevin c
i beat the timbales and ?
s into a smooth beat. The $
nee in the Spur started >
iding, which relaxed the t
and a few good sounds were
ced. t
the end of the first set, the 1
played "Time is Free," a I
arranged by Johnson <
8 will be a free Labor Day pj
red by the Interfraternity Coun
m., Monday. The party will b<
ural field A and will feature Eas
ird and Clearsmoke. No glass
will be allowed.
Amazing Kreskin, renowned 1
will appear in the Coliseum at 8 p
iber 7. Admission is free.
"* * + # ^ 0 a o t? fr'c
fiVi inpft l
By David Baker
Oimicock Film Critic
For the past several years, director
is been caught in an acceleratin
lancial frustration. By injecting cc
lieving scenes into such downbeat
Ine Madness," "Loving," "Hie Fli
id "Up the Sandbox," he 1
slievability for an excess of artific
pid box-office reaction. His 1972 film
return ot a Man (Jailed Horse/' lost
at he was virtually banned from
rever.
Finding work with trend-setting
Bters in "Eyes of Laura Mars," how
is become one of Hollywood's hot
nee Peters lives with Barbra Strei
Id that he would have considered Ke
tch an ambitious project, consider!
e man responsible for Streisand's 01
ilure, "Up the Sandbox." But Peter*
ershner's style well enough to give 1
uch to the relief of Columbia Pi
tnfidence has proved to be justifiable
hit.
One of the foremost reasons 1
>puiarity is the presence of Faye I
>werful New York fashion photof
ars. Not since "Chinatown" has Di
?eerily attractive or so terrifyingly
orld where most people are eith
irish or indiscriminately somber, L
i one of the few normal people in it.
THROUGH HER mildly pornogi
nock S-and-M ads for perfume a
>wever, she also exhibits a kinkie
lolent and sexy world of her phol
:rowd I
jazz
eaturing an excellent solo by him.
Jut slinging didn't make the
lumber ? Johnson and Davis
potlighted the congas and brought
*xt hooting and hollering from the
ludience. Following them was the
Mttl kUklUki 41?
cm luguiiyii ui uic numuer.
)arryl Haynes did a five-minute
trum solo that sent the audience
oaring.
JAZZ LOVERS in the audience
teemed to enjoy the David Earle
Johnson Duom Duom Bop Or:hestra,
but most agreed they
ttarted slowly. Partyers at the
>pur also liked them, but they
..1J l -t
vuuiu nave enjoyea anyuiing in
heir condition.
The orchestra needs more than
heir two practice sessions a week.
In all fairness, they played to their
votential. After they get better
ittuned to each other, they'll be a
arty The Annual Universit
icial Exhibit opened August 30 i
, t*- - -?? ? -
; wit Hiuacuius. nit: snow iea
tern paintings, photography an<
con- art and will be on display 1
p.m. The exhibit will c
September 20.
Vien- The University Union is
> m night party beginning Sep
concert on Green Street.M
WprlnMHnv'n rmnor
. i?'
&' +-%A'*Vfc*?%? o-% #<* *' A* c*% ?s* % * ' v'
drives a madr
that the ads i
Irvin Kershner slowly knock
g whirlpool of associates, an
>medic tension- His preferred
projects as "A pick into his
in Flam Man" forced to witi
las sacrificed several occas
:e, resulting in This non-st<
i, the disastrous ning of the
so much money concerning e;
United Artists endowed with
able to envisi(
producer Jon is about to st
rever, Kershner As the mur<
test properties, enters the fil
Icionn if Ma??i11o urViA ?
io(uiuf it owiuo ncvuic nuu t
rshner to direct film's most n
ng Kershner is strangest. Ur
illy commercial both the gritt
i evidently liked world of Lain
lim the chance, cops admire 1
ctures, Peters' with him. H<
}, and "Eyes" is position betw
for the film's THE FILM
>unaway as the admirably by
grapher, Laura manager, Br.
maway seemed Raul Julia
vulnerable. In a hiishnnd Mpt
er outlandishly and Darlann
aura stands out who portray f
a hint of lest
The techni<
aphic pictures rate. The scri
md cosmetics), Goodman, k<
r side. It's the maintain the
tographs which
jSKfck Hi
K^IHk SSEHflEBf MBflffifta
The David Earle John!
Duom Duom Bop Orchesi
fair nightclub band but n<
anything else. In the meantime
them practice on the Coal C
v Facultv Art
it the McKissick 'A Wo
tures ceramics, productic
1 other forms of be preset
from 9 a.m. to 4 Saturday
ontinue through Longstre
master's
Theatre
sponsoring an all
tember 8th with a stage. 1
[ore details in next master s
a Mai
nan into murderous fre
ire an evil influence <
ing off Laura's frien
id probably means to k
method of murder is
victim's eye. Unfort
ness the deed in extr
lions.
Dp ocular mutilation i
film's bizarre metai
yes and vision. In ad
a strange extra-sensoi
>n exactly what the mu
rike.
Jers begin to pile up, T
m as a police lieuten
s assigned to the case
ormal character, Johr
ilike everybody else, J
y world of the police a
ra and the people she
lim and, by mid-movie
5 reconciles the film'i
een the lifelike and U
'S remaining supportii
Rene Auber jonois as L
ad Dourif as her cree]
as her failed-writerition
should also be ma
e Fluegel, the two st
nraiuoKlu fnnliaK fmoni
V* 51 T UWV AW1IOI1 A A
)ianism in their girlisl
:al aspects of the film
ipt, by John Carpenter
ieps things moving b
suspense, yet slowly
See LAURA
John
on provided live ei
^??o (he flnMaw Sa
W ?? X*V1U^U KJJJ
night before a
:v,^ pany and giv
,'? herein the S
om- 1
man Mov'd', an ac
?n featuring Ruth Ann1
nted at 8 p.m. Thursc
, September 7, 8, ai
et Theatre. Ms.
degree candidate i
Department, will be i
y performing a variet
fhis performance is a
requirements.
rs
nzies. Convinced
an society, he is
ds, models and
ill Laura herself,
to plunge an ice
unately, we are
eme close-up on
s just the beginjhorical
scheme
Idition, Laura is
y power ? she is
rderer sees as he
ommy Lee Jones
ant named John
i. If Laura is the
i is certainly the
ohn is at ease in
rnd the ultra-chic
works with. The
i, Laura is in love
s underlying ople
fantastic.
lg roles are filled
flurn's nhnnvimu
py chauffeur and
turned-gigolo-exide
of Lisa Taylor
atuesque models
is with more than
ft camaraderie,
are equally first
and David Zelag
riskly enough to
enough to let the
MARS, page 18
ltertainment at
iiir Wednesday
packed crowd.
_ a i J
e us a gooa wanu
pur.
\
:ting thesis
Berkley will
lay, Friday,
id 9 at the
Werkley, a
n the USC
showing her
y of roles on
l part of her
J