The gamecock. (Columbia, S.C.) 1908-2006, June 22, 1978, Page Page 11, Image 11

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ss-'7' I Hnp& .<<, \.*< SIMHP v.*-*"*"*"'",VAV Prison arts By Skot Garrick Entertainment Editor rm A ? ? > ' ine sugma atiacnea to prison inmates is one that can, and usually does, last for their entire lives. The lives of these souls are usually devoid of any color, beauty and variety. The South Carolina Arts Commission in conjunction with the Department of Corrections, has instituted a program to bring some vestige of the arts to inmates. The Arts in Prison Program, one of the largest in the country, is a highly successful program that has touched on different prisons all over the state for the past four years. Harry Harrison of the Arts Commission has strong feelings for the program. "The program is an attempt to make creative opportunities open to the inmates. The inmates enroll of their own free will, out of their own interests," he said. THE PROGRAM is made up of professionals who work with the inmates in a master-apprentice type of relationship. The professionals instruct in workshops and classes on such Li_ ? ' suDjects as painting, pottery, guitar, creative writing, percussion, dancing and other varied artistic skills. Success of the program is based on the rapport established between teachers and inmates. According to Harrison, "The inmates who . ?t ? 11-. i vuiuiucci u?uauy nave no background in the areas being taught. The artists have to be able to communicate to them. The teachers are picked by a special Springsteen from p. 10 quote, "I have seen the future of i Springsteen." In the three years Springsteen spe roll has gone through some changc emerged. The coming of age of Jackson Browne and Billy Joel co petition. ^89196991 Joseph > program si board on their ability to communicate and artistic expertise." The South Carolina program is one of the largest in the country and has been highly successful. "The inmates are willing to learn," said Harrison. "They really benefit Columbia, S.C. Carolina Coliseum HnniJ UonninOc' Wnrlrl nf Madip *4V/I114?l?^w HV* 1M V? AT&U5IV June 24 Alice Cooper, Ritchie Blackmore's Rainbow and Ac-Dc . . . June 29 Isleys, Ashford and Simpson, and Stargard . . . July 1 Jimmy Buffet . . . July 21 Township Auditorium The Wiz . . . July 1 Greenville, S.C. Greenville Memorial Auditorium The O'Jays and Chic . . . June 22 Ronnie McDowell . . . August 17 Charleston, S.C. Gaillaird Municipal Auditorium Eddie Kendricks . . . July 1 ?. II -J :i i m;i\ run, ttiiu ii? name is oruce nt in the limbo of courtrooms rock & ?s and some new, fresh faces have poetic songwriter performers like uld present some interesting com ^ il mmtl, ' *11 Jim Pattorick ? GAMECOCK uccessful from thp nrnaram " THE PROGRAM takes place in 16 institutions around the state. As well as Central Correctional Institution in Columbia, the program is offered in Kirkland, Manning, Watkins, Campbell and other locations. Charlotte, N.C. Charlotte Coliseum R.E.O. Speedwagon . . . June 25 Bootsy's Rubber Band and the Raes . . . June 30 Greensboro, N.C. Alice Cooper . . . June 30 Electric Light Orchestra . . . July 11 Kansas . . . July 30 Yes . . . September 14 Asheville, N.C. Asheville Civic Auditorium Wild Cherry . . . July 3 Bootsy's Rubber Band . . . July 3 Foreigner . . . July 8 Atlanta, Ga. The Omni The Isley's . . . July 2 Cassidy (ri?? ? surprises like the Beatles' "You Really Gotta' Hold on Me." It *Ao11tr --.I a iv**!ij uiuii t mailer wnai mUSIC Cassidy played, for after every number there was arj ecstatic roar from the audience. After a seventy-five minute set Cassidy threw two dozen roses to the crowd (shades of Tom Jones!) along with his towel and literally ran from the stage to escape his fans. Now it's obvious that I was a bit Record exchj By Barton B. Van Beenen Gamecock Staff Writer Thprp pvictc /%? Ci i. - - ^ v<uuw uii ui CCII OU CCl ?1 shop that is totally unique to Columbia. The sh~p, however, is no more unique than its owner. Richard Joseph is a moderately tall man with roaming streaks of gray drifting through his neatly trimmed hair and beard. The 39year-old hippie runs his store much as he runs his own life. The shop is neat, organized, and no bigger than it needs to be. Its owner wears clean, but faded cut-offs, and a loose-fitting T-shirt inscribed with "I'm just an old hippie." As you walk in you will immediately discover that therp isn't a whole lot of room to walk around in. Total size, about that of the average office. Along the righthand wall are records that are arranged in alphabetical order, in natching wooden crates. These overflow into a bulletin board filled with hand made buttons, selling for fifty cents a piece. Hien the counter, with its ancient cash register, and Richard's easy chair parked conveniently nearby. The record stacks start up again, ending next to the tPmnPramAnfal stereo outfit. A small by comparison collection of eight-track tapes completes that area. The walls are adorned with not particularly well done antiquings of old movie stars, old stylized baby prints and rock stars, all of which can be bought for less than two dollars. Richard, like his shop, meets you with a sincere "hi" as you enter, but I was not sure at first whether he was the proprietor or not. I had brought two albums with me that were next to worthless. I presented these to him and got fifty cents a piece for them. Not in cash, but in credit towards further sales. As I browsed through the albums I checked for two things, one, the price, the other, the condition the records were in. The price for albums almost never went over four dollars, and on the whole was around two bucks a piece. During my search I came across a Moodv Blues album that RirhnrH happily told was rather unique. It had been made in Japan, and came complete with Japanese characters on its cover. TTiis got Richard and I talking. A simple question like "What kind of person does it take to run a place like this," Drought an answer that was incredible. "Well, I'm just a bum, and this is the easiest way I know of to make a living and still enjoy myself. I don't like anything that has to do with society. I don't carry insurance, I only have a savings account so I can cash checks, well you know anything that puts a leash on a guy is out in my book. With this place I can open up anytime that I want to, close when I want or not even open up at all. I really like to play golf, I'm practicing for the semi-pro tour out in California next summpr T 11coH tn Kd o no/)/!" f?~ . a v?v/^v? iv mv u ^auujr iui u1c I JPG A you know. So when the weather is nice, I play golf until biased when I went into the show; after all, I'm a good bit older than the six to sixteen set, the group at which Cassidy's music is directed. But I must admit that I was impressed by Cassidy's professionalism. The young man knows his business and he knows how to please his audience. Cassidy's vocals are surprisingly strong, and his keyboard work is impressive (my hard rock friends mge unique I'm ready to come into work." The thing that fascinated me about the place most was how he could make a profit, and how he came up with the idea of a used record store. Knowing no better way of finding out, I asked. "Well this store didn't get here by chance, nope, I researched it. Did you know that there are only twenty-five towns in America that nave got a college with more than 20,000 students, and don't have a shop like mine? Well it's true. I came here for that reason, and besides, a guy can play golf here ten months of the year." "I know, Mr. Joseph, but how do you make any money out of here?" "It's Rich, or Richy. Well one way is through this list of stuff that I send out all over the country. It's international, I send it to some buddies I've got overseas. Yeah, that would make it international. I have got over six hundred items in here, everything from LP's tn 7?'c The things are rare, valuable or collectable. As far as the shop goes it is really hard to say, you've just got to make a buck where you can and hope that it's enough to pay the rent." 1 may be a little slow but I was beginning to catch on, he was about to tell me. "What constitutes a collectable record?" "Any records that are in condition, no longer in circulation or have something different about tVipm fan fminH in tVio oV?#??x T ... v~w ?V .uuiiu UI uib OIIUJJ. LUIVC an album that is cut out of red plastic on the first issue and black on the rest. That black album is worthless as far as value goes, but that red album, in good shape, is worth more today than it was the day it was bought. Take that Moodies Blue album you were looking at. Normally I would have sold that to you for about three bucks, but it was different, so I'm selling it for five. Now if a record has got a scratch on it, well it will go from twenty dollars to fifty cents just because of that scratch." "What kind of a man would you say you are?" "Oh hell! I'm just an exeverything. I'm an ex-bartender, ex-caddy, ex-student, I'm even an ex'jazz vocalist. I guess that is just the beatnik that is still in me. I still do love that Bee bop Jazz. Why, just the other night those guys that sing at the Coal Company, you know them, well they came over here and bought about two to three hundred dollars worth of Beebop Jazz. We just had a grand old time together. You really ought to go hear them," he said. 1 tni t uciuic very lung i u nave a second location opening up. It will be like a B class store. This will be the A class store where all the good condition albums will be sold. I'll work here. The other store, I don't even want it associated with this one. I'll just get someone to sell the records that are like that junk you Drougnt in ? the scratched up and warped ones. Those will be really cheap. That is half the reason I got into this business. I've been collecting records since 1 was about this high. will be appalled.). His band, including three members of Three Dog Night, the red head off "Room 222," and Billy Mumie (Will Robinson on the "Lost in Space" serial), was very strong. Every generation has its musical idol, from Benny Goodman to Elvis to the Beatles, but for today's younger kids, there is only one idol, and that is Shaun Cassidy.